Wine Spectator

Tulin is a wine that looks in two directions – on the one hand deeply rooted in the single vineyard of the same name directly below the winery in Treiso, and on the other hand an expression of a modern, consciously contoured interpretation of Barbaresco. The wine comes from a south and south-west facing steep slope on calcareous marl soil, interspersed with layers of blue clay – a terroir that produces structure, precision and clarity. In the great Pelissero canon, Tulin stands for finesse with a backbone. The vines are over 50 years old and produce concentrated, but never exuberant harvest. The wine is matured for around 20 months in tonneaux and large barrels – not for effect, but for balance. Vinification is carried out with open mash fermentation and a great deal of patience in the cellar; the use of wood is deliberately minimised.

It was in December 1998 when a customer knocked on Giuseppe Bisci's door and asked for "vino d'annata" – a young wine, ready to drink straight away. Yet Bisci, as a matter of principle, only sold his Verdicchio after at least two years' ageing. Giuseppe turned the customer away, but the encounter stayed with him. The high-altitude calcareous clay soils of Matelica, where the Apennines rise majestically into the sky, did not produce simple everyday wines – they were capable of so much more! The continental climate, with sun-drenched days and freezing mountain nights, gave the Verdicchio an intensity, minerality and a backbone of acidity that allowed for decades of ageing – something almost unheard of in Italian white wine. That very same day, Giuseppe turned to his cellar master, Aroldo Bellelli: "Let's make a wine for the next person who asks for a young wine – so that we can tell him: "We make Riserva, and that won't be released for another seven years!""

With further bottle ageing, this Barbaresco tends to be softer and more open, with soft tannins and a broad palate, thanks to the microclimate created by the cru's proximity to the Tanaro river.

The first vintage was released in 2001. A wine that had no history yet, only a conviction: that the Maremma, with Petit Verdot, Cabernet Sauvignon and Cabernet Franc, could express something that Tuscany had not yet heard. Twenty years on, with the 2021 vintage, Brancaia takes stock in silence – and has given this particular release the suffix ‘20 anni’. Over two decades, the vines have driven their roots deep into the sandy loam soil of the Maremma. No artificial water – only what the soil stores in winter and releases in summer. The vines have learnt to cope with the heat. The grapes are becoming more concentrated, the tannins finer, the character more distinctive. This is the promise made in 2001 – and which the 2021 vintage fulfils.

With "Capo Martino", Silvio Jermann not only pays tribute to the vineyard of the same name in the municipality of Dolegna del Collio, but also to his father Angelo – and thus to the origins of the family winery. It is a white wine of great cultural depth, a cuvée of indigenous varieties such as Ribolla Gialla, Malvasia Istriana, Picolit and Friulano, complemented by smaller proportions of other traditional varieties. The 2022 vintage was characterised by stable weather conditions with plenty of sunshine, which gave the grapes ripeness and expression – but without losing the typical freshness of the hills around Capo Martino. After the harvest, the grapes are destemmed, gently pressed and fermented spontaneously. Maturation takes place for around a year in large wooden barrels on the fine lees, with each component maturing separately before finally being blended into a cuvée. The result is a wine of quiet complexity and timeless elegance.

The youngest of the Produttori cru wines, which saw the light of day in 1978. The palate reveals ripe, silky fruit and an important structure.

A Barbaresco with a lot of personality, in which body and tannin structure are well balanced by floral scents of undergrowth, mint and eucalyptus.

Brilliant and vertical, it retains its characteristic floral note and the freshness of the fruit typical of the terroir.

Produced in small quantities, Vallocchio clearly stands out from pure Brunello di Montalcino. Darker, deeper and more mystical, it shows notes of ripe blackberries and plums, complemented by exotic brown spices and a hint of lemon confit. Its texture is like velvet stretching across the palate, black-fruited and ripe, underpinned by minerals and cooling herbal notes. It is youthfully monolithic and dense, revealing its austere tannin core only towards the end, where notes of black tea, liquorice and a hint of cocoa emerge. SUPERIORE.DE

Poggio San Polo's Brunello is a selection of the best grapes from the estate's various vineyard sites. It opens very engagingly with dark fruit, including plenty of black cherry and dark plum, rounded off by aromas of undergrowth, rose petals, new leather and wild mint. Pleasing texture, suppleness and silkiness on the palate, refreshed and carried by a well-presented, refined Sangiovese acidity. Dark berry flavours, long, deep and with a slightly mineral final. SUPERIORE.DE

A fruity and graceful Barbaresco. The loamy soils give it a firm backbone and strong tannins.

The 2019 Brunello di Montalcino from San Felice shows rich black cherries and plums with sweet spices, cedar shavings and cool mint. The texture is silky, with a polished blend of red and black berries interspersed with savoury minerals. Medium-bodied and youthfully compact, it also shows a taste of what's to come as florals build over notes of liquorice and clove. A web of fine tannins envelop everything they touch with youthful composure as the wine tapers off with violet reflections. This is a very successful interpretation of the top 2019 vintage from southern Montalcino. SUPERIORE.DE

Anyone who knows the south-east of Montalcino knows: no sea breezes, no proximity to the lake, no soft light. Monte Amiata reigns supreme here – the extinct volcano in the background, which breaks the winds, intensifies the temperature fluctuations between day and night and gives the soil its unmistakable character: Galestro slate, gritty, barren, rich in minerals. Oaks and holm oaks stand between the vines, where elsewhere cypresses or olive trees characterise the landscape. Poggio al Granchio – the "crab hill" – lies at 380 to 450 metres, south-east exposure, the historical heart of the appellation. Val di Suga acquired this vineyard in 1999, thus completing a triangle that no other producer in Montalcino possesses. The grapes are harvested by hand in crates, in micro-zones, and the optical selection is uncompromising. In the cellar: fermentation for ten to fourteen days, followed by intensive post-fermentation maceration at 30 degrees for twenty to twenty-five days – this is where extract, density and colour are created. 2021 was particularly favourable for the Poggio al Granchio. The influence of Monte Amiata mitigated the dryness of the summer, while the long autumn ensured even ripeness.

Montalcino is not a homogeneous terroir – it is a mosaic of microclimates, altitudes and soil types that produces completely different interpretations of Sangiovese within a very small area. San Polo is situated in the south-east, on the Podernovi hill, where the extinct volcano Monte Amiata shields the vineyards from hot sirocco winds and has left behind pyroclastic deposits that lend the Sangiovese a mineral character found in very few other vineyards. At an altitude of 450 metres, the estate is one of the cooler areas within the appellation – significant temperature variations between day and night enhance the aromatics and acidity, whilst the dry summer conditions concentrate the berries without causing them stress.

The southern quadrant of the Montalcino hill follows its own logic: more warmth, more sunshine, and a ripening process that is more consistent and complete than in cooler exposures. Tenuta Campogiovanni is situated precisely here – on medium-textured silt-sand soils overlying sandstone and limestone, in a location that gives the Sangiovese Grosso reliability in poor years and depth in great years. 2021 was a great year – but it began with a shock. A mild, dry winter had brought forward budbreak; by the end of March, the best-exposed vineyards were already sprouting. Then came the April nights. Temperatures dropped below zero, and the early buds froze. Yields were significantly reduced. What followed was a rainy spring, which helped the vines survive a long and very hot summer. The grapes that survived concentrated what they had. Harvest took place from the third week of September through into October.

In the early 1970s, San Felice undertook a project at the Poggio Rosso vineyard that few at the time recognised as groundbreaking: carefully selecting Sangiovese clones – carefully selected, designated for a single plot, with the aim of eventually producing the purest expression of this patch of earth’s terroir. That is now a reality. Fifty years on from those plantings, Poggio Rosso stands as the pinnacle of San Felice’s terroir. The estate, which in 1968 created the Vigorello – the first Super Tuscan made without white grapes – and saved almost extinct grape varieties through the Vitiarium, takes a different, more rigorous approach with Poggio Rosso: no blending, no assemblage, no Pugnitello. Only Sangiovese. Only these plots. Only in the best vintages. A wine that is produced only when everything is just right. 2020 was hot, dry and intense. In south-eastern Chianti, near Siena, the Sangiovese ripened to a concentration reflected in 15% alcohol and an extract that carries the fruit without overwhelming it. The best vintages are no exception here – they are the prerequisite. 20 days’ maceration, aged for at least 20 months in wood.

Wonderful, finesse-rich selection of the estate's best Sangiovese grapes. The nose is impressive with its richness: red fruits, dark flowers, fine tar and vegetal notes, traces of blackberry jam. Full-bodied on the palate with subtle extract sweetness, powerful and juicy at the same time, the well-proportioned tannins come into play very well and glide this red elegantly into a long final. SUPERIORE.DE

Orlando and Attilio Pecchenino are from Dogliani. The fact that these brothers, who have made a name for themselves as Dolcetto producers, also produce a Barolo of such depth and precision is no contradiction – it is the same approach, applied to a different terroir. The Corsini vineyard in the Bussia MGA, Monforte d'Alba: south-west facing, calcareous-clay soil with brownish marl, Guyot training, 5,000 vines per hectare. At 340 hectares, Bussia is the second-largest MGA in the Barolo region – and was historically the first single vineyard to ever be bottled as such. Despite its size, its soils are remarkably homogeneous and its character unmistakable: a dense depth that unfolds into great complexity over time.

Cherry-accentuated bouquet with hints of violet flowers, clove, cigar box and a pleasant spicy sweetness. Dense and expressive on the palate, it opens vibrant and multi-layered and then reveals a wonderful load of black cherry, exotic spices and a fine salty vein. The perfectly balanced tannins always provide the necessary balance and give it a racy, very long finish with its extremely refined flavour components. SUPERIORE.DE

Ilatro – is the Tuscan name for the wild olive tree (Phillyrea latifolia), which grows in the maquis surrounding the Brancaia estate in the Maremma. An unassuming plant that nobody plants and nobody tends – that is simply there, part of the landscape, part of the scent of this coastal region in hot weather and with the sea breeze. The Ilatraia takes its name because it comes from this place. Not from a vineyard that could have been anywhere. But from here. 40% Petit Verdot, 40% Cabernet Sauvignon, 20% Cabernet Franc on sandy loam soils, without irrigation, beneath the Tuscan coastal sky.

The heart of the Lageder revolution beats on the spectacular steep slope of the Römigberg, where Lake Kaltern stretches like a mirror at the foot of the vines. Here, on the plot of land that has always borne the name Herz – latin "Cor" – alois Lageder dared to do the impossible in 1986: In an unprecedented act of courage, he planted the first large vineyard in South Tyrol in dense planting on a wire frame, radically breaking with the centuries-old pergola tradition. What began as a scandal became a legend. Working with winegrowers from all over the world – the legendary Robert Mondavi from California and several chateau owners from Bordeaux – inspired Lageder to make this visionary decision. He recognised that the steep south-southeast-facing slopes between 250 and 330 metres, characterised by stony, gravelly dolomite limestone over ancient moraine deposits from the third ice age, had the potential for world-class wines. Here, where warm Mediterranean influences meet Alpine coolness and intense sunshine meets millions of years of geological history, conditions of unique complexity are created.

Concerto was born in 1981, a time of dynamic change in Italian viticulture. The hitherto untapped potential was recognised and experiments were carried out with new grape varieties and, for the first time, successfully with international grape varieties. It was Marchesa Carla Mazzei who spontaneously chose the name Concerto in 1981 after the first tasting of just fifteen barriques – a symphony had taken place in her glass. As one of the first ten Super Tuscans, this wine made history and revolutionised the Tuscan understanding of wine. From the Scassi vineyard in the western part of Fonterutoli, surrounded by oak forests at an altitude of 350 metres, the Sangiovese comes from mass selections from an experimental vineyard in the 1930s. And the small portion of Cabernet Sauvignon has developed a completely independent character here over four decades, far removed from the international character it develops elsewhere. The 18-month maturation in French barriques then gives the wine its noble structure without overshadowing its original elegance.

Caparzo's La Casa vineyard, located in an enviable position on the hill of Montosoli, has been vinified separately since 1977 and is one of the first single-vineyard bottlings in Montalcino. Like the normal Brunello, La Casa has a surprising underlying acidity that gives the wine brightness and focus, and the northern exposure of the parcel has certainly played a role in this.