Montevertine

It had disappeared for many years, but customers never forgot it: the Agretto di Montevertine, that special vinegar that the great protagonists of Italian cuisine loved. The longing remained, and a few years ago Martino Manetti found the right solution – the Acetaia Castelli in Rio Saliceto, a small village between Reggio Emilia and Modena, where the tradition of Aceto Balsamico is at home. The new Agretto has nothing in common with the old one, apart from the name and the philosophy. It is made from cooked must of Sangiovese grapes from the Montevertine vineyards and is a deep dark red colour instead of the amber yellow of its predecessor. The flavour retains the characteristics of a sweet and sour condiment, but with acidity setting the tone – clear, present, never overpowering. A balsamic condimento from Radda in Chianti, matured in Emilia-Romagna, characterised by a spirit of uncompromising quality: just as you would expect from Montevertine. SUPERIORE.DE

The latest wine from Manetti – and yet one that bears the Montevertine hallmark like a second skin. Pian del Ciampolo is more than just an entry-level wine: it is the accessible side of that uncompromising philosophy for which Sergio Manetti abandoned the Chianti Classico DOCG in 1981, because he refused to blend white Trebbiano into his Sangiovese. This wine comes from parts of the two major bottlings – le Pergole Torte and Montevertine – as well as from grapes grown on younger vines. What elsewhere would be called a second or third wine is here pure Sangiovese character in its freshest form.

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business associates, nothing more. He sent a few bottles to Verona for the major wine fair Vinitaly, more out of curiosity than ambition. The reaction was overwhelming. The hobby became a passion, and the passion a vocation. Until 1981, this wine bore the name ‘Chianti Classico Montevertine Riserva’. Then came the turning point. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as required by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982 onwards, the wine was simply called “Montevertine”, without any additions, without compromise. A name that became a statement: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have pressed it before bureaucracy and commercialism dictated the rules. The wine comes mainly from a two-and-a-half-hectare plot facing south-southeast, planted in 1982 – in the year of the great upheaval.

In 1967, Sergio Manetti, a Milanese industrialist and passionate art collector, bought an abandoned estate in the hills of Radda in Chianti. He knew little about wine. He knew a great deal about quality. And he decided early on that his wine would make no compromises – —not even those demanded by the appellation. When the Chianti Classico DOCG stipulated that white grapes must be blended in, Manetti refused. From then on, his wine was called Toscana IGT. Not for lack of pride in Chianti – but because he had too much of it. What grows at Montevertine are the three indigenous reds of Chianti: Sangiovese as the soul, Canaiolo for elegance, Colorino for colour and structure. No additions, no international compromises. Martino Manetti, Sergio’s son, runs the estate with the same conviction: “Simplicity, respect, care for every detail and savoir-faire” – is how the estate itself describes its philosophy. Words that sound simple, yet are so difficult to put into practice.

Aqua Vitae is the result of the collaboration between Distilleria Artigiana di Gioacchino Nannoni, which directly takes care of the entire process of distillation, maturation and bottling, and Azienda Agricola di Montevertine, which supplies the Sangiovese marc from the vineyard "Le Pergole Torte". After steam distillation, the wine is matured for about four years in oak Caratelli casks. Amber in the glass, soft, warm, intense and gently enveloping on the nose and palate - stylistically it is more like an Armagnac than a grappa. SUPERIORE.DE

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business associates, nothing more. He sent a few bottles to Verona for the major wine fair Vinitaly, more out of curiosity than ambition. The reaction was overwhelming. The hobby became a passion, and the passion a vocation. Until 1981, this wine bore the name ‘Chianti Classico Montevertine Riserva’. Then came the turning point. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as required by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982, the wine was simply called “Montevertine”, without any additions, without compromise. A name that became a statement: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have pressed it before bureaucracy and commercialism dictated the rules. The wine comes mainly from a two-and-a-half-hectare plot facing south-southeast, planted in 1982 – in the year of the great upheaval.

In 1967, Sergio Manetti, a Milanese industrialist and passionate art collector, bought an abandoned estate in the hills of Radda in Chianti. He knew little about wine. He knew a great deal about quality. And he decided early on that his wine would make no compromises – —not even those demanded by the appellation. When the Chianti Classico DOCG stipulated that white grapes must be blended in, Manetti refused. From then on, his wine was called Toscana IGT. Not for lack of pride in Chianti – but because he had too much of it. What grows at Montevertine are the three indigenous reds of Chianti: Sangiovese as the soul, Canaiolo for elegance, Colorino for colour and structure. No additions, no international compromises. Martino Manetti, Sergio’s son, runs the estate with the same conviction: “Simplicity, respect, care for every detail and savoir-faire” – is how the estate itself describes its philosophy. Words that sound simple, yet are so difficult to put into practice.

In 1977, Sergio Manetti produced his first pure Sangiovese from Radda in Chianti – without Canaiolo, without Colorino, without the white grapes that the Chianti regulations prescribed at the time. Not because he wanted to break the rules, but because he believed that this soil, these vines, this single grape variety needed no additions. From the very beginning, the wine was called Toscana IGT, not out of defiance, but out of consistency. And it bore a name rooted in the landscape itself: Le Pergole Torte – the twisted, winding pergolas of old Chianti, those wooden trellis systems up which the vines of our grandfathers’ generation climbed. A reminder of what was, before modernity straightened out the vineyards.

In that year, when the wine world still believed in rules and traditions seemed sacrosanct, Sergio Manetti did something unheard of: in 1977, he vinified pure Sangiovese. One hundred per cent. No white grapes, no Canaiolo to round it off, no compromises. In Radda in Chianti, in the heart of Chianti Classico, where such boldness resonated particularly loudly, the region’s first pure Sangiovese was born – le Pergole Torte, named after the crooked pergolas in the steep vineyard. Giulio Gambelli, the legendary Sangiovese whisperer, stood by Manetti’s side. Together they created a wine that rewrote the rules of the game. The Consorzio del Chianti Classico, of course, balked, as this wine did not comply with the regulations, lacking the prescribed blend of other varieties. Yet critics and collectors worldwide cheered. What began as an affront became a legend. In 1981, Montevertine left the Consorzio – not out of defiance, but out of conviction. Out of love for Sangiovese in its purest, unadulterated form. Since 1982, the labels have been adorned with portraits of women by Alberto Manfredi, a friend and artist from Reggio Emilia. A new face for every vintage, a work of art on every bottle.

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business associates, nothing more. He sent a few bottles to Verona for the major wine fair Vinitaly, more out of curiosity than ambition. The reaction was overwhelming. The hobby became a passion, and the passion a vocation. Until 1981, this wine bore the name ‘Chianti Classico Montevertine Riserva’. Then came the break. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as required by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982 onwards, the wine was simply called “Montevertine”, without any additions, without compromise. A name that became a statement: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have pressed it before bureaucracy and commercialism dictated the rules. The wine comes mainly from a two-and-a-half-hectare plot facing south-southeast, planted in 1982 – in the year of the great upheaval.

In 1967, Sergio Manetti, a Milanese industrialist and passionate art collector, bought an abandoned estate in the hills of Radda in Chianti. He knew little about wine. He knew a great deal about quality. And he decided early on that his wine would make no compromises – —not even those demanded by the appellation. When the Chianti Classico DOCG stipulated that white grapes must be blended in, Manetti refused. From then on, his wine was called Toscana IGT. Not for lack of pride in Chianti – but because he had too much of it. What grows at Montevertine are the three indigenous reds of Chianti: Sangiovese as the soul, Canaiolo for elegance, Colorino for colour and structure. No additions, no international compromises. Martino Manetti, Sergio’s son, runs the estate with the same conviction: “Simplicity, respect, care for every detail and savoir-faire” – is how the estate itself describes its philosophy. Words that sound simple, yet are so difficult to put into practice.

In 1977, Sergio Manetti produced his first pure Sangiovese from Radda in Chianti – without Canaiolo, without Colorino, without the white grapes that the Chianti regulations prescribed at the time. Not because he wanted to break the rules, but because he believed that this soil, these vines, this single grape variety needed no additions. From the very beginning, the wine was called Toscana IGT, not out of defiance, but out of consistency. And it bore a name rooted in the landscape itself: Le Pergole Torte – the twisted, winding pergolas of old Chianti, those wooden trellis systems up which the vines of our grandfathers’ generation climbed. A reminder of what was, before modernity straightened out the vineyards.

In 1977, Sergio Manetti produced his first pure Sangiovese from Radda in Chianti – without Canaiolo, without Colorino, without the white grapes that the Chianti regulations prescribed at the time. Not because he wanted to break the rules, but because he believed that this soil, these vines, this single grape variety needed no additions. From the very beginning, the wine was called Toscana IGT, not out of defiance, but out of consistency. And it bore a name rooted in the landscape itself: Le Pergole Torte – the twisted, winding pergolas of old Chianti, those wooden trellis systems up which the vines of our grandfathers’ generation climbed. A reminder of what was, before modernity straightened out the vineyards.

In that year, when the wine world still believed in rules and traditions seemed sacrosanct, Sergio Manetti did something unheard of: in 1977, he vinified pure Sangiovese. One hundred per cent. No white grapes, no Canaiolo to round it off, no compromises. In Radda in Chianti, in the heart of Chianti Classico, where such boldness resonated particularly loudly, the region’s first pure Sangiovese was born – le Pergole Torte, named after the crooked pergolas in the steep vineyard. Giulio Gambelli, the legendary Sangiovese whisperer, stood by Manetti’s side. Together they created a wine that rewrote the rules of the game. The Consorzio del Chianti Classico, of course, balked, as this wine did not comply with the regulations, lacking the prescribed blend of other varieties. Yet critics and collectors worldwide cheered. What began as an affront became a legend. In 1981, Montevertine left the Consorzio – not out of defiance, but out of conviction. Out of love for Sangiovese in its purest, unadulterated form. Since 1982, the labels have been adorned with portraits of women by Alberto Manfredi, a friend and artist from Reggio Emilia. A new face for every vintage, every bottle a work of art.

In 1977, Sergio Manetti produced his first pure Sangiovese from Radda in Chianti – without Canaiolo, without Colorino, without the white grapes that the Chianti regulations prescribed at the time. Not because he wanted to break the rules, but because he believed that this soil, these vines, this single grape variety needed no additions. From the very beginning, the wine was called Toscana IGT, not out of defiance, but out of consistency. And it bore a name rooted in the landscape itself: Le Pergole Torte – the twisted, winding pergolas of old Chianti, those wooden trellis systems up which the vines of our grandfathers’ generation climbed. A reminder of what was, before modernity straightened out the vineyards.

On 29 June 1921, Sergio Manetti was born, the man who would change the world of wine fifty years later. One hundred years later, in October 2021, Martino Manetti and his team climbed into the historic vineyards of – montevertine Vecchia and Le Pergole Torte – to harvest the very best Sangiovese grapes. For a wine that could only be dedicated to one person: Sergio. The father, the visionary, the man who bought a holiday home in 1967 and turned it into a legend. Sergio did it twice before: in 1989 and 1991 he created wines that bore his name – the ultimate selection, the best of the best. His son Martino took up this tradition to honour his father's centenary. On 24 September 2024, exactly one thousand magnums were bottled, each one numbered, each one unique. The label shows a linocut work by Alberto Manfredi: two faces, Sergio and a woman, united in profile – art and memory, forever linked.