Wines from Tuscany

Where the salty breezes of the Tyrrhenian Sea meet the last foothills of the Colline Metallifere, the Mediterranean character of this exceptional red wine unfolds in all its splendour. The name Mediterra says it all: it embodies the flavours of the Tuscan maquis and that enticing saltiness that only wines from the immediate vicinity of the sea are capable of developing.

Eco di Mare is a white tribute to the Tuscan sea. Made from 100% Vermentino from the Alta Maremma, where the Etruscans once mined silver from the earth and where, today, the Turnauer family crafts elegant wines from the mineral-rich terroir. The estate is situated at the southernmost point of the Bolgheri DOC, on the heights of Donoratico, and forms part of the historic estate owned by the Florentine Serristori family. In the red Aeolian sands of Donoratico, at altitudes of between 20 and 80 metres, the Vermentino vines thrive under the shelter of centuries-old pine groves along the Viale dei Pini. 15 days' fermentation, two months' ageing on the fine lees, three months' bottle ageing.

I Pianali Rosato is like a pink linen cloth fluttering in the wind as it sweeps across the Mediterranean coast. Made from 90% Syrah and 10% Cabernet Sauvignon from the Pianali vineyards, where the breeze from the Tyrrhenian Sea sweeps across the mineral-rich soils of the former silver mines. Gentle pressing, followed by fermentation at low temperatures in temperature-controlled stainless steel tanks for 15 days, followed by two months' ageing on the fine lees.

The little cherry. The name reveals its personality: this autochthonous Maremma variety openly bears its flavour in its name, and it means business. Ciliegiolo was at home in Maremma for a long time, but then fell out of fashion because Cabernet and Sangiovese virtually monopolised the region's attention. Now it is returning – and Belguardo is one of the first houses to take it seriously again. The vineyards are situated at 100 metres, west-facing, on sandy Arenaria soils with a fine pebble content. The western exposure gives the wine a freshness and lightness that cannot be taken for granted in the Maremma. Francesco Mazzei describes it as "exceptionally lively and fresh – and surprisingly deep at the same time."

The secret of this exceptional Rosso lies hidden in the blossoming fields amongst the organically farmed rows of vines at Poliziano. Fiori Rossi – — a name that hints, like a promise, at the fragrance and poetry of this landscape, where Federico Carletti is pushing the boundaries of authenticity. This latest creation from the estate is made from ancient Prugnolo Gentile clones, selections of which gave Montepulciano wines national renown as far back as the Middle Ages. From the historic vineyards dating back to the 1960s – now replanted at altitudes of 300 to 400 metres with meticulous attention to the microclimate – emerges a ‘Super-Rosso’ of unrivalled character.

A brilliant ruby red characterises this Chianti Classico from Tenuta Perano near Gaiole, the Frescobaldi family's first estate in the appellation's historic heartland. The vines grow at an altitude of 500 metres in a natural, south-west-facing amphitheatre that exposes the grapes to the sun evenly. Following fermentation in temperature-controlled stainless steel tanks with carefully managed pumping-over, the Sangiovese – blended with other grape varieties – matures for twelve months in barriques and stainless steel tanks.

Filippo, Elisa and Elena Fanti live and work in Castelnuovo dell'Abate, the village below the Romanesque abbey of Sant'Antimo, in southern Montalcino, where the family has been rooted for generations. Their Brunello is one of the most reliable addresses in the appellation. Their Rosso is what a Rosso di Montalcino should be: the same care, the same terroir, more accessible in its timing. 15 hectares of Sangiovese, registered for the Rosso, vines between 15 and 20 years old. Hand-picked in September and October, depending on location and exposure. Three sorting tables – grapes and individual berries are selected separately. Temperature-controlled fermentation and mash contact in stainless steel tanks with regular pumping over, malolactic fermentation before ageing in wood. Around 12 months partly in French barriques, partly in medium-sized barrels.

Rosso di Montalcino exists because a count wanted it. When the Marone Cinzano family took over the estate in 1973, almost exclusively Brunello was bottled in Montalcino – the rest went into bulk. Count Alberto saw this "second wine" as more than a by-product and campaigned for the creation of an independent DOC. Rosso di Montalcino has had his name since 1983 – and Col d'Orcia played a decisive role in this. It comes from the south-facing vineyards of the estate at 250 metres, overlooking the Orcia River, which gave the estate its name. Biodynamically cultivated, calcareous soils, Sangiovese Grosso: the classic Montalcino foundation. In the cellar: temperature-controlled fermentation in shallow steel tanks for gentle extraction, then 10 to 12 months in large Slavonian oak barrels and cement tanks.

Inspired by Provence, born in Tuscany. When the Rivetti family decided to create a rosé, they chose their Casanova vineyard in Terricciola as the source – and Sangiovese and Prugnolo Gentile as the grape varieties. The latter is a local Sangiovese clone which, when combined with its 'big brother', produces a rosé with a surprising character. The grapes come from twenty-year-old vines growing on sandy soils of marine origin, cultivated organically. After destemming, there is a brief maceration of just one hour before the must is gently pressed. Fermentation lasts ten days, after which the wine rests on its fine lees in stainless steel for three months.

When a princess decided in 1958 to start bottling wine, she didn't do it just any old way, but with a high standard of quality. Eleonora Ruspoli Berlingieri, who brought the historic Lilliano estate near Castellina in Chianti into the family's ownership as early as 1920, was the first to recognise the oenological potential of this site. At her side was Giulio Gambelli, the legendary Sangiovese guru and one of the great interpreters of Tuscan wines. Today, brothers Giulio and Pietro Ruspoli carry on the legacy – the family still resides in the historic Palazzo Ruspoli in the heart of Rome. The Chianti Classico named after them comes from around 40 hectares of vineyards on limestone-rich, stony Alberese soils, which, at an altitude of around 300 metres, delay the ripening of the grapes and thus preserve both acidity and aromatic freshness. The organically farmed vineyards produce a cuvée comprising 90% Sangiovese, complemented by five% each of Colorino and Merlot – a classic blend that complies with DOCG regulations and highlights the typical character of the region.

When an artist founds a winery, the spirit of this artist wafts right into the last cellar room. The Brio label shows a detail from a fresco by Sandro Chia: chessboard, violin, clock. Existence, soul, time. An unusually serious statement for an entry-level wine. The wine behind it lives up to it. Sangiovese from the Scansano vineyards of Tenuta Ghiaccio Forte – young vines on volcanic soils, close to the sea, cool nights. A few months in wooden barrels, then bottle ageing.

In the Tuscan dialect, "Botro" means a ditch, a natural channel that carries water away. "Dei Fichi" refers to the fig trees. The Botro dei Fichi is already mentioned in the cadastral records of the 18th-century Leopoldine Land Survey – a small depression on the estate that gave its name to a wine long before Vermentino was grown here. The vineyard lies at an altitude of 50 metres, facing west, on volcanic soil with a high proportion of scree. No sand dunes, no alluvial deposits – volcanic rock that lends the grape variety structure and minerality. Fermentation for 30 days in unglazed, raw concrete vats at a controlled temperature of 18°C, using indigenous yeasts. At least three months sur lies. No oak.

Il Poggiones Rosso di Montalcino is dark and youthful, with nuances of blackcurrant and liquorice balanced by ashy rock. Silky and enveloping on the palate with a savoury core of minerality and bright acids, followed by tart red berries. The wine finishes long and lightly structured, but is always fresh and asks for a short stay in the cellar before it can unfold its full charm. A truly straightforward and captivating Rosso in the style of the house. SUPERIORE.DE

A real hidden gem for lovers of elegant white wines: this Trebbiano demonstrates just how versatile the grape variety can be beyond the usual conventions. It comes from biodynamic vineyards in a coastal location near Scansano, shaped by the influence of the Tyrrhenian Sea. Pale gold in colour with delicate green highlights. On the nose, notes of white flowers, green apple, lemon zest and a hint of almond tart unfold. The texture is silky, with a rich creaminess meeting lively acidity and a subtle salty minerality. The finish is of medium length, with a hint of herbal spice and a clean, easy-drinking quality. Maurizio Castelli's rare Trebbiano impresses with its lightness and finesse, without losing its substance – a Trebbiano interpretation with character, freshness and surprising depth. In short: a long-lasting white wine made from Trebbiano Toscano, the sort that wasn't just enjoyed by winemakers in days gone by. SUPERIORE.DE

Since the 2015 vintage, Piancornello has been producing a Ciliegiolo in small quantities of 4,000 bottles, which is solid, deep and very distinctive. Intense ruby red colour. The nose reveals very pure, straightforward aromas of ripe cherries and sour cherries, rounded off with spicy notes and hints of medicinal herbs. In the mouth it is rich, with noticeable tannins, but well integrated into the structure, with a solid body and a flavourful, long finish of good complexity. SUPERIORE.DE

In May, when the iris – known as "giaggiolo" in Tuscan – bathes the vineyards of Lamole in a violet glow, the soul of this wine is revealed. The name Maggiolo was born from the fusion of 'flower' and 'month': a Chianti Classico that captures the sunny generosity of the high-altitude vineyards, situated between 420 and 655 metres, in liquid form. Unlike the purist Duelame, the Maggiolo relies on a blend of 80% Sangiovese with 10% each of Cabernet Sauvignon and Merlot. Following visual selection of the grapes, they are fermented separately in stainless steel. The Sangiovese matures for 18 months in large oak casks, whilst the international varieties are aged in barriques; a marriage of structure and suppleness.

With the 2024 vintage, Tolaini is revamping its Chianti Classico range: the previous Vallenuova Annata has been promoted to Riserva, and this entry-level wine – named after the estate itself – takes its place. The grapes come from the vineyards surrounding the estate in Castelnuovo Berardenga, the southernmost corner of the Chianti Classico region, where silty-clay soils mixed with limestone and stones shape the character of the Sangiovese.

Shells in a vineyard? Not an uncommon sight in the Valdarno di Sopra. Where Chardonnay vines now take root at the foot of the Pratomagno, a lake once stretched out millions of years ago – the metamorphic soils are riddled with fossilised remnants of that era. The name "Lamelle" pays homage to these grooves in the fossilised shells, which lend the wine its unmistakable minerality. After being hand-harvested, the grapes are left to rest overnight at 5°C before being gently pressed. Vinification takes place exclusively in stainless steel at 16°C, followed by two months on the fine lees – that is all it takes to capture the freshness of this terroir.

Where the Lombards once built their fortress and Frederick II held court, Marco Ricasoli Firidolfi now cultivates his vines – a descendant of Bettino Ricasoli, who invented the Chianti formula in the 19th century. Monti in Chianti, situated at an altitude of 340 to 510 metres, is considered one of the best vineyards in the entire region. Limestone soils, organic farming and three-phase manual harvesting form the basis for this classic Chianti: 90% Sangiovese, supplemented by Canaiolo from our own selection. Matured for twelve months in Allier oak, bottled unfiltered.

The owner of Selvapiana, Francesco Giuntini, and the owner of the Petrognano winery, Cecilia Galeotti Ottieri, have enjoyed a long friendship. Their small winery on the border between Tuscany and Emilia Romagna is located in the centre of the Pomino DOC, which was first mentioned in a document in 1716 and is one of the first four protected appellations in Tuscany (alongside Rufina Classico, Carmignano and Valdarno Superiore). For some years now, the two have been linked by the "Villa Petrognano" project, under which Selvapiana produces one of the most authentic and best Pomino Rosso wines in the region.

Pian di Nova embodies a carefully crafted blend of 75% Syrah and 25% Sangiovese, combining the international vigour of the Syrah grape with the lively fruitiness of Tuscan Sangiovese. It represents a new generation of Tuscan red wines that strike a harmonious balance between tradition and innovation. The hand-picked grapes come from organically farmed vineyards at the foot of Monte Pratomagno, where loamy-sandy soils at an altitude of 200 metres provide optimal drainage. After being cooled to 5°C overnight, the grape varieties are vinified separately: two days' cold maceration, ten days' controlled fermentation at 25–28°C, followed by a further 20 days' skin maceration. Six months' ageing in Allier oak barriques, one month in steel tanks and a further six months' bottle ageing complete this elegant blend.

A circular forest sits enthroned on the highest point of the vineyard, and inside it rests an Etruscan tomb – over 2,500 years old. Al Passo, "at the passage", is what they call this place, from where the view extends as far as the Torre del Mangia in Siena. Here, where past and present meet, the estate's most popular cuvée is created: equal parts Sangiovese, Merlot and Cabernet Sauvignon, grown on the silty-clayey limestone soils of Castelnuovo Berardenga. Double selection, 20 days on the skins, then 14 months in French oak – six of which on the fine lees, which gives the wine its silky texture.