Montevertine

It had disappeared for many years, but customers never forgot it: the Agretto di Montevertine, that special vinegar that the great protagonists of Italian cuisine loved. The longing remained, and a few years ago Martino Manetti found the right solution – the Acetaia Castelli in Rio Saliceto, a small village between Reggio Emilia and Modena, where the tradition of Aceto Balsamico is at home. The new Agretto has nothing in common with the old one, apart from the name and the philosophy. It is made from cooked must of Sangiovese grapes from the Montevertine vineyards and is a deep dark red colour instead of the amber yellow of its predecessor. The flavour retains the characteristics of a sweet and sour condiment, but with acidity setting the tone – clear, present, never overpowering. A balsamic condimento from Radda in Chianti, matured in Emilia-Romagna, characterised by a spirit of uncompromising quality: just as you would expect from Montevertine. SUPERIORE.DE

The youngest wine from the house of Manetti – and yet one that bears Montevertine's signature like a second skin. Pian del Ciampolo is more than just an entry-level wine: it is the accessible side of the uncompromising philosophy for which Sergio Manetti gave up the Chianti Classico DOCG in 1981 because he refused to blend white Trebbiano into his Sangiovese. This wine comes from parts of the two great bottlings – le Pergole Torte and Montevertine – as well as from grapes from younger vines. What would elsewhere be called a second or third wine is here pure Sangiovese character in its freshest form.

Around the historic vineyards of Montevertine, at an altitude of 380 to 420 metres between north-east and south, there are around a thousand olive trees – no more, no less. From their fruit, an extremely limited quantity of olive oil is produced, which is consistently one of the best in Tuscany: the same philosophy as with the wines, the same perfectionism, the same uncompromising approach. The Correggiolo, Moraiolo and Leccino varieties are harvested by hand and cold-pressed using the traditional Tuscan method – "Reventina" style, as has been done for generations in these hills. Extraction is carried out continuously by centrifugation and filtration through cotton filters.

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business partners, nothing more. He sent a few bottles to Verona for the big Vinitaly wine fair, more out of curiosity than ambition. The response was overwhelming. A hobby became a passion, a passion became a vocation. Until 1981, this wine bore the name "Chianti Classico Montevertine Riserva". Then came the break. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as prescribed by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982, the wine was simply called "Montevertine", without any additions or compromises. A name that became the programme: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have made it before bureaucracy and commercialism wrote the rules. The wine comes mainly from a two and a half hectare plot facing south-southeast, planted in 1982 – in the year of the great rupture.

Aqua Vitae is the result of the collaboration between Distilleria Artigiana di Gioacchino Nannoni, which directly takes care of the entire process of distillation, maturation and bottling, and Azienda Agricola di Montevertine, which supplies the Sangiovese marc from the vineyard "Le Pergole Torte". After steam distillation, the wine is matured for about four years in oak Caratelli casks. Amber in the glass, soft, warm, intense and gently enveloping on the nose and palate - stylistically it is more like an Armagnac than a grappa. SUPERIORE.DE

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business partners, nothing more. He sent a few bottles to Verona for the big Vinitaly wine fair, more out of curiosity than ambition. The response was overwhelming. A hobby became a passion, a passion became a vocation. Until 1981, this wine bore the name "Chianti Classico Montevertine Riserva". Then came the break. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as prescribed by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982, the wine was simply called "Montevertine", without any additions or compromises. A name that became the programme: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have made it before bureaucracy and commercialism wrote the rules. The wine comes mainly from a two and a half hectare plot facing south-southeast, planted in 1982 – in the year of the great rupture.

In that year, when the wine world still believed in rules and traditions seemed untouchable, Sergio Manetti did something unheard of: he vinified pure Sangiovese in 1977. One hundred per cent. No white grapes, no Canaiolo to round things off, no compromises. In Radda in Chianti, in the heart of the Chianti Classico, where such boldness resonated particularly loudly, the first pure Sangiovese in the area was created – le Pergole Torte, named after the crooked arbours in the steep vineyard. Giulio Gambelli, the legendary Sangiovese whisperer, was at Manetti's side. Together they created a wine that rewrote the rules of the game. Of course, the Consorzio del Chianti Classico balked, as this wine did not comply with the rules, as it lacked the prescribed blending of other varieties. But critics and collectors around the world rejoiced. What began as an affront became a legend. In 1981, Montevertine then left the Consorzio – not out of defiance, but out of conviction. Out of love for Sangiovese in its purest, unadulterated form. Since 1982, the labels have been adorned with portraits of women by Alberto Manfredi, an artist friend from Reggio Emilia. Every vintage a new face, every bottle a work of art.

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business partners, nothing more. He sent a few bottles to Verona for the big Vinitaly wine fair, more out of curiosity than ambition. The response was overwhelming. A hobby became a passion, a passion became a vocation. Until 1981, this wine bore the name "Chianti Classico Montevertine Riserva". Then came the break. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as prescribed by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982, the wine was simply called "Montevertine", without any additions or compromises. A name that became the programme: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have made it before bureaucracy and commercialism wrote the rules. The wine comes mainly from a two and a half hectare plot facing south-southeast, planted in 1982 – in the year of the great rupture.

In that year, when the wine world still believed in rules and traditions seemed untouchable, Sergio Manetti did something unheard of: he vinified pure Sangiovese in 1977. One hundred per cent. No white grapes, no Canaiolo to round things off, no compromises. In Radda in Chianti, in the heart of the Chianti Classico, where such boldness resonated particularly loudly, the first pure Sangiovese in the area was created – le Pergole Torte, named after the crooked arbours in the steep vineyard. Giulio Gambelli, the legendary Sangiovese whisperer, was at Manetti's side. Together they created a wine that rewrote the rules of the game. Of course, the Consorzio del Chianti Classico balked, as this wine did not comply with the rules, as it lacked the prescribed blending of other varieties. But critics and collectors around the world rejoiced. What began as an affront became a legend. In 1981, Montevertine then left the Consorzio – not out of defiance, but out of conviction. Out of love for Sangiovese in its purest, unadulterated form. Since 1982, the labels have been adorned with portraits of women by Alberto Manfredi, an artist friend from Reggio Emilia. Every vintage a new face, every bottle a work of art.

In that year, when the wine world still believed in rules and traditions seemed untouchable, Sergio Manetti did something unheard of: he vinified pure Sangiovese in 1977. One hundred per cent. No white grapes, no Canaiolo to round things off, no compromises. In Radda in Chianti, in the heart of the Chianti Classico, where such boldness resonated particularly loudly, the first pure Sangiovese in the area was created – le Pergole Torte, named after the crooked arbours in the steep vineyard. Giulio Gambelli, the legendary Sangiovese whisperer, was at Manetti's side. Together they created a wine that rewrote the rules of the game. Of course, the Consorzio del Chianti Classico balked, as this wine did not comply with the rules, as it lacked the prescribed blending of other varieties. But critics and collectors around the world rejoiced. What began as an affront became a legend. In 1981, Montevertine then left the Consorzio – not out of defiance, but out of conviction. Out of love for Sangiovese in its purest, unadulterated form. Since 1982, the labels have been adorned with portraits of women by Alberto Manfredi, an artist friend from Reggio Emilia. Every vintage a new face, every bottle a work of art.

On 29 June 1921, Sergio Manetti was born, the man who would change the world of wine fifty years later. One hundred years later, in October 2021, Martino Manetti and his team climbed into the historic vineyards of – montevertine Vecchia and Le Pergole Torte – to harvest the very best Sangiovese grapes. For a wine that could only be dedicated to one person: Sergio. The father, the visionary, the man who bought a holiday home in 1967 and turned it into a legend. Sergio did it twice before: in 1989 and 1991 he created wines that bore his name – the ultimate selection, the best of the best. His son Martino took up this tradition to honour his father's centenary. On 24 September 2024, exactly one thousand magnums were bottled, each one numbered, each one unique. The label shows a linocut work by Alberto Manfredi: two faces, Sergio and a woman, united in profile – art and memory, forever linked.