Brunello 2021 & Riserva 2020

For Siro Pacenti, the term "Vecchie Vigne" is not a romantic gesture. It is an agricultural decision. The oldest vines on both family estates – Pelagrilli in the north and Piancornello in the south – have now been growing for up to 60 years. They are not replaced, but tended; where necessary, they are supplemented with massal-selected cuttings from the finest mother vines. What these vines yield each year is small – but of the highest quality. 2021 was a year of reduction. The April frost affected vines at all altitudes, decimating harvest volumes and concentrating what remained on the essentials. The harvest took place in unusually calm conditions – no rain, no pressure, and a precise choice of harvest. What arrived in the cellar was already exceptional. Fermentation in steel, 24 months in French barriques, two months in concrete, 22 months in bottle.

There are vineyards named after the place where they are situated. And there are vineyards that actually give the place its name. Podernovi is one such example – the three hectares of Sangiovese that have been growing on this plot for over thirty years are so inextricably linked to the hill that the vineyard and the district bear the same name. When San Polo bottled the first single-vineyard Brunello from this vineyard in 2015, it was less a debut than a recognition of what the soil had long known. Podernovi lies at 450 metres, facing south-east, where the view sweeps across the Val d'Orcia towards Monte Amiata. The soils are a kaleidoscope of Tuscan geology: marl and galestro – that schistose clay which lends the region’s finest Sangiovese sites their distinctive minerality – interspersed with loam, which stores water and nourishes the vines even during dry summers. What sets this vineyard apart from others is not only its terroir, but the rigour with which San Polo tends it: Four to five bunches per vine, no more – 700 to 800 grams per vine, a yield reminiscent of Burgundian standards, forcing the Sangiovese to achieve a concentration it rarely reaches elsewhere.

Magistra. The Latin word for the teacher, the master – the one from whom one learns without her saying much. Ettore Spina did not give his oldest plot a romantic name, but a precise one. What this vineyard, just under a hectare in size and planted with Sangiovese, produces is a lesson in itself. Planted in 1982 with the BBS11 clone from the Biondi-Santi family – the finest Montalcino has to offer. Chalky soil at 380 metres, vines with roots running deep for over four decades, whose yield has always been low. Ian d'Agata describes the terroir of Sesta di Sopra, together with Montosoli, as one of the two finest sites for Sangiovese in the whole of Montalcino. The Magistra vineyard lies at the heart of this area. And, just like the Annata in its own barrel, it matures in a single Slavonian oak cask. The result: barely 1,000 bottles a year. In more challenging years, even fewer.

Riserva is not a marketing term – it is a legal obligation. A Brunello may only be called Riserva if it is marketed in the 6th year after the grape harvest at the earliest – at least two years in oak barrels and six months in the bottle. And it may only be produced if the vintage justifies it. So there is not a Riserva every year. It is only produced when the grapes demand it. And 2020 demanded it: a warm, dry year in Montalcino with concentrated ripeness, smaller berries and an intensity that gives fullness in the Annata-Brunello – and becomes something deeper in the Riserva. Altesino selected the best grapes from its four main parcels: Altesino, Macina, Pianezzine, Castelnuovo dell'Abate. 100% Sangiovese Grosso. Traditional fermentation, maturation in large oak barrels, then bottle ageing. Altesinos Riserva 2020 brings the power and concentration of the vintage.

Tenuta Nuova. The name carries weight: when Giacomo Neri acquired the land around Le Cetine, near the Abbazia di Sant'Antimo in southern Montalcino, in the early 1990s, no one had ever planted Sangiovese there. This was no oversight – it was a judgement that Giacomo Neri wanted to overturn. Not out of defiance, but out of conviction: that this terrain, this microclimate, these soils held the potential for a Brunello with a character all of its own. What followed was not a gut feeling, but a methodical approach. Systematic studies of the microclimates, the optimal exposures and the soils – clone selection, rootstock research, planting distances; everything was scrutinised, every decision made. The first result came in 1993. A few years later, the rest of the world was talking about it.

The Vigna Loreto covers one and a half hectares. Steep, stony and east-facing – the slope faces the morning sun, not the midday sun. The soil is rich in tuff and pebbles, poor in nutrients, and unforgiving. The vines are the result of a mass selection from eight of the estate's own Sangiovese clones, which Mastrojanni has selected over decades: the estate's genetic memory is embodied in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a distinct plot – the ability to demonstrate finesse where Castelnuovo dell'Abate would otherwise impress with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but with greater precision. The east-facing aspect gives the wine freshness; the tuff lends it mineral tension; and the lean soils force concentration without overripeness. 36 months' ageing in Allier barrels ranging from 16 to 33 hectolitres – the small sizes that allow the wood to be close to the wine without dominating it.

This is a wine whose label speaks a language all of its own. Filo di Seta is adorned with an oil painting by Sandro Chia from the early 1980s – now in the Stedelijk Museum in Amsterdam. It depicts an androgynous figure leaping backwards into the Grotta Azzurra on Capri: weightless, suspended in that moment between sky and water. Beneath it is Chia's verse: "In strange, dark water – when a white dot glows, when a doll leaps – I fly by her side." The wine, the winemaker tells us, is meant to be precisely that: a sensation that defies the obvious.

In the early 1990s, Vittorio Frescobaldi and Robert Mondavi joined forces, thereby opening a new chapter in the history of Tuscan wine. Since 2004, sole management has rested with Lamberto Frescobaldi, who has consistently carried forward this vision ever since. Alongside Luce, the estate's renowned flagship wine, the Tenuta has since also devoted itself to Brunello itself – the wine produced in the south-western quadrant of Montalcino from a single, tiny plot known as Madonnino. Of the estate's 92 hectares, only eleven are officially registered in the Albo del Brunello di Montalcino, and it is precisely here, on Galestro soil with ideal exposure, that the Sangiovese finds that balance of structure and elegance for which this grape variety is famous.

When Alessandro Mori and his young family moved into the dilapidated house on the northern walls of Montalcino in 1993, there was only one habitable room. The rest was decay and promise. Today, three decades later, Il Marroneto is a monument to what perseverance and conviction can create. The building itself dates back to the 13th century – a drying house for chestnuts (marroni) that once belonged to the nuns of the small Madonna delle Grazie chapel. Here they prepared bread for weary pilgrims on the Via Francigena. Alessandro still remembers the bells ringing over the vineyards of his childhood.

In 1977, at a time when the term "terroir" was virtually unknown in Montalcino and little attention was paid to the concept of zoning, Caparzo produced the first vintage of this wine. Its name derives from the farm where the farm labourers who worked for the owners of the nearby Palazzo Montosoli once lived. With "La Casa", Caparzo was once again a pioneer: one of the first single-vineyard Brunellos in the entire appellation, from one of Montalcino's most privileged vineyards. And this wine marks a second milestone: Caparzo was among the first wineries to introduce barrique barrels to Montalcino, thereby creating a wine of a gentle, elegant character. The five-hectare vineyard is situated on Montosoli hill, 275 metres above sea level, with a south-southeast-facing aspect. Montosoli is not a large hill, but its slightly greater altitude protects it from both mist and late frosts – a decisive advantage in this northern sector of the appellation, which has cooler average temperatures than other areas. The soil is schist-clay, known locally as "galestro", and is well-drained; the site enjoys an exceptional amount of sunshine.

In 2020, too, the Consorzio del Vino Brunello officially ranks among the denomination's rare five-star vintages – a warm, promising season without the climatic extremes that characterised other years. At Poggio Antico, this regional excellence is combined with a unique, twofold turning point: it was the estate's very first certified organic harvest, whilst at the same time a year that demanded everything from the vineyard. A late spring frost reduced the harvest by around forty per cent, at precisely the moment when the new ownership team led by Marcel Van Poecke was fully implementing their vision of plot-specific, organic cultivation for the first time. What nature took from this vintage in terms of quantity, it gave back in density.

On the estate stands a 19th-century railway station – silent, out of step with the times, no longer in use. The wine produced here has something of this image about it: it does not rush; it waits. And the 2021 vintage arrived quietly anyway – no record-breaking summer, no headlines, just a cool spring, moderate heat and day-night temperature fluctuations that gave the Sangiovese exactly what it needs: space to mature. Tenuta Pian delle Vigne lies six kilometres south-west of Montalcino, on calcareous loam with a fine gravel content, facing south-west, at around 130 metres above sea level. Owned by Antinori since 1995 – and steadfastly committed to the same principle ever since: large wooden casks ranging from 30 to 80 hectolitres, which preserve rather than dominate the Sangiovese fruit. No barrique dictates, no trendy embellishments. Just conviction.

A Brunello Riserva that is only born in years that the winery considers exceptional. Not every great harvest produces a Caterina and certainly not a Riserva. It is the promise that Giuseppe Bianchini made to himself when he unexpectedly inherited an entire vineyard in 1985: he would create a wine that would be a monument to its terroir. The name has something sacred about it, a silent reference to the spiritual tradition of this landscape between the Abbey of Sant'Antimo and the hills of Castelnuovo dell'Abate. Santa Caterina d'Oro – the golden Catherine – as if to provide the wine with a patron saint, a protector of its long journey through time.

Above the vineyard is a brown road sign: Passo del Lume Spento m. 621 s.l.m. The highest point of the entire Brunello appellation. The name is self-explanatory: The wind on this sandstone plateau was so strong that it extinguished the lanterns of the carriages that once crossed this pass. The light always went out. The place remained. No Brunello was allowed to grow here until 2016. The DOCG regulations set an upper limit at 600 metres – and Passo del Lume Spento is at 621 metres. When the rules were changed, Riccardo Campinoti was one of the first to take the plunge. The vines were planted in 2010 and 2012 – young, on a sandstone plateau with south-west exposure, which on clear days offers views as far as the Tyrrhenian Sea. Gaja and Marchesi Antinori have also bought in this zone since then. You don't have to be a clairvoyant to understand why.

Directly in front of the winery, at an altitude of 600 metres, with a view to the south-west and the sea on the horizon, lies a vineyard that was planted in 1968. It is called Vigna Vecchia – the old vineyard. That's all it needs to introduce itself. 56-year-old vines on quartz-rich soil, the last plot on the estate to be harvested – some years not until mid-October. The old vine is slow, it yields little and concentrates a lot. What it produces is not a broad portrait of the terroir, but a monologue – precise and of a density that can only be explained by age. Riccardo Campinoti vinifies the Vigna Vecchia like all his Brunello: concrete vats, natural yeasts, long maceration, then 36 months in large Slavonian oak barrels. No Riserva label – although the wine would justify it. Campinoti deliberately refrains from doing so. As in Burgundy, it is the location and terroir that count, not the category.

At Fuligni, the Riserva is not a matter of course. It is produced only when a vintage deserves it – and when the estate's oldest vineyards have yielded something that is more than just Brunello. More than just good. 1972, 1976, 2002: vintages in which Fuligni simply did not release any Brunello at all because the quality wasn't up to standard. Such consistency is rare, for one must be able to afford it and be willing to do so. It is also the foundation upon which a Riserva acquires its very special significance. 2020 was no easy year. Warm, dry, early-ripening – a vintage that many producers dismissed as too opulent, too soft. Fuligni saw it differently. The north-east-facing vineyards in Cottimelli, at altitudes of between 380 and 450 metres, on Galestro soil – stony, cool, with natural acidity even in hot years – tempered the heat and preserved the freshness. What proved a challenge in flatter, warmer sites resulted here in concentrated, healthy grapes with depth and surprising elegance. The estate's oldest vines, over forty years old, with reduced yields and highly concentrated juice, provided the grapes for this selection.

In 1978, the first bottle of Brunello from Casanova di Neri found its way onto the market – then still called "Vino Rosso dai Vigneti di Brunello", five years after the first harvest. Giovanni Neri had found his dream and his son Giacomo began to realise it. The white label was there from the very beginning – and still is today. The Brunello White Label comes from specially designated vineyards around Podere Fiesole to the east of Montalcino – the same vineyards from which the estate has been making its Brunello for over four decades. After a cool, slow spring, 2021 brought a balancing, dry summer and even ripening into September.

The name is a tribute. Giodo – a combination of Giovanna and Donatello, his parents' names. Carlo Ferrini, one of Italy's most distinguished Oenologist, has dedicated his life to Sangiovese – as a consultant to estates stretching from Montalcino to Etna, and as the architect of some of Tuscany's most influential wines of the last three decades. It was never a question of 'if', but of 'when' he would eventually establish his own vineyard. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west of Montalcino, seven of which were woodland and three set aside for vines. And the only grape variety grown here is Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but nurtured.

Founded in 1970, Poggio Antico is one of the defining names of the last fifty years in Montalcino, having been run for over three decades by the Milanese couple Paola Gloder and Alberto Montefiori. In 2017, Paola Gloder sold the estate to Marcel Van Poecke, a Belgian energy entrepreneur and founder of Atlas Invest – a graduate in agricultural science for whom entering the wine business was less a hobby and more a return to his first love.

Castelnuovo dell'Abate has a character all of its own – rougher, denser and more mineral than many other parts of the appellation. The loamy-sandy soils with their high proportion of stone, the vineyards situated between 150 and 350 metres, the lee of Monte Amiata, the cool nights from the Orcia Valley: anyone who plants vines here will produce Sangiovese with character. Andrea Cortonesi has been planting vines here for almost four decades. 2021 proved a challenging year for this terroir – and for the winemaker. The late frost in April hit lower-lying plots hard, and the harvest was around 15% smaller overall than the previous year. A hot, dry summer followed, before two spells of rain in the second half of August provided the vineyards with water and gave the grapes their final aromatic depth. The long September nights did the rest: phenolic ripeness, without any signs of heat stress, and without compromising on freshness. What Uccelliera subsequently brought into the cellar was concentrated, healthy and clear – and possessed that crisp fruit intensity that makes Castelnuovo wines so distinctive.

Prètto. A word from the Tuscan dialect – true, sincere, schietto. Carlo Ferrini could not have chosen a more apt name for a wine that is exactly that: no pretence, no posturing, but Sangiovese in its most direct form. The Prètto is a collaborative effort – born out of a dialogue between father and daughter, between three decades of experience and a younger generation that sees Montalcino through fresh eyes. Bianca Ferrini, born in 1990, has given the Giodo project a very special voice with this wine. Four hectares of Sangiovese in Sant'Angelo in Colle, south-west of Montalcino, at an altitude of 360 metres with a south-east-facing aspect. Medium-heavy, stony soil; 6,600 vines per hectare – a density that creates stress and forces concentration. Hand-harvested, 20 days' maceration in steel and concrete tanks, with délestage halfway through fermentation. This is followed by around 30 months' ageing in wooden barrels of 500, 700 and 2,500 Liters– medium to large vessels that give the wine structure without imparting excessive oak character. Followed by six months in concrete tanks and a further 12 months in bottle. 12,000 bottles were produced.

There are wines that have invented a category. Madonna del Piano was one of the very first single-vineyard Brunelli ever produced – long before the appellation had a formal language for the concept of cru, long before other houses started bottling their best parcels separately. Vincenzo Abbruzzese's grandfather had bought the estate in 1953; Vincenzo himself turned a small vineyard parcel in Montosoli into what James Suckling described as "one of the great wines of Tuscany, if not Italy". The Madonna del Piano parcel is located in the heart of the Valdicava vineyards, at 350 metres in the northern Montosoli zone, on soil rich in galestro and limestone, which gives the Sangiovese Grosso a mineral austerity and floral depth that is not found in warmer locations in Montalcino. Organic cultivation without chemical intervention for generations. Yield reduced to the absolute minimum. Every berry counts.

The year 1991 was the first. With the 2021 vintage, Poggio di Sotto is celebrating its thirtieth Brunello – an anniversary that the estate is marking with a special label in gold print, discreetly and without pomp, entirely in the style of the house. Thirty vintages that have proven that elegance is not a weakness. 2021 was not an easy year. Late frosts in spring decimated the harvest, summer brought heat, August finally brought rain – a sequence that could have been disastrous in other hands. Cellar master Leonardo Berti sees this as the special character of this vintage: fewer grapes, more concentration and an intensity gained through stress, which was kept in balance by the freshness of the long growing season. The soils – a mosaic of white and red clay, galestro and grey marl – did the rest. Spontaneous fermentation in wooden vats, maceration for at least 30 days, 42 months in large Slavonian oak barrels, unfiltered. The recipe is the same. The wine is not.