Brunello 2021 & Riserva 2020

Above the vineyard is a brown road sign: Passo del Lume Spento m. 621 s.l.m. The highest point of the entire Brunello appellation. The name is self-explanatory: The wind on this sandstone plateau was so strong that it extinguished the lanterns of the carriages that once crossed this pass. The light always went out. The place remained. No Brunello was allowed to grow here until 2016. The DOCG regulations set an upper limit at 600 metres – and Passo del Lume Spento is at 621 metres. When the rules were changed, Riccardo Campinoti was one of the first to take the plunge. The vines were planted in 2010 and 2012 – young, on a sandstone plateau with south-west exposure, which on clear days offers views as far as the Tyrrhenian Sea. Gaja and Marchesi Antinori have also bought in this zone since then. You don't have to be a clairvoyant to understand why.

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

Directly in front of the winery, at an altitude of 600 metres, with a view to the south-west and the sea on the horizon, lies a vineyard that was planted in 1968. It is called Vigna Vecchia – the old vineyard. That's all it needs to introduce itself. 56-year-old vines on quartz-rich soil, the last plot on the estate to be harvested – some years not until mid-October. The old vine is slow, it yields little and concentrates a lot. What it produces is not a broad portrait of the terroir, but a monologue – precise and of a density that can only be explained by age. Riccardo Campinoti vinifies the Vigna Vecchia like all his Brunello: concrete vats, natural yeasts, long maceration, then 36 months in large Slavonian oak barrels. No Riserva label – although the wine would justify it. Campinoti deliberately refrains from doing so. As in Burgundy, it is the location and terroir that count, not the category.

Riserva is not an automatic process at Fuligni. It is created when a vintage deserves it – and when the estate's oldest vineyards have produced something that is more than Brunello. More than good. 1972, 1976, 2002: vintages in which Fuligni simply did not bring any Brunello onto the market because the quality was not right. This consistency is rare, because you have to be able and willing to afford it. It is also the foundation on which a Riserva acquires its very special meaning. 2020 was not an easy year. Warm, dry, early ripening – a vintage that many producers dismissed as too lush, too soft. Fuligni saw it differently. The north-east-facing sites in Cottimelli, between 380 and 450 metres, on Galestro – stony, cool, with natural acidity even in hot years – dampened the heat and preserved the freshness. What was a challenge in flatter, warmer sites resulted in concentrated, healthy grapes with depth and surprising elegance. The oldest vines on the estate, over forty years old, with reduced yields and highly concentrated juice, provided the material for the selection.

In 1978, the first bottle of Brunello from Casanova di Neri found its way onto the market – then still called "Vino Rosso dai Vigneti di Brunello", five years after the first harvest. Giovanni Neri had found his dream and his son Giacomo began to realise it. The white label was there from the very beginning – and still is today. The Brunello White Label comes from specially designated vineyards around Podere Fiesole to the east of Montalcino – the same vineyards from which the estate has been making its Brunello for over four decades. After a cool, slow spring, 2021 brought a balancing, dry summer and even ripening into September.

The name is a tribute. Giodo – composed of Giovanna and Donatello, the names of his parents. Carlo Ferrini, one of Italy's most important Oenologist, has dedicated his life to Sangiovese – as a consultant for estates from Montalcino to Etna and as the designer of some of the most influential wines in Tuscany over the last three decades. It was not a question of if he would found his own winery at some point, but when. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west Montalcino, seven of them woodland, three for the vine. And the vine here is exclusively Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but accompanied.

Castelnuovo dell'Abate has its own character – rougher, denser, more mineral than many other corners of the appellation. The clayey-sandy soils with their high proportion of skeleton, the altitudes between 150 and 350 metres, the lee of Monte Amiata, the cool nights from the Orcia Valley: anyone who plants vines here gets Sangiovese with attitude. Andrea Cortonesi has been planting here for almost four decades. 2021 demanded a lot from this terroir – and the winegrower – a lot. The late frost in April hit the lower vineyards hard and the harvest was around 15 per cent smaller than the previous year. A hot, dry summer followed before two rainfalls in the second half of August gave the vineyards water and the grapes their final aromatic depth. The long September nights did the rest: phenolic ripeness, without heat character, without compromising on freshness. What Uccelliera subsequently brought into the cellar was concentrated, healthy, clear and – and with that crisp fruitiness that makes Castelnuovo wines unmistakable.

Prètto. A word from the Tuscan dialect – true, sincere, schietto. Carlo Ferrini could not have chosen a more fitting name for a wine that is exactly that: no gesture, no staging, but Sangiovese in its most direct form. The Prètto is a joint effort – born from the dialogue between father and daughter, between three decades of experience and a young generation that sees Montalcino with new eyes. Bianca Ferrini, born in 1990, has given the Giodo project a very special voice with this wine. Four hectares of Sangiovese in Sant'Angelo in Colle, south-west Montalcino, at 360 metres in south-eastern exposure. Medium-heavy, skeleton-rich soil, 6,600 plants per hectare – a density that creates stress and forces concentration. Hand-picked, 20 days of maceration in steel and cement, délestage halfway through fermentation. Then around 30 months of ageing in 500, 700 and 2,500 Literswooden barrels – medium to large containers that give the wine structure without wood characterisation. Then six months in cement, followed by a further 12 months in the bottle. 12,000 bottles were produced.

Some wineries tell their story on display boards. At Fuligni, it hangs on the walls. The palazzo in the centre of Montalcino dates back to the 17th century – the Medici resided here and a Spanish princess left a room that still bears her name today. Underneath, deeper than the palazzo itself, are the cellars: built at the end of the 16th century, with vaulted ceilings in tecnica mista, completely naturally insulated. This is where the Brunello matures in Slavonian oak barrels. It also matured here when Giovanni Maria Fuligni came to Montalcino at the beginning of the 20th century – and it matures here, just as his ancestors made wine in the Maremma before him, without interruption, without abbreviation.

The year 1991 was the first. With the 2021 vintage, Poggio di Sotto is celebrating its thirtieth Brunello – an anniversary that the estate is marking with a special label in gold print, discreetly and without pomp, entirely in the style of the house. Thirty vintages that have proven that elegance is not a weakness. 2021 was not an easy year. Late frosts in spring decimated the harvest, summer brought heat, August finally brought rain – a sequence that could have been disastrous in other hands. Cellar master Leonardo Berti sees this as the special character of this vintage: fewer grapes, more concentration and an intensity gained through stress, which was kept in balance by the freshness of the long growing season. The soils – a mosaic of white and red clay, galestro and grey marl – did the rest. Spontaneous fermentation in wooden vats, maceration for at least 30 days, 42 months in large Slavonian oak barrels, unfiltered. The recipe is the same. The wine is not.

Tenuta Nuova means "new winery". And the name carries weight: when Giacomo Neri acquired the land around Le Cetine near the Abbazia di Sant'Antimo in southern Montalcino in the early 1990s, nobody had planted Sangiovese there yet. This was not an oversight – it was a judgement that Giacomo Neri wanted to revise. Not out of spite, but out of conviction: that this terrain, this microclimate, these soils have the potential for a Brunello with its own character. What followed was not a gut feeling, but a method. Systematic analyses of the microclimates, the optimal exposures, the soils – clone selection, rootstock research, planting distances, everything scrutinised, everything decided. The first result came in 1993, and a few years later the rest of the world was talking about it.

The Vigna Loreto covers one and a half hectares. Steep, stony, facing east – the slope faces the morning, not the midday sun. The soil is rich in tufa and pebbles, poor in nutrients, without indulgence. The vines come from a mass selection of eight of the estate's own Sangiovese clones, which Mastrojanni has selected over decades: the estate's genetic memory in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a parcel in its own right – the ability to show finesse where Castelnuovo dell'Abate otherwise convinces with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but more precisely. The eastern exposure gives the wine freshness, the tufa lends it mineral tension, the poor soils force concentration without over-ripening. 36 months of ageing in Allier barrels between 16 and 33 hectolitres – the small formats, the closeness that the wood gives the wine without dominating it.

Giovanni Neri died in 1986, fifteen years after buying Podere Casanova. He had lived the dream – but not long enough to see what became of it. His son Giacomo and his grandsons Giovanni and Gianlorenzo continue to live his dream. And on the fiftieth anniversary of the first vineyard, they dedicated a wine to the founder that bears his name – and his attitude: the belief that Montalcino can do more than the world thought at the time. The vineyard is old and untamed, as the estate itself puts it – vines over fifty years old that have never stopped taking deep roots.

When Alessandro Mori and his young family moved into the dilapidated house on the northern walls of Montalcino in 1993, there was only one habitable room. The rest was decay and promise. Today, three decades later, Il Marroneto is a monument to what perseverance and conviction can create. The building itself dates back to the 13th century – a drying house for chestnuts (marroni) that once belonged to the nuns of the small Madonna delle Grazie chapel. Here they prepared bread for weary pilgrims on the Via Francigena. Alessandro still remembers the bells ringing over the vineyards of his childhood.

Frost fell over Montalcino on 7 April 2021. And again on 15 April. In some vineyards, it destroyed a third of the harvest. In Vignavecchia, on its steep western slope at an altitude of 420 metres, it hit the vines differently: not as destruction, but as selection. What survived were the strongest shoots, the best protected grapes – a natural yield limitation, more radical than any human intervention. Nature cut what the winegrower would never have dared. What followed was a summer of extremes and an autumn of perfection. The months up to August were hot and dry, followed by sporadic rainfall that gave the vines a rest. September brought what Sangiovese needs: warm days, cool nights, those temperature amplitudes that preserve flavour and acidity while phenolic ripeness progresses. The harvest began almost two weeks earlier than was usual just a few years ago – a sign of climate change, but this year also a sign of good fortune: the grapes reached perfection before the autumn rains set in.

Riserva is not an automatic process at Fuligni. It is created when a vintage deserves it – and when the estate's oldest vineyards have produced something that is more than Brunello. More than good. 1972, 1976, 2002: vintages in which Fuligni simply did not bring any Brunello onto the market because the quality was not right. This consistency is rare, because you have to be able and willing to afford it. It is also the foundation on which a Riserva acquires its very special meaning. 2020 was not an easy year. Warm, dry, early ripening – a vintage that many producers dismissed as too lush, too soft. Fuligni saw it differently. The north-east-facing sites in Cottimelli, between 380 and 450 metres, on Galestro – stony, cool, with natural acidity even in hot years – dampened the heat and preserved the freshness. What was a challenge in flatter, warmer sites resulted in concentrated, healthy grapes with depth and surprising elegance. The oldest vines on the estate, over forty years old, with reduced yields and highly concentrated juice, provided the material for the selection.

The name is a tribute. Giodo – composed of Giovanna and Donatello, the names of his parents. Carlo Ferrini, one of Italy's most important Oenologist, has dedicated his life to Sangiovese – as a consultant for estates from Montalcino to Etna and as the designer of some of the most influential wines in Tuscany over the last three decades. It was not a question of if he would found his own winery at some point, but when. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west Montalcino, seven of them woodland, three for the vine. And the vine here is exclusively Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but accompanied.

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

A lake next to the vineyard – this is not a metaphor, this is geography. Vigna del Lago is located in the north-west of Montalcino, at 280 metres above sea level, and the small lake that gives the vineyard its name softens the otherwise continental climate of this exposure: harsh winters, very hot summers, pronounced day-night temperature fluctuations. The soil is clay – heavy, watery and cool. A combination that forces the Sangiovese Grosso to take deep root, mature slowly and develop elegance rather than mass. The vine material is the densest in the entire Val di Suga portfolio: 7,500 vines per hectare – a figure reminiscent of the planting densities in Burgundy. Double spur cordon, careful foliage management, yield reduction through thinning out. Hand-picking into crates takes place exclusively in the early hours of the morning. In the cellar: fermentation for eight to twelve days, maceration for a further two to three weeks. Maturation in 40-hectolitre Slavonian oak barrels for 24 months, then concrete, then bottle. No barrique, no wood pressure – pure site. 2021 was a lucky vintage for Vigna del Lago. The late frost in April reduced the harvest – and concentrated the best. No extreme summer, no stress.

Anyone who knows the south-east of Montalcino knows: no sea breezes, no proximity to the lake, no soft light. Monte Amiata reigns supreme here – the extinct volcano in the background, which breaks the winds, intensifies the temperature fluctuations between day and night and gives the soil its unmistakable character: Galestro slate, gritty, barren, rich in minerals. Oaks and holm oaks stand between the vines, where elsewhere cypresses or olive trees characterise the landscape. Poggio al Granchio – the "crab hill" – lies at 380 to 450 metres, south-east exposure, the historical heart of the appellation. Val di Suga acquired this vineyard in 1999, thus completing a triangle that no other producer in Montalcino possesses. The grapes are harvested by hand in crates, in micro-zones, and the optical selection is uncompromising. In the cellar: fermentation for ten to fourteen days, followed by intensive post-fermentation maceration at 30 degrees for twenty to twenty-five days – this is where extract, density and colour are created. 2021 was particularly favourable for the Poggio al Granchio. The influence of Monte Amiata mitigated the dryness of the summer, while the long autumn ensured even ripeness.

The Vigna Loreto covers one and a half hectares. Steep, stony, facing east – the slope faces the morning, not the midday sun. The soil is rich in tufa and pebbles, poor in nutrients, without indulgence. The vines come from a mass selection of eight of the estate's own Sangiovese clones, which Mastrojanni has selected over decades: the estate's genetic memory in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a parcel in its own right – the ability to show finesse where Castelnuovo dell'Abate otherwise convinces with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but more precisely. The eastern exposure gives the wine freshness, the tufa lends it mineral tension, the poor soils force concentration without over-ripening. 36 months of ageing in Allier barrels between 16 and 33 hectolitres – the small formats, the closeness that the wood gives the wine without dominating it.

The vines cover two hectares directly below the small chapel that gave the wine its name. This is the steepest, oldest part of the estate, where Alessandro Mori heard the bells over the vines as a child. If there is a wine that is to become his legacy, then it must come from here. Brunello Madonna delle Grazie does not appear every year. There was none in 2002 and 2014 – the grapes were not good enough. This decision costs money, but Alessandro Mori has never acted on it. What distinguishes the Madonna from all other Brunellos in the appellation – even from its own basic Brunello – is the vinification. While the classic Il Marroneto is born with fermentation temperatures of up to 40°C and intensive extraction, the Madonna follows the opposite path: two days of rest after the harvest, then cool fermentation at 28°C for three to four weeks. The extraction is gentle, almost tender – more of an infusion than a maceration, closer to Pinot Noir than to classic Sangiovese. Then matured for 40 months in neutral vats.

2020 was the year in which the silence of the vineyards became a calculation. While the world stood still, Montalcino's winegrowers transformed the enforced slowness into precision: vineyard by vineyard, vine by vine, with an attention that other years would not have allowed. At Poggio di Sotto, this benefited a winery that is never in a hurry anyway. The summer of 2020 was hot – no question about it. But Monte Amiata, always vigilant behind the vineyards, moderated with its cool nights. Rain at the end of September, then a long, leisurely autumn with thirty days of striking day-night difference. Poggio di Sotto harvested late, only at the end of September – and took its time. In hot years, the estate characteristically chooses the deeper plots for its Riserva: cooler clay and Galestro, the natural brake against over-ripening. The result is a 2020 that carries the warmth of the vintage without being dominated by it.

Lisini produces four Brunelli. Each one stands for a different conviction – the Annata stands for balance and accessibility, the Ugolaia for the character of a single vineyard, the new Poggio Severo for a cooler, higher parcel. The Riserva stands for something else: for tradition. The estate itself calls it the most traditional wine in the entire portfolio – not because it is older, but because it epitomises the classic Montalcino ideal: Concentration, depth, patience. It is the result of a strict selection of the best grapes from the entire estate – from the vineyards around Sant'Angelo in Colle and the Sesta vineyard near Castelnuovo dell'Abate. No single vineyard, but the sum of the best that a vintage has to offer. The maceration period of 20 to 26 days is longer than for the Annata, and the ageing in large Slavonian oak barrels is correspondingly extended.