Brunello 2021 & Riserva 2020

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

A lake next to the vineyard – this is not a metaphor, this is geography. Vigna del Lago is located in the north-west of Montalcino, at 280 metres above sea level, and the small lake that gives the vineyard its name softens the otherwise continental climate of this exposure: harsh winters, very hot summers, pronounced day-night temperature fluctuations. The soil is clay – heavy, watery and cool. A combination that forces the Sangiovese Grosso to take deep root, mature slowly and develop elegance rather than mass. The vine material is the densest in the entire Val di Suga portfolio: 7,500 vines per hectare – a figure reminiscent of the planting densities in Burgundy. Double spur cordon, careful foliage management, yield reduction through thinning out. Hand-picking into crates takes place exclusively in the early hours of the morning. In the cellar: fermentation for eight to twelve days, maceration for a further two to three weeks. Maturation in 40-hectolitre Slavonian oak barrels for 24 months, then concrete, then bottle. No barrique, no wood pressure – pure site. 2021 was a lucky vintage for Vigna del Lago. The late frost in April reduced the harvest – and concentrated the best. No extreme summer, no stress.

Anyone who knows the south-east of Montalcino knows: no sea breezes, no proximity to the lake, no soft light. Monte Amiata reigns supreme here – the extinct volcano in the background, which breaks the winds, intensifies the temperature fluctuations between day and night and gives the soil its unmistakable character: Galestro slate, gritty, barren, rich in minerals. Oaks and holm oaks stand between the vines, where elsewhere cypresses or olive trees characterise the landscape. Poggio al Granchio – the "crab hill" – lies at 380 to 450 metres, south-east exposure, the historical heart of the appellation. Val di Suga acquired this vineyard in 1999, thus completing a triangle that no other producer in Montalcino possesses. The grapes are harvested by hand in crates, in micro-zones, and the optical selection is uncompromising. In the cellar: fermentation for ten to fourteen days, followed by intensive post-fermentation maceration at 30 degrees for twenty to twenty-five days – this is where extract, density and colour are created. 2021 was particularly favourable for the Poggio al Granchio. The influence of Monte Amiata mitigated the dryness of the summer, while the long autumn ensured even ripeness.

The Vigna Loreto covers one and a half hectares. Steep, stony and east-facing – , the slope faces the morning sun, not the midday sun. The soil is rich in tuff and pebbles, poor in nutrients, and unforgiving. The vines are the result of a mass selection from eight estate-grown Sangiovese clones that Mastrojanni has selected over decades: the estate’s genetic memory is embodied in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a distinct plot – the ability to display finesse where Castelnuovo dell’Abate otherwise impresses with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but with greater precision. The east-facing aspect gives the wine freshness; the tuff lends it mineral tension; the lean soils force concentration without overripeness. 36 months’ ageing in Allier barrels ranging from 16 to 33 hectolitres – the small barrels, the intimacy that the wood lends the wine without dominating it.

The vines cover two hectares directly below the small chapel that gave the wine its name. This is the steepest, oldest part of the estate, where Alessandro Mori heard the bells over the vines as a child. If there is a wine that is to become his legacy, then it must come from here. Brunello Madonna delle Grazie does not appear every year. There was none in 2002 and 2014 – the grapes were not good enough. This decision costs money, but Alessandro Mori has never acted on it. What distinguishes the Madonna from all other Brunellos in the appellation – even from its own basic Brunello – is the vinification. While the classic Il Marroneto is born with fermentation temperatures of up to 40°C and intensive extraction, the Madonna follows the opposite path: two days of rest after the harvest, then cool fermentation at 28°C for three to four weeks. The extraction is gentle, almost tender – more of an infusion than a maceration, closer to Pinot Noir than to classic Sangiovese. Then matured for 40 months in neutral vats.

2020 was the year in which the silence of the vineyards became a calculation. While the world stood still, Montalcino's winegrowers transformed the enforced slowness into precision: vineyard by vineyard, vine by vine, with an attention that other years would not have allowed. At Poggio di Sotto, this benefited a winery that is never in a hurry anyway. The summer of 2020 was hot – no question about it. But Monte Amiata, always vigilant behind the vineyards, moderated with its cool nights. Rain at the end of September, then a long, leisurely autumn with thirty days of striking day-night difference. Poggio di Sotto harvested late, only at the end of September – and took its time. In hot years, the estate characteristically chooses the deeper plots for its Riserva: cooler clay and Galestro, the natural brake against over-ripening. The result is a 2020 that carries the warmth of the vintage without being dominated by it.

Lisini produces four Brunelli. Each one stands for a different conviction – the Annata stands for balance and accessibility, the Ugolaia for the character of a single vineyard, the new Poggio Severo for a cooler, higher parcel. The Riserva stands for something else: for tradition. The estate itself calls it the most traditional wine in the entire portfolio – not because it is older, but because it epitomises the classic Montalcino ideal: Concentration, depth, patience. It is the result of a strict selection of the best grapes from the entire estate – from the vineyards around Sant'Angelo in Colle and the Sesta vineyard near Castelnuovo dell'Abate. No single vineyard, but the sum of the best that a vintage has to offer. The maceration period of 20 to 26 days is longer than for the Annata, and the ageing in large Slavonian oak barrels is correspondingly extended.

Montosoli is a plateau to the north of Montalcino – one of the few sites in the appellation to which producers from different houses refer when they want to name the best of their terroir. A name like a silent agreement among those who know: This is where the soil speaks most clearly. The high proportion of silt in this special subsoil gives the Sangiovese Grosso a minerality, transparency and freshness that can hardly be found in this form in any other part of Montalcino. And at the heart of this plateau lies the Vigna Montosoli of Valdicava. Vincenzo Abbruzzese has treated this parcel differently from the very beginning – harvested separately, vinified separately, vinified separately. Vigna Montosoli is Valdicava's youngest single vineyard and also its flagship: the 2019 first vintage immediately received 100 points from James Suckling, one of only two perfect Brunellos from this exceptional vintage. The message was clear.

Giovanni Neri died in 1986, fifteen years after buying Podere Casanova. He had lived the dream – but not long enough to see what became of it. His son Giacomo and his grandsons Giovanni and Gianlorenzo continue to live his dream. And on the fiftieth anniversary of the first vineyard, they dedicated a wine to the founder that bears his name – and his attitude: the belief that Montalcino can do more than the world thought at the time. The vineyard is old and untamed, as the estate itself puts it – vines over fifty years old that have never stopped taking deep roots.

Tenuta Nuova means "new winery". And the name carries weight: when Giacomo Neri acquired the land around Le Cetine near the Abbazia di Sant'Antimo in southern Montalcino in the early 1990s, nobody had planted Sangiovese there yet. This was not an oversight – it was a judgement that Giacomo Neri wanted to revise. Not out of spite, but out of conviction: that this terrain, this microclimate, these soils have the potential for a Brunello with its own character. What followed was not a gut feeling, but a method. Systematic analyses of the microclimates, the optimal exposures, the soils – clone selection, rootstock research, planting distances, everything scrutinised, everything decided. The first result came in 1993, and a few years later the rest of the world was talking about it.

There are vineyards that are named after the place where they are located. And there are vineyards that give the place its name in the first place. Podernovi is one such case – the three hectares of Sangiovese that have been growing on this plot for over thirty years are so inextricably linked to the hill that the vineyard and district bear the same name. When San Polo bottled the first single-vineyard Brunello from this vineyard in 2015, it was less a debut than a recognition of what the soil had long known. Podernovi lies at 450 metres above sea level, facing south-east, where the view sweeps across the Val d'Orcia to Monte Amiata. The soils are a kaleidoscope of Tuscan geology: marl and galestro, the slate-like clay that gives the best Sangiovese vineyards in the region their unnerving minerality, interspersed with clay that stores water and supplies the vines even in dry summers. What sets this vineyard apart from others is not just its terroir, but the rigour with which San Polo cultivates it: four to five grapes per vine, no more – 700 to 800 grams per vine, a yield that is reminiscent of Burgundy conditions and forces the Sangiovese to achieve a concentration that it rarely reaches elsewhere.

The year 1991 was the first. With the 2021 vintage, Poggio di Sotto is celebrating its thirtieth Brunello – an anniversary that the estate is marking with a special label in gold print, discreetly and without pomp, entirely in the style of the house. Thirty vintages that have proven that elegance is not a weakness. 2021 was not an easy year. Late frosts in spring decimated the harvest, summer brought heat, August finally brought rain – a sequence that could have been disastrous in other hands. Cellar master Leonardo Berti sees this as the special character of this vintage: fewer grapes, more concentration and an intensity gained through stress, which was kept in balance by the freshness of the long growing season. The soils – a mosaic of white and red clay, galestro and grey marl – did the rest. Spontaneous fermentation in wooden vats, maceration for at least 30 days, 42 months in large Slavonian oak barrels, unfiltered. The recipe is the same. The wine is not.

The Lilium Soldera blooms in the botanical garden of Case Basse. A variety that was named after its founder because when it first bloomed, the grower thought of the flavour of a wine that had given him an unforgettable moment. No coincidence: Gianfranco Soldera was never just a winegrower. He was a botanist, a naturalist, a visionary – one who believed that wine in its purest form is a reflection of the entire biodiversity of a place. The bees, the flowers, the insects, the soil: All part of a single system that ultimately culminates in a bottle.

2020 was the year in which the silence of the vineyards became a calculation. While the world stood still, Montalcino's winegrowers transformed the enforced slowness into precision: vineyard by vineyard, vine by vine, with an attention that other years would not have allowed. At Poggio di Sotto, this benefited a winery that is never in a hurry anyway. The summer of 2020 was hot – no question about it. But Monte Amiata, always vigilant behind the vineyards, moderated with its cool nights. Rain at the end of September, then a long, leisurely autumn with thirty days of marked day-night difference. Poggio di Sotto harvested late, only at the end of September – and took its time. In hot years, the estate characteristically chooses the deeper plots for its Riserva: cooler clay and Galestro, the natural brake against over-ripening. The result is a 2020 that carries the warmth of the vintage without being dominated by it.

The vines cover two hectares directly below the small chapel that gave the wine its name. This is the steepest, oldest part of the estate, where Alessandro Mori heard the bells over the vines as a child. If there is a wine that is to become his legacy, then it must come from here. Brunello Madonna delle Grazie does not appear every year. There was none in 2002 and 2014 – the grapes were not good enough. This decision costs money, but Alessandro Mori has never acted on it. What distinguishes the Madonna from all other Brunellos in the appellation – even from its own basic Brunello – is the vinification. While the classic Il Marroneto is born with fermentation temperatures of up to 40°C and intensive extraction, the Madonna follows the opposite path: two days of rest after the harvest, then cool fermentation at 28°C for three to four weeks. The extraction is gentle, almost tender – more of an infusion than a maceration, closer to Pinot Noir than to classic Sangiovese. Then matured for 40 months in neutral vats.

There are wines that have invented a category. Madonna del Piano was one of the very first single-vineyard Brunelli ever produced – long before the appellation had a formal language for the concept of cru, long before other houses started bottling their best parcels separately. Vincenzo Abbruzzese's grandfather had bought the estate in 1953; Vincenzo himself turned a small vineyard parcel in Montosoli into what James Suckling described as "one of the great wines of Tuscany, if not Italy". The Madonna del Piano parcel is located in the heart of the Valdicava vineyards, at 350 metres in the northern Montosoli zone, on soil rich in galestro and limestone, which gives the Sangiovese Grosso a mineral austerity and floral depth that is not found in warmer locations in Montalcino. Organic cultivation without chemical intervention for generations. Yield reduced to the absolute minimum. Every berry counts.

2020 was the year in which the silence of the vineyards became a calculation. While the world stood still, Montalcino's winegrowers transformed the enforced slowness into precision: vineyard by vineyard, vine by vine, with an attention that other years would not have allowed. At Poggio di Sotto, this benefited a winery that is never in a hurry anyway. The summer of 2020 was hot – no question about it. But Monte Amiata, always vigilant behind the vineyards, moderated with its cool nights. Rain at the end of September, then a long, leisurely autumn with thirty days of marked day-night difference. Poggio di Sotto harvested late, only at the end of September – and took its time. In hot years, the estate characteristically chooses the deeper plots for its Riserva: cooler clay and Galestro, the natural brake against over-ripening. The result is a 2020 that carries the warmth of the vintage without being dominated by it.

The Lilium Soldera blooms in the botanical garden of Case Basse. A variety that was named after its founder because when it first bloomed, the grower thought of the flavour of a wine that had given him an unforgettable moment. No coincidence: Gianfranco Soldera was never just a winegrower. He was a botanist, a naturalist, a visionary – one who believed that wine in its purest form is a reflection of the entire biodiversity of a place. The bees, the flowers, the insects, the soil: All part of a single system that ultimately culminates in a bottle.

In 51 years of Il Marroneto, it has only happened three times. 2004, 2013 and now again with the 2020 vintage: a single barrel – botte number 18 – refused to follow the usual rhythm and demanded more time, more attention, more of everything. Alessandro Mori calls it "a monster" – not in the sense of brutality, but of wilfulness. A wine that refused to submit. "Fermentation with wild yeasts, without temperature control, was exceptionally slow and gradual." The wine matured for a total of 58 months in Botte no. 18. 16 months more than the regular Madonna delle Grazie. "Wine is not perfect," says Alessandro. "It becomes perfect with time. That's how it finds its true balance."

The vines cover two hectares directly below the small chapel that gave the wine its name. This is the steepest, oldest part of the estate, where Alessandro Mori heard the bells over the vines as a child. If there is a wine that is to become his legacy, then it must come from here. Brunello Madonna delle Grazie does not appear every year. There was none in 2002 and 2014 – the grapes were not good enough. This decision costs money, but Alessandro Mori has never acted on it. What distinguishes the Madonna from all other Brunellos in the appellation – even from its own basic Brunello – is the vinification. While the classic Il Marroneto is born with fermentation temperatures of up to 40°C and intensive extraction, the Madonna follows the opposite path: two days of rest after the harvest, then cool fermentation at 28°C for three to four weeks. The extraction is gentle, almost tender – more of an infusion than a maceration, closer to Pinot Noir than to classic Sangiovese. Then matured for 40 months in neutral vats.