Brunello 2021 & Riserva 2020

Forty vintages. You have to let that melt in your mouth: When Pierluigi Talenti left the mountains of his native Romagna in the early 1950s and came to the hills of Montalcino, he not only found work at Sant'Angelo in Colle, but also his life's work. For over four decades, he shaped one of the appellation's most famous addresses as cellar master of Il Poggione – and is still considered one of the founding fathers of modern Brunello. He selected his own Sangiovese clones, set new quality standards and became a role model for an entire generation. In 1980, at the end of this era, he bought the Podere Pian di Conte – an old estate with a round tower overlooking the Orcia Valley – and began to press his own Brunello. Pierluigi died in 1999. Since then, grandson Riccardo has run the estate with the same tenacity, advised by Carlo Ferrini and supported by the knowledge that there is something special in these soils of sandy loam, clay and galestro.

There are vineyards that are named after the place where they are located. And there are vineyards that give the place its name in the first place. Podernovi is one such case – the three hectares of Sangiovese that have been growing on this plot for over thirty years are so inextricably linked to the hill that the vineyard and district bear the same name. When San Polo bottled the first single-vineyard Brunello from this vineyard in 2015, it was less a debut than a recognition of what the soil had long known. Podernovi lies at 450 metres above sea level, facing south-east, where the view sweeps across the Val d'Orcia to Monte Amiata. The soils are a kaleidoscope of Tuscan geology: marl and galestro, the slate-like clay that gives the best Sangiovese vineyards in the region their unnerving minerality, interspersed with clay that stores water and supplies the vines even in dry summers. What sets this vineyard apart from others is not just its terroir, but the rigour with which San Polo cultivates it: four to five grapes per vine, no more – 700 to 800 grams per vine, a yield that is reminiscent of Burgundy conditions and forces the Sangiovese to achieve a concentration that it rarely reaches elsewhere.

Sometimes it takes a single vineyard to understand what a vintage really means. 2021: "fragrante, definite e verticale" – is the official verdict of some Masters of Wine. Fragrant, precise, vertical. For Le Lucére, this east-facing parcel on Galestro and slate, this sounds like a description of the wine's characteristics. No vintage in recent years fits the DNA of this site as well as 2021. The late frost in April decimated the quantities – what remained was more concentrated, healthier, more focussed. No heat stress in summer. A relaxed harvest at the end of September, in which the vines gave the last of what the season had to offer: clear fruit, lively acidity, fine-grained tannins. Caciorgna let the vintage speak for itself.

The Vigna Loreto covers one and a half hectares. Steep, stony, facing east – the slope faces the morning, not the midday sun. The soil is rich in tufa and pebbles, poor in nutrients, without indulgence. The vines come from a mass selection of eight of the estate's own Sangiovese clones, which Mastrojanni has selected over decades: the estate's genetic memory in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a parcel in its own right – the ability to show finesse where Castelnuovo dell'Abate otherwise convinces with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but more precisely. The eastern exposure gives the wine freshness, the tufa lends it mineral tension, the poor soils force concentration without over-ripening. 36 months of ageing in Allier barrels between 16 and 33 hectolitres – the small formats, the closeness that the wood gives the wine without dominating it.

When Alessandro Mori and his young family moved into the dilapidated house on the northern walls of Montalcino in 1993, there was only one habitable room. The rest was decay and promise. Today, three decades later, Il Marroneto is a monument to what perseverance and conviction can create. The building itself dates back to the 13th century – a drying house for chestnuts (marroni) that once belonged to the nuns of the small Madonna delle Grazie chapel. Here they prepared bread for weary pilgrims on the Via Francigena. Alessandro still remembers the bells ringing over the vineyards of his childhood.

A railway station from the 19th century still stands on the estate – silent, fallen out of time, functionless. The wine that is produced here has something of this image: it doesn't hurry, it waits. And the 2021 came quietly anyway – no record-breaking summer, no headlines, just a cool spring, moderate heat and day-night fluctuations that gave the Sangiovese exactly what it needed: room to mature. Tenuta Pian delle Vigne is located six kilometres southwest of Montalcino, on calcareous clay soil with fine gravel, exposed to the southwest, around 130 metres above sea level. Antinori-owned since 1995 – and has been unyieldingly committed to the same principle ever since: large wooden barrels of between 30 and 80 hectolitres that preserve rather than dominate the Sangiovese fruit. No barrique dictates, no fashionable make-up. Only conviction.

A Brunello Riserva that is only born in years that the winery considers exceptional. Not every great harvest produces a Caterina and certainly not a Riserva. It is the promise that Giuseppe Bianchini made to himself when he unexpectedly inherited an entire vineyard in 1985: he would create a wine that would be a monument to its terroir. The name has something sacred about it, a silent reference to the spiritual tradition of this landscape between the Abbey of Sant'Antimo and the hills of Castelnuovo dell'Abate. Santa Caterina d'Oro – the golden Catherine – as if to provide the wine with a patron saint, a protector of its long journey through time.

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

Above the vineyard is a brown road sign: Passo del Lume Spento m. 621 s.l.m. The highest point of the entire Brunello appellation. The name is self-explanatory: The wind on this sandstone plateau was so strong that it extinguished the lanterns of the carriages that once crossed this pass. The light always went out. The place remained. No Brunello was allowed to grow here until 2016. The DOCG regulations set an upper limit at 600 metres – and Passo del Lume Spento is at 621 metres. When the rules were changed, Riccardo Campinoti was one of the first to take the plunge. The vines were planted in 2010 and 2012 – young, on a sandstone plateau with south-west exposure, which on clear days offers views as far as the Tyrrhenian Sea. Gaja and Marchesi Antinori have also bought in this zone since then. You don't have to be a clairvoyant to understand why.

Directly in front of the winery, at an altitude of 600 metres, with a view to the south-west and the sea on the horizon, lies a vineyard that was planted in 1968. It is called Vigna Vecchia – the old vineyard. That's all it needs to introduce itself. 56-year-old vines on quartz-rich soil, the last plot on the estate to be harvested – some years not until mid-October. The old vine is slow, it yields little and concentrates a lot. What it produces is not a broad portrait of the terroir, but a monologue – precise and of a density that can only be explained by age. Riccardo Campinoti vinifies the Vigna Vecchia like all his Brunello: concrete vats, natural yeasts, long maceration, then 36 months in large Slavonian oak barrels. No Riserva label – although the wine would justify it. Campinoti deliberately refrains from doing so. As in Burgundy, it is the location and terroir that count, not the category.

Riserva is not an automatic process at Fuligni. It is created when a vintage deserves it – and when the estate's oldest vineyards have produced something that is more than Brunello. More than good. 1972, 1976, 2002: vintages in which Fuligni simply did not bring any Brunello onto the market because the quality was not right. This consistency is rare, because you have to be able and willing to afford it. It is also the foundation on which a Riserva acquires its very special meaning. 2020 was not an easy year. Warm, dry, early ripening – a vintage that many producers dismissed as too lush, too soft. Fuligni saw it differently. The north-east-facing sites in Cottimelli, between 380 and 450 metres, on Galestro – stony, cool, with natural acidity even in hot years – dampened the heat and preserved the freshness. What was a challenge in flatter, warmer sites resulted in concentrated, healthy grapes with depth and surprising elegance. The oldest vines on the estate, over forty years old, with reduced yields and highly concentrated juice, provided the material for the selection.

The name is a tribute. Giodo – composed of Giovanna and Donatello, the names of his parents. Carlo Ferrini, one of Italy's most important Oenologist, has dedicated his life to Sangiovese – as a consultant for estates from Montalcino to Etna and as the designer of some of the most influential wines in Tuscany over the last three decades. It was not a question of if he would found his own winery at some point, but when. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west Montalcino, seven of them woodland, three for the vine. And the vine here is exclusively Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but accompanied.

Castelnuovo dell'Abate has its own character – rougher, denser, more mineral than many other corners of the appellation. The clayey-sandy soils with their high proportion of skeleton, the altitudes between 150 and 350 metres, the lee of Monte Amiata, the cool nights from the Orcia Valley: anyone who plants vines here gets Sangiovese with attitude. Andrea Cortonesi has been planting here for almost four decades. 2021 demanded a lot from this terroir – and the winegrower – a lot. The late frost in April hit the lower vineyards hard and the harvest was around 15 per cent smaller than the previous year. A hot, dry summer followed before two rainfalls in the second half of August gave the vineyards water and the grapes their final aromatic depth. The long September nights did the rest: phenolic ripeness, without heat character, without compromising on freshness. What Uccelliera subsequently brought into the cellar was concentrated, healthy, clear and – and with that crisp fruitiness that makes Castelnuovo wines unmistakable.

Prètto. A word from the Tuscan dialect – true, sincere, schietto. Carlo Ferrini could not have chosen a more fitting name for a wine that is exactly that: no gesture, no staging, but Sangiovese in its most direct form. The Prètto is a joint effort – born from the dialogue between father and daughter, between three decades of experience and a young generation that sees Montalcino with new eyes. Bianca Ferrini, born in 1990, has given the Giodo project a very special voice with this wine. Four hectares of Sangiovese in Sant'Angelo in Colle, south-west Montalcino, at 360 metres in south-eastern exposure. Medium-heavy, skeleton-rich soil, 6,600 plants per hectare – a density that creates stress and forces concentration. Hand-picked, 20 days of maceration in steel and cement, délestage halfway through fermentation. Then around 30 months of ageing in 500, 700 and 2,500 Literswooden barrels – medium to large containers that give the wine structure without wood characterisation. Then six months in cement, followed by a further 12 months in the bottle. 12,000 bottles were produced.

Some wineries tell their story on display boards. At Fuligni, it hangs on the walls. The palazzo in the centre of Montalcino dates back to the 17th century – the Medici resided here and a Spanish princess left a room that still bears her name today. Underneath, deeper than the palazzo itself, are the cellars: built at the end of the 16th century, with vaulted ceilings in tecnica mista, completely naturally insulated. This is where the Brunello matures in Slavonian oak barrels. It also matured here when Giovanni Maria Fuligni came to Montalcino at the beginning of the 20th century – and it matures here, just as his ancestors made wine in the Maremma before him, without interruption, without abbreviation.

The year 1991 was the first. With the 2021 vintage, Poggio di Sotto is celebrating its thirtieth Brunello – an anniversary that the estate is marking with a special label in gold print, discreetly and without pomp, entirely in the style of the house. Thirty vintages that have proven that elegance is not a weakness. 2021 was not an easy year. Late frosts in spring decimated the harvest, summer brought heat, August finally brought rain – a sequence that could have been disastrous in other hands. Cellar master Leonardo Berti sees this as the special character of this vintage: fewer grapes, more concentration and an intensity gained through stress, which was kept in balance by the freshness of the long growing season. The soils – a mosaic of white and red clay, galestro and grey marl – did the rest. Spontaneous fermentation in wooden vats, maceration for at least 30 days, 42 months in large Slavonian oak barrels, unfiltered. The recipe is the same. The wine is not.

The Vigna Loreto covers one and a half hectares. Steep, stony, facing east – the slope faces the morning, not the midday sun. The soil is rich in tufa and pebbles, poor in nutrients, without indulgence. The vines come from a mass selection of eight of the estate's own Sangiovese clones, which Mastrojanni has selected over decades: the estate's genetic memory in every vine. It was Gabriele Mastrojanni himself who recognised Vigna Loreto as a parcel in its own right – the ability to show finesse where Castelnuovo dell'Abate otherwise convinces with power. Today, every vintage confirms what the founder saw: Loreto speaks more softly than the great Brunello, but more precisely. The eastern exposure gives the wine freshness, the tufa lends it mineral tension, the poor soils force concentration without over-ripening. 36 months of ageing in Allier barrels between 16 and 33 hectolitres – the small formats, the closeness that the wood gives the wine without dominating it.

When Alessandro Mori and his young family moved into the dilapidated house on the northern walls of Montalcino in 1993, there was only one habitable room. The rest was decay and promise. Today, three decades later, Il Marroneto is a monument to what perseverance and conviction can create. The building itself dates back to the 13th century – a drying house for chestnuts (marroni) that once belonged to the nuns of the small Madonna delle Grazie chapel. Here they prepared bread for weary pilgrims on the Via Francigena. Alessandro still remembers the bells ringing over the vineyards of his childhood.

Frost fell over Montalcino on 7 April 2021. And again on 15 April. In some vineyards, it destroyed a third of the harvest. In Vignavecchia, on its steep western slope at an altitude of 420 metres, it hit the vines differently: not as destruction, but as selection. What survived were the strongest shoots, the best protected grapes – a natural yield limitation, more radical than any human intervention. Nature cut what the winegrower would never have dared. What followed was a summer of extremes and an autumn of perfection. The months up to August were hot and dry, followed by sporadic rainfall that gave the vines a rest. September brought what Sangiovese needs: warm days, cool nights, those temperature amplitudes that preserve flavour and acidity while phenolic ripeness progresses. The harvest began almost two weeks earlier than was usual just a few years ago – a sign of climate change, but this year also a sign of good fortune: the grapes reached perfection before the autumn rains set in.

Riserva is not an automatic process at Fuligni. It is created when a vintage deserves it – and when the estate's oldest vineyards have produced something that is more than Brunello. More than good. 1972, 1976, 2002: vintages in which Fuligni simply did not bring any Brunello onto the market because the quality was not right. This consistency is rare, because you have to be able and willing to afford it. It is also the foundation on which a Riserva acquires its very special meaning. 2020 was not an easy year. Warm, dry, early ripening – a vintage that many producers dismissed as too lush, too soft. Fuligni saw it differently. The north-east-facing sites in Cottimelli, between 380 and 450 metres, on Galestro – stony, cool, with natural acidity even in hot years – dampened the heat and preserved the freshness. What was a challenge in flatter, warmer sites resulted in concentrated, healthy grapes with depth and surprising elegance. The oldest vines on the estate, over forty years old, with reduced yields and highly concentrated juice, provided the material for the selection.

The name is a tribute. Giodo – composed of Giovanna and Donatello, the names of his parents. Carlo Ferrini, one of Italy's most important Oenologist, has dedicated his life to Sangiovese – as a consultant for estates from Montalcino to Etna and as the designer of some of the most influential wines in Tuscany over the last three decades. It was not a question of if he would found his own winery at some point, but when. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west Montalcino, seven of them woodland, three for the vine. And the vine here is exclusively Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but accompanied.

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

A lake next to the vineyard – this is not a metaphor, this is geography. Vigna del Lago is located in the north-west of Montalcino, at 280 metres above sea level, and the small lake that gives the vineyard its name softens the otherwise continental climate of this exposure: harsh winters, very hot summers, pronounced day-night temperature fluctuations. The soil is clay – heavy, watery and cool. A combination that forces the Sangiovese Grosso to take deep root, mature slowly and develop elegance rather than mass. The vine material is the densest in the entire Val di Suga portfolio: 7,500 vines per hectare – a figure reminiscent of the planting densities in Burgundy. Double spur cordon, careful foliage management, yield reduction through thinning out. Hand-picking into crates takes place exclusively in the early hours of the morning. In the cellar: fermentation for eight to twelve days, maceration for a further two to three weeks. Maturation in 40-hectolitre Slavonian oak barrels for 24 months, then concrete, then bottle. No barrique, no wood pressure – pure site. 2021 was a lucky vintage for Vigna del Lago. The late frost in April reduced the harvest – and concentrated the best. No extreme summer, no stress.

Anyone who knows the south-east of Montalcino knows: no sea breezes, no proximity to the lake, no soft light. Monte Amiata reigns supreme here – the extinct volcano in the background, which breaks the winds, intensifies the temperature fluctuations between day and night and gives the soil its unmistakable character: Galestro slate, gritty, barren, rich in minerals. Oaks and holm oaks stand between the vines, where elsewhere cypresses or olive trees characterise the landscape. Poggio al Granchio – the "crab hill" – lies at 380 to 450 metres, south-east exposure, the historical heart of the appellation. Val di Suga acquired this vineyard in 1999, thus completing a triangle that no other producer in Montalcino possesses. The grapes are harvested by hand in crates, in micro-zones, and the optical selection is uncompromising. In the cellar: fermentation for ten to fourteen days, followed by intensive post-fermentation maceration at 30 degrees for twenty to twenty-five days – this is where extract, density and colour are created. 2021 was particularly favourable for the Poggio al Granchio. The influence of Monte Amiata mitigated the dryness of the summer, while the long autumn ensured even ripeness.