Vintage 2025

When the Mazzei family discovered their love for Sicily a good twenty years ago and founded the Zisola winery near Noto, the old olive groves were part of the gift. At around 130 metres above sea level, in the giardini of the estate, four Sicilian varieties grow: Moresca, Ogliarola Messinese, Nocellara Etnea and Biancolilla – a quartet that captures the character of the island. The result is an oil of a rich golden-green colour with the unmistakable temperament of Sicily: aromas of ripe olive and sun-ripened tomato, full-bodied and round on the palate, with a subtle spiciness and a gently sweet finish. A triumph of flavours and aromas that preserves the warmth of the south in every bottle. SUPERIORE.DE

Three thousand years of wine-growing history are encapsulated in a single road name: the Strada Provinciale 68 near Vittoria, the route along which generations of Sicilian farmers carried their amphorae – and later their barrels – to market. Arianna Occhipinti, a pioneer of Sicilian natural wine, has created a liquid tribute to this country road. Albanello and Zibibbo, two indigenous Sicilian varieties, grow here on red sand over limestone. The grapes ferment together with wild yeasts in concrete vats; two weeks' maceration give the Bianco its characteristic texture. Bottled unfiltered, it retains its lively cloudiness.

La Rosé de Manincor is produced using the traditional saignée method – by drawing off the juice from the estate's finest red wine batches. The grapes come from the Manincor, Seehof, Panholzerhof and Mazzon vineyards, situated at altitudes of between 250 and 500 metres. Rich clay soils, interspersed with limestone gravel and glacial rock deposits, define its character. The composition of the cuvée varies slightly from year to year – in 2025 it consists of 30% Cabernet Franc, 25% Merlot, 20% Pinot Nero, 13% Vernatsch, 4% Tempranillo, 4% Syrah and 4% Petit Verdot. After six to twelve hours of maceration, the must is drawn off – the part that makes the red wines more concentrated and gives the rosé its colour, structure and richness of aroma. Fermentation takes place in wooden barrels, partly spontaneously with wild yeasts. The wine is then aged on the fine lees for five months, during which time the aromas refine and the creamy texture that characterises La Rosé develops.

A Chardonnay with an origin profile and signature – typical of Jermann. The grapes come from the hilly areas of Friuli, where cool downslope winds and chalky soils ensure freshness, structure and aromatic clarity. Pale straw yellow in the glass with a greenish tinge. On the nose, subtle but clear notes of Williams pear, yellow apple, citrus fruit, a hint of almond and floral accents. Dry, straightforward and finely structured on the palate, with fresh acidity, delicate creaminess and a pleasant, slightly salty finish. A fresh, stylish Chardonnay without heaviness, which impresses with a clear line, regional profile and plenty of typicity. SUPERIORE.DE

SP68 Rosso is perhaps Arianna Occhipinti's most direct expression of terroir, grape variety and philosophy. The Frappato and Nero d'Avola grapes come from organically farmed plots on calcareous and sandy soils at an altitude of 280 to 290 metres. Fermented with natural yeasts in concrete, aged for six months in cement tanks, and bottled unfiltered – no intervention, no embellishment, pure essence.

The name says it all – and nothing less. Titolo is Elena Fucci's great promise: one of the most concentrated, structurally rich Aglianico del Vulture wines ever, from the oldest vines of the Contrada Solagna del Titolo at the foot of Monte Vulture. The Pink Edition is the same address, the same conviction – but a different phase in the life of the vine. For the Rosato, Elena Fucci chooses the youngest vines of the Titolo vineyard: vines between six and ten years old that give more fruit than structure, whose vigour gives the wine energy instead of heaviness. The grapes are deliberately harvested a little earlier than for Titolo Rosso – first week of October, by hand, in small crates, immediately into the cellar. This is followed by cooling, then four days of cold maceration on the skins – cryomaceration – to extract colour, aroma and the volcanic mineral character without taking away tannin or weight. Gentle pressing, steel tank, two and a half months maturation, unfiltered in the bottle.

The Rosato was born in 2007 – because Marco de Grazia’s three-year-old daughter, Elena, insisted on it. There was a red wine, there was a white. Why not one in pink too? The winery was already painted pink. All that was missing was the wine. De Grazia, who had not planned to make a Rosato until then, set to work. The result is no frivolous summer wine, even if it is often enjoyed in summer. De Grazia’s stated ideal for his Rosato is: "il corpo di un bianco e l’anima di un rosso". And he adds: "gioioso senza essere frivolo; tensione senza essere austero." Nerello Mascalese and Nerello Cappuccio from vines aged between 25 and 60 years on the northern slopes of Mount Etna, at altitudes of between 600 and 900 metres, on volcanic soils from the estate’s various vineyards.

In 1973, Graziano Merotto purchased plot 86 in the Rive di Col San Martino – —an overgrown stretch of hillside still covered in woodland. He cleared it himself, planted Glera and began to shape the vineyard that would one day become his most important. Over fifty years later, this wine bears his name. The Cuvée del Fondatore is made exclusively from that historic plot – 230 metres above sea level, south-facing, clay and sand, with vines over 40 years old. Graziano Merotto’s decision in the cellar is unusual: maceration before pressing – a step that most producers skip – then the must goes straight into the autoclave, 60 days of secondary fermentation, followed by a further 180 days of ageing on its own lees. Almost nine months from must to bottle – a comparatively very long time for a Prosecco Superiore. 33,000 bottles, 670 magnums, 10 jeroboams.

The name says it all: "first blossom" – the best that an olive tree has to give. For the Primo Fiore, the Iacobucci family selects from the old varieties of Sannio – ortice, Ortolana, Racioppella – only the best fruit, all harvested by hand. Cold pressing, maximum care, acidity below 0.2 per cent. A value that does not come from chemistry, but from ripeness, craftsmanship and speed.

The Mazzei family has been cultivating the hills around Fonterutoli near Castellina in Chianti since 1435. Almost 600 years of experience also flow into this olive oil. The olive groves are located on barren, stony soils with southern exposure at altitudes between 300 and 490 metres. Four classic varieties characterise the olive oil: Frantoio, Moraiolo, Leccino and Pendolino. The olives are harvested by hand and processed the same day in the company's own mill, in the complete absence of oxygen, in order to optimally preserve flavours and nutrients. Extra virgin olive oil with a lively green colour and golden reflections. Artichoke, green tomato and fresh herbs on the nose. Elegant and balanced on the palate, with a fine spiciness and a delicate bitter finish – characterised by an authentic Chianti Classico oil from the new harvest. SUPERIORE.DE

This delicately fruity olive oil is mainly made from the Correggiolo variety. The fruit from the olive groves of the Talenti estate in Montalcino is carefully picked by hand and the oil is extracted within 48 hours of harvesting in order to optimise the qualitative characteristics of the product in the bottle. The colour is a beautiful green with golden reflections, the taste is fruity and intense with spicy notes of artichokes, tomatoes and herbs. Slightly savoury on the palate with a wonderfully bitter finish. SUPERIORE.DE

With Family & Friends, Feudo Maccari reinterprets the concept of a Mediterranean white wine – not as a light side dish, but as a broodingGrillo with a strong character that was born in the Moretti family. The wine was originally only intended for private occasions – a heartfelt project that today celebrates with its name the connection to people and moments that are more than mere consumption. The grapes for it (label: "only the best grapes") come from strictly selected plots around Noto, where chalky soils, salt winds and intense sunlight characterise the aroma and structure. A complex, vibrant wine with structure and balance.

From the volcanic island of Pantelleria, where the wind dictates the rules: Here, the olive trees grow on terraces of black lava rock, pruned low to defy the relentless gusts. The Biancolilla – one of the oldest olive varieties in Sicily – finds its most poetic expression in this barren landscape between Africa and Europe. The olives are harvested by hand directly from the tree, early in the second decade of October, when the polyphenol content reaches its maximum. Immediate cold pressing and gramolatura in a controlled atmosphere preserve the exceptional fineness.

From wine to oil, from west to east: Donnafugata has been cultivating olive groves on the northern slope of Mount Etna since 2016 – where volcanic soils and extreme temperature fluctuations between day and night produce olives of particular intensity. The Nocellara Etnea is the defining variety of this region: large-fruited, juicy, with a favourable ratio of flesh to stone. For this single-variety oil, the olives are harvested by hand in the second half of November and immediately cold-pressed – gramolatura is carried out in a controlled atmosphere to prevent oxidation and preserve the flavours.

This olio comes from old olive groves in south-east Sicily, where the Tonda Iblea variety has been native for generations. After harvesting, it is cold-extracted immediately so that the vibrant flavour and powerful character of the variety remain unchanged in the bottle. There, the oil is a light green colour with a golden shimmer, as if the Sicilian sun is shining once again. The bouquet is fine and clear: green tomato, fresh grass and a subtle herbal flavour reminiscent of lemon thyme and young leaves. The flavour is harmonious, with a delicate bitterness, elegant, well-integrated spiciness and a juicy, green-fruity length.

In Liguria, the question of whether Pigato and Vermentino are the same grape variety is answered with a Ligurian shoulder movement. Bruna cultivates both, appreciates both and gives each its own space. Vermentino grows in Valle Arroscia on loose, stony soil made from weathered sedimentary rock – lighter and more permeable than the Pigato plots, aromatic earlier, with a characteristic saltiness. 100% Vermentino, hand-picked, gentle pressing, fermentation in steel at a controlled temperature, short bottle ageing.

Vermentino can get burnt. Too much direct sunlight before the harvest and the berry loses its aromatic precursors – the bouquet flattens out, the palate becomes broader, oilier, with an almond-accentuated finish that conceals terroir instead of revealing it. This is a well-known pitfall on the Tuscan coast. In Montebamboli, it is deliberately avoided. The training is programme: Guyot on both sides, foliage kept dense so that the fruit zone remains in the shade. Only the shadiest grapes are harvested, where diffuse light protects the flavour. End of August, beginning of September, by hand, with careful selection. Cooled to 3°C overnight, then whole bunch pressing, static clarification. Fermentation 70% in steel at 18–20°C, 30% in new barriques. Six months on the fine lees with regular bâtonnage, six months in the bottle.

Luigi Veronelli affectionately called him "Il Contadino". And in doing so, he captured the essence of Livio Felluga better than any label ever could. A man from Istria who survived two world wars, saw borders shift, lost his homeland and settled on the rolling hills of Rosazzo in the late 1930s to give Friulian viticulture a new future. What this winegrower has built up is now one of the leading names in the north-east. The Rosato is, in the estate’s own words, “a new way of expressing the most characteristic thing we have: the character of our terroir.” 85% Merlot, 15% Pinot Nero, from flysch soils of Eocene origin – that characteristic alternation of marl and sandstone which distinguishes the Collio and Rosazzo from the rest of Italy. Pinot Nero is harvested at the end of August – earlier than Merlot, which follows in mid-September. The grapes are placed in small crates, gently destemmed, cold-pressed, and the must clarified by decanting. Fermentation takes place in steel and terracotta, with ageing on the lees.

In the early 2000s, Marco de Grazia, an American wine merchant with Tuscan roots, began systematically buying land on Mount Etna. It wasn’t because the volcano was the talk of the town at the time – it wasn’t. But because de Grazia, who had been importing Sicilian wines into the US since the 1990s, recognised something that many locals had not yet seen: that these soils, these Alberello vines, these altitudes between 600 and 900 metres, possessed something that could not be found anywhere else on the island. Tenuta delle Terre Nere – the Black Earths – was one of the sparks that ignited the Etna phenomenon. The Etna Bianco is the cornerstone of this vision: a blend of four indigenous grape varieties – carricante, Catarratto, Grecanico and Minnella – from several vineyards on the cool northern slope of the volcano, at altitudes of 600 to 900 metres. The soil is black volcanic earth, rich in minerals but low in nutrients – — ideal for vines that need to dig deep. Hand-harvested in early October, cold sedimentation, fermentation at 13 to 15°C in stainless steel tanks.

Cottanera's Etna Bianco draws its expressiveness and a certain depth from Carricante grapes, which thrive at an altitude of around 750 metres in the barren, dark volcanic soils on the north side of the volcano. The interplay of high altitude, cool climate and mineral subsoil characterises the tension and freshness of this charismatic white wine. Straw yellow in colour with a silvery sheen. White flowers meet yellow citrus fruits, crisp pears and a hint of wet stone on the nose. Clear and straightforward on the palate with lively acidity, a fine texture and salty minerality that reflects the Etna terroir. A refreshingly purist Etna Bianco that harmoniously combines finesse and depth – ideal with oysters, ceviche or simply as a meditative soloist. SUPERIORE.DE

Burdigai is the Ligurian dialect for the shrubs of the Mediterranean maquis – the fragrant, wild vegetation that occupies every free spot in western Liguria that is not cultivated by man. This small, isolated terrace facing west is surrounded by it – and it is here that a grape variety grows that nobody can fully explain. It is alternatively called "Franseise" because it apparently originates from the south of France. Nobody knows who planted the vines. Nobody knows how old they are. Not even the Bruna family knows their exact origin. Nevertheless, the vines have been cultivated and cared for over decades – out of that instinctive respect for old vines that good winegrowers never give up. At some point, the family council decided to press an independent rosé from them.

The Winkl has been vinified as a single variety since 1956 – at a time when Sauvignon Blanc was still a rarity in South Tyrol. Winery manager Rudi Kofler says that this grape variety has always felt at home around the oldest farms in the Terlan DOC area. You believe him when you taste the wine. The vineyards lie at 280 to 580 metres above sea level, exposed to the south-southwest, on steep to very steep slopes. The soil is quartz porphyry – volcanic primary rock, crystalline-mineral, with a slightly acidic pH value and an almost natural self-limitation in yields. It is precisely this microstress that produces the terroir's own polyphenols, which give Terlano wines their characteristic saltiness and tension. No other soil, no other result. Hand-picked, gentle whole-cluster pressing, slow fermentation – then 7 to 8 months on the fine lees, 80 per cent in steel, 20 per cent in large wooden barrels. This silent wood component only serves the texture, it gives the wine substance without masking its origin.

Italy's smallest wine region doesn't do things by halves. The Aosta Valley lies wedged between the highest peaks of the Alps, crossed by the Dora Baltea, characterised by moraine soils left behind by glaciers and a climate that demands everything from the vines: short summers, long winters, extreme temperature differences between day and night. Viticulture here is not a decision for the faint-hearted.

Balduccio is made up of around 9,000 organically cultivated olive trees, all located on the picturesque Montalbano hills between Florence and Montecatini Terme, and an oil mill that is so popular with local farmers that the most popular dates for pressing between 15 October and 15 November have been fully booked on the waiting list since the summer. This is because Balduccio not only presses its own olives, but also makes its modern technology available to other olive producers. Over the last 20 years, Balduccio has gained recognition and respect as an oil mill among local producers. It is not only the customers who are impressed by the quality. The ambition to produce top-quality oils is also increasingly inspiring other olive growers.