Formats

Historically, the vineyards of Castello di Fonterutoli are situated in the territories of three neighbouring municipalities within the Chianti Classico region: Castellina in Chianti, Castelnuovo Berardenga and Radda in Chianti. With the 2017 vintage, the Mazzei family vinified all three major vineyards separately as Chianti Classico Gran Selezione for the first time, in order to reflect the diversity of the terroir: Castello di Fonterutoli, Vicoregio 36 and Badiòla.

Dark and powerful in the glass with full-bodied flavours of black cherry and blackberry. Spices, leather and balsamic herbs are evident in the background. Medium to full-bodied with very fine tannins that are polished and attractive and melt into the wine. What beautiful purity and finesse! SUPERIORE.DE

In 1977, at a time when the term "terroir" was virtually unknown in Montalcino and little attention was paid to the concept of zoning, Caparzo produced the first vintage of this wine. Its name derives from the farm where the farm labourers who worked for the owners of the nearby Palazzo Montosoli once lived. With "La Casa", Caparzo was once again a pioneer: one of the first single-vineyard Brunellos in the entire appellation, from one of Montalcino's most privileged vineyards. And this wine marks a second milestone: Caparzo was among the first wineries to introduce barrique barrels to Montalcino, thereby creating a wine of a gentle, elegant character. The five-hectare vineyard is situated on Montosoli hill, 275 metres above sea level, with a south-southeast-facing aspect. Montosoli is not a large hill, but its slightly greater altitude protects it from both mist and late frosts – a decisive advantage in this northern sector of the appellation, which has cooler average temperatures than other areas. The soil is schist-clay, known locally as "galestro", and is well-drained; the site enjoys an exceptional amount of sunshine.

Historically, the vineyards of Castello di Fonterutoli are situated in the territories of three neighbouring municipalities within the Chianti Classico region: Castellina in Chianti, Castelnuovo Berardenga and Radda in Chianti. With the 2017 vintage, the Mazzei family vinified all three major vineyards separately as Chianti Classico Gran Selezione for the first time, in order to do justice to the diversity of the terroir: Castello di Fonterutoli, Vicoregio 36 and Badiòla.

Ceretto's entry-level Barbaresco comes from different sites, mostly younger vines from Asili (35%) and the lower part of Bernadot (65%). Bright, elegant ruby red. It has full energy and vivacity and offers excellent persistence and remarkable balance. On the nose, sweet red cherry, mint, pine, liquorice and candied orange peel. Taut and ferruginous on the palate, very juicy, salty, stretches precisely across the tongue, with some pressure, considerable juicy-long finish. After good aeration already impressively accessible when young. SUPERIORE.DE

Why produce gin, herbal liqueur and vermouth in the heart of the Langhe, in one of the most famous wine regions in the world? Quite simply because these products are an ancient local tradition that dates back to the Middle Ages. Because distilled spirits, herbal liqueurs and vermouths have been produced by the Penna and Currado Vietti families for generations. Elena's family produced and sold them as part of their many years in the catering industry – mixology was tradition and everyday life for them. Luca's father Alfredo Currado worked as a cellar master for famous local vermouth and amaro producers in the 1950s before he and his wife Luciana Vietti took over the winery.

Concerto was born in 1981, a time when Italian viticulture was undergoing dynamic change. The potential that had hitherto gone untapped was recognised, and new viticultural practices were introduced, with successful experiments carried out for the first time with international grape varieties. It was Marchesa Carla Mazzei who, in 1981, after the first tasting of just fifteen barriques, spontaneously chose the name Concerto – a symphony had unfolded in her glass. As one of the first ten Super Tuscans, this wine made history and revolutionised the understanding of Tuscan wine. The Sangiovese comes from the Scassi vineyard in the western part of Fonterutoli, surrounded by oak forests at an altitude of 350 metres, and is sourced from mass selections in an experimental vineyard dating back to the 1930s. And the small proportion of Cabernet Sauvignon has, over four decades, developed a character entirely of its own here, far removed from the international style it takes on elsewhere. The 18-month ageing in French barriques subsequently lends the wine its refined structure, without overshadowing its original elegance.

It was Domizio Cavazza, director of the Royal School of Viticulture in Alba, who gave Barbaresco its name and its claim to fame in 1894. A wine that was to stand up to the more powerful Barolo – finer, accessible earlier, but no less complex. More than a century later, the roles are clearly divided: Barbaresco stands for the elegant side of Nebbiolo, for finesse instead of power, for fragrance instead of darkness. Prunotto has found his answer to this appellation in a single vineyard: Bric Turot. Five hectares at around 200 metres, with an exposure from south-west to south-east, which gives the hill the shape of a natural amphitheatre. The soil – tortonian limestone and marl with veins of sand, rich in magnesium and manganese – is the same foundation on which Gajas Sorì Tildin stands just a few metres away. Not bad terrain then.

When Celestino Gaspari talks about Oseleta, it sounds like a love conversation with a difficult person. The grape variety does not reveal itself – it needs to be persuaded, understood and respected. In a small year, it responds with elegance. In a great year, it responds with power. 2016 was a great year. The summer in the Veneto was warm and dry, the nights cooled down and the harvestremained low. Oseleta ripened in the October window that Gaspari favours: slowly, evenly, completely. What followed was the same vinification as always – but in a year that allowed the grape variety to realise its full potential.

Between 23 and 29 September 2024, JR roamed seven districts of Naples. Seven days, seven neighbourhoods, 606 portraits. The photographer and street artist JR – born in 1983, known for his monumental black-and-white installations in public spaces around the world – had chosen Italy for the first time for the eighth instalment of his Chronicles series. And with Naples, the city with the most complex, contradictory and yet most beautiful identity in the country. The question he posed: Chi sei, Napoli?

On the far north-western edge of the Etna DOC, where the cold reigns and time seems to stand still, lies San Lorenzo – one of the volcano's three holy grails. Here, at an altitude of 750 metres in the municipality of Randazzo, we encounter a geological wonder: a pure elliptical terroir, formed 60,000 years ago by the explosive activity of the Ellittico crater. Marc de Grazia recognised something extraordinary in San Lorenzo – a place of aristocratic purity. Of the hundreds of contrade on Mount Etna, only three possess this unadulterated elliptical heritage: Bocca d'Orzo, Calderara and San Lorenzo. Millennia of lava flows have buried all the older soils, leaving only tiny, precious fragments of these ancient volcanic sands.

The name says it all: '61 commemorates the birth year of the very first Franciacorta and the first rosé Metodo Classico in Italy, which also came from Berlucchi. This line embodies the legacy of the pioneers Guido Berlucchi and Franco Ziliani in its purist form: Millesimato, Dosaggio Zero, without any compromise. The 2018 rosé comes from 100% Pinot Nero from the company's own vineyards Ragnoli, Quindicipiò and Gaspa in Corte Franca – all with a high planting density of 10,000 vines per hectare. The strict selection results in only 6,000 kg of grapes per hectare with a must yield of only 33%, which corresponds to 2,640 bottles. To achieve the characteristic rosé colour, some of the grapes are cold macerated for around 24 hours, while the rest is vinified as Blanc de Noirs. After fermentation in stainless steel, the base wines mature for six months on the lees, partly in barriques. This is followed by a second fermentation in the bottle and maturation on the lees for at least 60 months – five years, during which the wine develops its remarkable depth.

In the heart of the northern Etna amphitheatre, where time seems to be carved in stone, lies Calderara Sottana, the realm of black stones. Here, at an altitude of 600 to 650 metres in the municipality of Randazzo, one of the volcano's geological mysteries is revealed: A terroir so rich in stones that, in the most characteristic areas, the soil disappears beneath them – fist-sized, light chunks of black pumice and basalt. The name Calderara evokes the warmth that the black stones absorb during the day and release back into the earth during the cold nights. Marc de Grazia recognised Calderara Sottana as one of the three sacred 'contrade' of the pure Ellittico heritage – that precious geological legacy resulting from the activity of the Ellittico crater between 60,000 and 15,000 years ago. Of all the crus in the Etna DOC, these are undoubtedly the stoniest soils, even stonier than the aristocratic San Lorenzo to the west. Here, ancient vines aged between 50 and 100 years take root in this mineral labyrinth of volcanic rock, where every plant fights for every centimetre of fertile soil.

The forest literally begins at the vineyard fence: the "Vinea nel Bosco" plot, planted in 2001, lies at an altitude of around 530 metres on the edge of a deciduous forest, which brings mist and coolness in the mornings, whilst the afternoon sun provides sufficient warmth as it filters through the treetops. The soil, composed of Alberese, limestone and clay marl, yields little but what it does produce is highly concentrated. Spontaneous fermentation of the Sangiovese grapes begins in stainless steel, before the young wine matures for 26 months in large, 20-hectolitre wooden casks and is then left to rest in the bottle for at least another year. With an alcohol content of 14.5 per cent, it is full-bodied without feeling heavy – the 2020 vintage yielded a total of 2,412 bottles and 108 magnums.

Vinea Vecchia truly lives up to its name: the vineyard plot between Panzano and Montefioralle was planted in 1981, back in the days when Chianti was still produced using old, unselected Sangiovese clonal selections. With the 2020 vintage, it is being given its own label for the first time, as its character has become too distinctive to be part of any blend. At an altitude of 500 to 540 metres, Alberese rock alternates with schistose clay-marl – a soil that demands little yield from the old vines, but all the more concentration in return. Following spontaneous fermentation, the Sangiovese matures for 26 months in ten-hectolitre wooden casks, large enough to allow the fruit and terroir to express themselves fully. A total of 2,572 bottles and 46 magnums were produced, each numbered by hand.

Historically, the vineyards of Castello di Fonterutoli are situated in the territories of three neighbouring municipalities within the Chianti Classico region: Castellina in Chianti, Castelnuovo Berardenga and Radda in Chianti. With the 2017 vintage, the Mazzei family vinified all three major vineyards separately as Chianti Classico Gran Selezione for the first time, in order to reflect the diversity of the terroir: Castello di Fonterutoli, Vicoregio 36 and Badiòla.

Lodovico Lisini died in 1950, leaving the estate to his daughter Elina. At a time when the mezzadria system was coming to an end and agriculture was falling into disuse, Elina took a different approach: she invested, planted new vineyards and transformed the family home into a proper winery. In 1967, she was one of the 24 founders of the Brunello Consortium. She served as its president for many years. Until her death in 2009, it was the quiet, tenacious Elina Lisini who built the reputation of this estate – and of a wine that Giulio Gambelli, Italy's most legendary wine taster, helped to shape. The estate is situated in southern Montalcino between Sant'Angelo in Colle and Castelnuovo dell'Abate, on tuff-rich soil of Eocene origin, 300 to 350 metres above sea level and characterised by the warm Maremma breezes. 2021 was a year of extraordinary harmony: a warm, balanced summer, cool nights lasting well into September, consistent ripening and precise tannins.

The grapes for this Supertuscan come from the San Giovanni vineyard near San Giovanni a Cerreto. In the church next to the vineyard there is a painting by Rutilo Manetti depicting St John the Baptist (San Giovanni). Deep ruby red, youthful, rich, dark fruit, berry and cassis flavours meld with French oak. On the palate with deep, subtle fruit flavours and an excellent balance of fruit and tannin, plus some smoke, liquorice and tar. A rich but not too heavy red with excellent structure and great ageing potential. SUPERIORE.DE

An outstanding red wine with origin and personality: "Vicorosso" combines 80% Merlot with 20% Refosco dal Peduncolo Rosso - a cuvée that embodies international elegance and regional expression in equal measure. The grapes come from old, slow-growing vines on the typical Ponca soils between Prepotto and Buttrio. After selective hand-picking, the wine matured for around 15 months in French barriques before harmonising for a few months in the bottle. Dense ruby red in the glass with violet reflections. The rich bouquet of black cherry, blackberry and plum is finely underpinned by violets, liquorice, tobacco leaf and graphite. The palate combines juicy fruit, fine-grained tannins and lively acidity in great balance, supported by a hint of salty minerality on the finish. The wine has a precise, compact and stimulating effect at the same time - an (almost) modern Friulian red wine with depth. SUPERIORE.DE

Historically, the vineyards of Castello di Fonterutoli are situated in the territories of three neighbouring municipalities within the Chianti Classico region: Castellina in Chianti, Castelnuovo Berardenga and Radda in Chianti. With the 2017 vintage, the Mazzei family vinified all three major vineyards separately as Chianti Classico Gran Selezione for the first time, in order to reflect the diversity of the terroir: Castello di Fonterutoli, Vicoregio 36 and Badiòla.

Some vintages need no introduction. 2019 is one of them. Mild winter, soils well watered. Cool spring, vegetation two weeks behind the calendar – a blessing in disguise. Then a summer with moderate warmth around 25 degrees, without the scorching extremes that lignify tannins and burn fruit. And a September that brought everything together: slowly, evenly, precisely. Montalcino breathed a sigh of relief. Roberto Giannelli and Paolo Caciorgna had it easy – and difficult at the same time. Easy, because the raw material was impeccable. Difficult because you have to make a wine of the century from a vintage of the century. The answer: no over-commitment. Steel, concrete, large barrels. Patience instead of intervention and respect instead of actionism.

Lodovico Antinori made history with Ornellaia and Masseto, and put the Alta Maremma on the world map with Biserno. He is now writing the latest chapter of his story together with his daughter Sophia: Tenuta del Nicchio in Bibbona, situated between Bolgheri and the Tyrrhenian Sea. Le 2 Ville takes its name from a historic estate belonging to the Gherardesca family, which borders directly on the vineyard – a tribute to the "Signori della Maremma", whose lands have shaped these coastal hills for a millennium. The wine itself is a celebration of duality: Merlot and Cabernet Franc form the international foundation, yet around 20% Ciliegiolo adds a distinctly Tuscan touch. This ancient, almost forgotten variety brings a vibrant fruitiness and that playful lightness that charmingly counterbalances the Bordeaux heritage.

Wonderful, deep aroma of dark wild cherries, crushed raspberries, pomegranate, roses and peppery herbs. Dense but not heavy on the palate, long and pure with multi-layered subtle fruit flavours. Salty minerals and violet blossom emerge on the finish, along with nuanced tannins that create a classically dry feel on the elegant finish. This wine is already an absolute pleasure to drink, and although it tastes great now, it will continue to refine in the bottle for several years. A sensual and enjoyable wine, 60 per cent Nero d'Avola from oak barrels and 40 per cent Frappato matured in a vitrified cement vat. SUPERIORE.DE

Giovanni Manetti's Vin Santo del Chianti Classico consists of 50% Malvasia and 50% Sangiovese and was aged for 84 months in small oak barrels. The wine is absolutely stunning - from start to finish - and there are just 1,000 bottles of it.