Formats

The estate is situated at an altitude of 320 metres, right on the hill of Montalcino, and in its cellar, beneath a 15th-century tower, large Slavonian oak casks rest alongside the finest bottles dating back to the 1976 vintage. In that same year, former advertising executive Sergio Rossi purchased the Colombaio, which had previously belonged to the Biondi Santi family, and renovated it from the ground up. He died in 2011; his wife, Donatella Monforte, continues his legacy, whilst Oenologist Vittorio Fiore has been with the estate since the very beginning. The 11.5 hectares of vines, exclusively Sangiovese Grosso, are situated on either side of the hill, near Canalicchio in the north-east and near Castelnuovo dell'Abate in the south-east. The vines are on average 30 years old; the grapes are harvested by hand, and only the very best are selected at harvest. Fermentation takes place at a controlled temperature of 30 degrees in stainless steel tanks, with the wine remaining on the skins for around 15 days. The wine is then aged for at least 24 months in 50- and 100-hectolitre barrels, followed by a further twelve months in the bottle.

A little marvel, perfectly balanced with complex aromas of tropical fruits, apples and honey. A highly intriguing natural white wine that is far more than just a light-hearted treat, as it offers an exceptionally full-bodied, well-structured flavour. Fermented with the skins using the red wine method. A deep yellow colour with golden highlights. An intense bouquet of dried herbs, incense, candied lemon peel and a hint of bitter orange. On the palate, fresh citrus notes, an exciting acidity profile and a robust structure lead into a very long finish, crowned by a hint of bitter almonds. Highly complex and a wonderful accompaniment to food – be sure to let it breathe! SUPERIORE.DE

Rosso Arcurìa comes from the plot directly opposite the winery where Alberto Graci began his return to Etna in 2004, after turning his back on the world of finance in Milan. Whilst the entry-level Etna Rosso blends grapes from several vineyards, this wine comes exclusively from the plots in Contrada Arcurìa, situated at an altitude of 600 to 700 metres. The yield, at around 30 hectolitres per hectare, is noticeably lower than that of the entry-level wine, with three to four bunches per vine. The grapes grow on the same brown, volcanic soil as the Carricante used for the Bianco. 100% Nerello Mascalese is fermented in the traditional manner in upright, conical wooden vats, with a long maceration period on the skins, before ageing for 24 months in large Nevers oak vats, with malolactic fermentation occurring naturally.

La Rosé de Manincor is produced using the traditional saignée method – by drawing off the juice from the estate's finest red wine batches. The grapes come from the Manincor, Seehof, Panholzerhof and Mazzon vineyards, situated at altitudes of between 250 and 500 metres. Rich clay soils, interspersed with limestone gravel and glacial rock deposits, define its character. The composition of the cuvée varies slightly from year to year – in 2025, it consists of 30% Cabernet Franc, 25% Merlot, 20% Pinot Nero, 13% Vernatsch, 4% Tempranillo, 4% Syrah and 4% Petit Verdot. After six to twelve hours of maceration, the must is racked off – that part which makes the red wines more concentrated and gives the rosé its colour, structure and richness of aroma. Fermentation takes place in wooden barrels, partly spontaneously with wild yeasts. The wine then matures on its fine lees for five months, during which time the aromas refine and the creamy texture that characterises La Rosé develops.

On the hill of Rosazzo, where Augustinian monks were already making wine in the year 1000, lies a vineyard that understands Sauvignon like few others in Italy. Ronco del Gnemiz treats every parcel like a Grand Cru – not as a marketing slogan, but as a working philosophy. Serena Palazzolo and her husband Christian Patat, an Oenologist with a steady hand and a clear eye, have created something here that has become rare: wines that let their place speak for itself. Salici comes from a vineyard planted in 1997 on the lower slope, where lighter soils give the Sauvignon a different voice than on the heavy Ponca marls further up. The grapes are pressed as whole bunches, then the must ferments exclusively in wood – partly in barriques, partly in Liters barrels. No malolactic fermentation, no bâtonnage. Christian Patat leaves the wine alone for twelve months until it shows what it can do on its own.

More than a hundred years ago, a white bull named Desiderio lived on the Capezzine farm in Avignonesi. He was the largest bull in Tuscany at the time – and what's more, he is one of the recognised ancestors of the Chianina breed, the noble breed of cattle from which the Bistecca Fiorentina is cut. Anyone enjoying a Florentine-style T-bone steak today is likely to have a little bit of Desiderio's DNA on their plate. It was therefore a natural choice for Avignonesi to name its most powerful red wine after him. The label shows him – and changes with every vintage. The sky, lighting mood and details in the illustration tell of the climate of the year: whether hot or cool, dry or balanced. A quiet commentary on the vintage in pictorial form.

Gewürztraminer has a place name in its name – and thus a whole story. Tramin, a small village in the South Tyrolean lowlands, is considered the original home of this grape variety, whose aromatic power has fascinated and polarised people in equal measure for centuries. Those who like it, love it. Those who know it know that in the wrong hands it becomes a caricature. At the Cantina Terlan, it is something else. The Lunare is the pinnacle of this interpretation. Grown at 300–400 metres in south-west-facing porphyry vineyards, where downdraughts and pronounced day-night temperature differences give Gewürztraminer exactly what it needs: aromatic precision instead of perfumed richness. The name hints at what the wine fulfils – something noctilucent, cool, unreal and clear.

On the Costa degli Etruschi, where the Maestrale blows in from the Tyrrhenian Sea and the waves crash just ten kilometres away, Massimo Piccin has been realising his dream of the perfect Bordeaux blend since 1999. From the modest farmstead in Castagneto Carducci, under his visionary guidance and with the advice of the renowned OenologistCarlo Ferrini, a 40-hectare vineyard has emerged, which today ranks amongst Bolgheri's most respected estates. Volpolo embodies the pure essence of this exceptional site between the municipalities of Castagneto Carducci and Bibbona; the name pays homage to the ancient Tuscan grape variety Volpola and is also an expression of the estate's deep roots in the Bolgheri terroir. This certified organic cuvée, made from Cabernet Sauvignon, Merlot and Petit Verdot, thrives on the estate's 27 different soil types – a mosaic of sand, clay, limestone and sea pebbles that owes its mineral richness to the former marshlands. The proximity to the sea provides the vines with the constant ventilation and intense light that allow the Bordeaux varieties to ripen here to unprecedented levels of complexity.

Sometimes the oldest things are hidden. While the Chardonnay Sol, the founding wine from 1981, tells the story of Ronco del Gnemiz, the Corrado di Manzano has even deeper roots: its vines were planted between the two world wars, at a time when no one could have guessed that one of the most important Chardonnay vineyards in the Colli Orientali would one day be created here. The name honours a family member, as is the tradition at Ronco del Gnemiz: Dottore Palazzolo, Iris, now Corrado. The location in Manzano, exposed to the south-east, differs from the headquarters in Rosazzo. The soils are rich in organic matter and, despite their biblical age, the vines show enviable vigour year after year – year after year. Christian Patat takes a different approach here than with Sol or Ronco Basso: the must matures for ten months in stainless steel and wooden barrels, not exclusively in barriques.

In Sicily, "Firraru" is not simply a profession – it is a symbol of artisanal precision and quiet dignity. The blacksmith who, with patience, fire and strength, forges enduring values. Feudo Maccari dedicates its most impressive white wine to this image: a single-varietal Grillo that, like almost no other, brings to life the connection between terroir, patience and depth. The name has been chosen deliberately, for the wine is artisanal, elegant, precise and, at the same time, uncompromisingly Sicilian. The grapes come from a high-altitude plot in the south-east of the island, where the limestone-rich soil and proximity to the sea lend the Grillo structure and a salty edge. Hand-picking, gentle pressing and slow fermentation form the foundation – the wine is then aged for 12 months on the fine lees inLiters French oakLiters, with a portion also matured in concrete eggs.

At Ronco del Gnemiz, each vineyard is an individual. The plots are harvested individually, vinified individually and bottled individually – cru philosophy in its purest form. Every wine, except this one, because San Zuan is the only blend of the house. Three small Friulano parcels come together here, scattered across the hills of San Giovanni al Natisone – san Zuan in the local dialect. The oldest vines have been bearing fruit for sixty years, the youngest for twenty. Each parcel is harvested and vinified separately, but in the end they come together. What Christian Patat strictly separates with Sauvignon and Chardonnay, he deliberately brings together with Friulano. Why? Friulano is special. The grape variety, which used to be called Tocai and had to be renamed after losing a name dispute with Hungary, requires a sure instinct. It does not like new wood – so only used barriques, between a quarter and three quarters of the wine, depending on the vintage. Whole-cluster pressing, no malolactic fermentation, eight months in stainless steel, then three more in the bottle.

When Ferruccio Ferragamo took over the dilapidated Borgo from the Duke of Savoy-Aosta in 1993, it was more than just a property purchase. It was, as he himself put it, "an act of faith". Thirty years on, the house's flagship wine embodies this spirit in every bottle: a commitment to uncompromising elegance. Its creation was preceded by a meticulous geological study. Each grape variety was planted where the soil best brings out its strengths: Merlot for velvety opulence, Cabernet Sauvignon for structure and depth, Syrah for freshness and aromatic lift. Separate vinification, followed by blending – a blend that bears the hallmark of the Valdarno. The wines mature for eighteen months in French oak – the Merlot partly in larger casks to preserve its fruit, the Cabernet and Syrah in first- and second-use barriques. The result is neither a copy nor a rival to Bolgheri or Chianti, but something entirely unique.

Feudo di Mezzo is more than just a vineyard – it is the historic centrepiece of viticulture on Etna. One of Pietradolce's oldest and most fascinating plots is located in the contrada of the same name, around 600 metres above sea level between the lava flows of past eruptions. The Nerello Mascalese vines are rooted here in deep black, mineral-rich lava soil with excellent drainage. The microclimate is characterised by wide temperature fluctuations, which give the wine a special depth and tension. Vinification is carried out with great sensitivity: spontaneous fermentation in traditional wooden vats, maturing for around 12 months in large tonneaux.

On the lower slopes of Ronco, where the hills of Rosazzo gently fade into the valley, lies a plot of land that Christian Patat planted in 2001 with a mission: to make the best Chardonnay in Friuli. Not a modest ambition, but anyone who knows the wines of Ronco del Gnemiz knows that nobody bakes small rolls here. The vines come from Selezione Massale, vegetatively propagated from the estate's oldest Chardonnay vines. They are rooted in the Ponca, Friuli's famous marl soil, which gives the wines their mineral tension. Exposed to the south-west, they capture the warmth of the afternoon sun – and yet they retain the freshness that only the Adriatic breeze and the proximity of the Alps can provide. What distinguishes Ronco Basso from the other white wines of the estate: It is the only one to undergo malolactic fermentation. Christian Patat gives it this creamy dimension because the Chardonnay can take it – no, because it needs it. Whole-cluster pressing, then eleven months in French barriques, a third of them new, the rest second and third vintages. Rare bâtonnage, a lot of patience.

Luca Roagna likes to call it his worst wine. "It's made from all the leftovers," he says with a smile. But what Roagna considers "leftovers" would be regarded as a gem elsewhere: the Langhe Rosso blends Nebbiolo from Barbaresco and Barolo – from Pajé, from Pira, from young vines that have not yet reached the magic age of 25. Vines that were only recently planted in plots damaged by landslides in the 1990s. Luca says of himself: "I'm a stubborn old sod." This entry-level wine is pure provocation. Technically speaking, it could be classified as a Barolo or a Barbaresco – were it not a blend of both appellations. And here's the astonishing part: The Langhe Rosso undergoes exactly the same rigorous vinification and ageing programme as the great crus – 60 to 70 days' maceration with the cap submerged, followed by five years' ageing in neutral French oak and concrete vats. Five years for an 'entry-level wine' – well, nobody else actually does that.

Pelagrilli is the origin – the name of the hillside north-east of Montalcino, which Siro Pacenti acquired in 1970, and at the same time the name of the flagship Brunello that his son Giancarlo has been vinifying since 1988. On sandy-loamy soils, channelling the cooling westerly winds, between 25 and 40-year-old vines, a Brunello is created here that combines Giancarlo's mathematical precision and his Bordeaux experience: fermentation in steel at a controlled temperature, 24 months in small French barriques – not for flavour, but for purity. 2020 was a warm, dry summer – sangiovese under pressure, which, where well managed, turned into concentrated, supple fruit. The northern slope of Pelagrilli absorbed the heat better than the southern sites; the harvest began in mid-September under good conditions.

Vigna San Marcellino Gran Selezione is both youthfully fresh and ripe and complexly muscular. It contains a healthy dose of the deeply coloured Pugnitello grape, and on the nose liquorice, tarragon and broom mingle with lush plum and subtle roasted aromas that are highly seductive in their complexity. Deep, taut and lively on the palate, loaded with black cherry and rich, velvety tannins. The texture is silky, while subtle chalky notes and a salty minerality give it plenty of energy and lead it into a juicy, refreshing finish. Vigna San Marcellino is a convincing wine with enormous ageing potential every year. SUPERIORE.DE

There are wines that bear the name of their place. And there is this one – it bears the name of the beginning. "Campo delle Piane" was the name of the half hectare of land that Antonio Cerri farmed into old age, when the world around him had long since given up. When Christoph Künzli took over this inheritance at the end of the nineties, it became Le Piane. The wine, which today is simply called Piane, is the essence of this original story – and a tribute to an almost forgotten grape variety: Croatina. The grapes come from the estate's oldest plots, planted between 1910 and 1920 on the hills of Montalbano, Traversagna and Santuario. Centenary roots that reach deep into the volcanic porphyry. Fermented spontaneously, six days on the skins, then matured for two years – first in tonneaux, then in large Slavonian oak vats. No filtration, no intervention. Just time.

A name steeped in history, which could stand on its own: in 1987, Silvio Jermann produced this Chardonnay for the first time and dedicated it to the U2 album "The Joshua Tree", specifically the song "Where the Streets Have No Name". Originally, the wine was called "Where the Dreams Have No End..." – but over the years the name changed several times until it settled on its current, abbreviated form: "W... Dreams...".

When Angelo Gaja finally acquired those 100 hectares in Castagneto Carducci in 1996 after 18 gruelling rounds of negotiations, which from then on were known as Ca' Marcanda – the house of endless conversations – this name was more than just a play on words. It was the promise of a visionary who had already revolutionised Piedmont and now wanted to write his next legend on the Tuscan coast.

Bianco Trinoro is made from 100% Semillon from a tiny sandy plot in the highest areas of the Trinoro vineyard. The plot is located at around 600 metres above sea level and covers approximately 5,000 square metres. The vineyard was partially planted in 2001 and completed in 2006 with vines from Bordeaux; here, as elsewhere on the estate, the vines are planted close together, one metre apart, in the Bordeaux style. Very aromatic with ripe, fruity notes balanced by a lovely freshness and acidity, great length and very good ageing potential! SUPERIORE.DE

The white Zero made history as the first Pas Dosé of the Alta Langa. Its pink-coloured brother goes one step further: here it is the Pinot Nero alone that carries the uncompromising philosophy – 100%, without the Chardonnay as an elegant intermediary. What remains is the pure commitment to one grape variety and one terroir. Saignée – the bloodletting. The method betrays Burgundian roots: after destemming and gentle pressing, the must rests on the skins for two to four hours in a nitrogen atmosphere, just long enough to extract that delicate copper colour that shimmers so seductively in the glass. The yield of blossom must is a maximum of 45% – concentration instead of mass. The grapes come from altitudes between 450 and 550 metres, where the calcareous soils of the Alta Langa give the Pinot Nero mineral tension and aromatic depth.

When Angelo Gaja finally acquired those 100 hectares in Castagneto Carducci in 1996 after 18 gruelling rounds of negotiations, which from then on were known as Ca' Marcanda – the house of endless conversations – this name was more than just a play on words. It was the promise of a visionary who had already revolutionised Piedmont and now wanted to write his next legend on the Tuscan coast.