Formats

Acininobili Bianco Passito is a stunning interpretation of the indigenous Vespaiola grape, offering impressive depth, complexity and personality. It is a superb dessert wine made from grapes that were air-dried for up to 120 days after harvest and developed Botrytis cinerea during the careful appassimento process. Basically, the same Vespaiola grapes are used here that are used for Torcolato. At the end of the drying process, the grapes that have developed noble rot are hand-selected and passed into this precious wine. If the noble rot does not appear, this wine is not made.

This visionary wine hails from the legendary Conca d'Oro in Panzano and embodies Giampaolo Motta's radical break with the traditions of Chianti Classico. The Neapolitan, who lost his heart to the Tuscan countryside, took the bold step of declassifying his wine in 2002 – driven by a burning desire for absolute oenological freedom. The cuvée blends Sangiovese, Merlot and Cabernet Sauvignon into a Burgundian-Bordeaux dialogue that captures the mineral vigour of the Galestro and Alberese soils on south-west-facing slopes. Careful vinification in French barriques takes place for ten months "sur lie" with regular bâtonnage, allowing the wine to develop a wonderfully silky texture.

With this exceptional Chianti Classico Riserva, the Mazzei family celebrates their famous ancestor Ser Lapo, in whose writings the name "Chianti" is mentioned for the first time. The upper part of the label features a faithful reproduction of one of his writings (from 1398) with beautiful calligraphy. "Don't worry about the cost of this wine, even though it was expensive: its quality will make up for it."

When Angelo Gaja finally acquired those 100 hectares in Castagneto Carducci in 1996 after 18 gruelling rounds of negotiations, which from then on were known as Ca' Marcanda – the house of endless conversations – this name was more than just a play on words. It was the promise of a visionary who had already revolutionised Piedmont and now wanted to write his next legend on the Tuscan coast.

The Popoli vineyard bears witness to the fact that the Valle Reale plateau has been a wine-growing area since time immemorial. Several rows of this vineyard stretch out in front of the ruins of a cave cellar dating back to 1300. This is where the Benedictine monks from the monastery of San Benedetto in Perillis produced and stored their wine. A small plot of around 1 hectare is dedicated to Trebbiano d'Abruzzo.

In the past, the northern slope of Montalcino was not planted with vines, but was cultivated with cereals, olives and cherries. In this area influenced by the Apennines, the seasons are more pronounced, continental and the north wind significantly lowers the temperature in winter. It is therefore the coldest Brunello region at this time of year, but also the wettest. This northern slope is a gentle hill: a characteristic that is more reminiscent of the Crete Senesi area, right next door, than the two stiffer, steeper and warmer southern slopes of Montalcino.

The white Zero made history as the first Pas Dosé of the Alta Langa. Its pink-coloured brother goes one step further: here it is the Pinot Nero alone that carries the uncompromising philosophy – 100%, without the Chardonnay as an elegant intermediary. What remains is the pure commitment to one grape variety and one terroir. Saignée – the bloodletting. The method betrays Burgundian roots: after destemming and gentle pressing, the must rests on the skins for two to four hours in a nitrogen atmosphere, just long enough to extract that delicate copper colour that shimmers so seductively in the glass. The yield of blossom must is a maximum of 45% – concentration instead of mass. The grapes come from altitudes between 450 and 550 metres, where the calcareous soils of the Alta Langa give the Pinot Nero mineral tension and aromatic depth.

Archineri Bianco comes from a small, high-altitude single vineyard in the Contrada Rampante – one of the most renowned cru sites on Etna. The ungrafted vines, some of which are over 100 years old, are rooted at an altitude of 850 metres in barren, stony lava soil with north-eastern exposure. This extreme location ensures an extended vegetation period, pronounced day-night fluctuations and a precise, almost razor-sharp aroma spectrum. The single-varietal Carricante is selectively harvested by hand, fermented spontaneously in stainless steel and then matured on the fine lees for several months.

When Giorgio Rivetti saw the hills of Neive, he immediately recognised the potential lying dormant in this Barbaresco commune: soils and exposures in which he saw the characteristics of the most prestigious crus combined. He bought the land. The Rivettis have since established a presence in Neive with four vineyards, each with its own character, each with its own voice in the estate's Barbaresco orchestra. Bordini is the most delicate of these voices.

In the annals of northern Italian wine history, I Palchi marks a turning point – the moment when Stefano Inama realised that he had created a white monument that could compete with the world's great Burgundies. Born from the visionary search for "maximum purity", as Alessio Inama puts it, this Soave Classico not only represents the white flagship of the house, but also a new dimension of what the old Garganega vine is capable of achieving on volcanic soil. The name I Palchi – the terraces – is more than just a geographical designation. It refers to the broad, terraced slopes of Monte Foscarino, which have been characterised by the traditional Veronese Garganega pergolas for over half a century. It was here, on this extinct volcano that has watched over the Po Valley for 30 million years, that Giuseppe Inama began his quiet crusade in the 1960s. While other producers focused on quantity in the plain, he recognised the extraordinary potential of these ancient terraced vineyards – an intuition that today has left his grandchildren a legacy of priceless value.

For some years now, Matteo Catania has been holding back a few hundred bottles of his wines in the best vintages in order to offer them to his most loyal importers after a few years. From this "private reserve" comes Nerosanloré 2010, which is now - in spring 2023 - offered in small quantities with 9 years of further bottle ageing quasi in Riserva quality.

In 2012, Carlo Franchetti began producing wines from Pinot Noir grapes grown on the hillsides around San Casciano Bagni. The following year saw the creation of Sancaba, the first collaboration with his cousin, which aimed to emphasise the richness, depth and uniqueness of this grape variety in this particular terroir. In 2014, the two cousins merged their wineries and founded Vini Franchetti. Sadly, Andrea Franchetti passed away in 2021, a wine visionary who leaves a big gap. However, his two very different wine projects, one at Tenuta di Trinoro and the other called Passopisciaro on the slopes of Mount Etna, have one thing in common: bringing the characteristics of the vintage, the specificity of the terroir and the full potential of the grape variety into the glass. His wines are intuitive and poetic and always express exactly what his philosophy and vision of wine and life was.

The Romanesque Pieve di San Marcellino was built in the year 1000. It still stands today – in the middle of the vineyards of Rocca di Montegrossi, seven kilometres south of Gaiole, at the southern tip of the Chianti Classico. The vineyard bears its name. And the vines that surround it are older than most of the appellations that appear on labels today. Marco Ricasoli-Firidolfi is a descendant of Baron Bettino Ricasoli – the "Iron Baron" who defined the formula for Chianti Classico in the 19th century. Not as a marketing idea, but as a genetic link to this soil. The vineyard has been certified organic since 2010 and has been planted with Pugnitello alongside Sangiovese since 2006 – an autochthonous Tuscan grape variety that was almost extinct in the 1980s. Pugnitello deepens the colour, thickens the structure and sharpens the profile of the Sangiovese grape. Hand-picked, separate fermentation of both varieties on wild yeasts in upright wooden tanks, 24 months in Allier barriques and tonneau, bottled unfiltered. Only produced in outstanding vintages – the 2020 is one of them.

Contrada Rampante is one of the highest and most renowned vineyards on the north-east slope of Mount Etna. At around 1,000 metres above sea level, Nerello Mascalese thrives here on volcanic sandy soils with a high lava content – a terroir of rare expressiveness that combines cool nights, long vegetation cycles and extreme slopes. The vines are over 100 years old – partly ungrafted – produce small-berried, concentrated grapes. After fermentation in cement, the wine matures for around 12 months in large wooden barrels and then for several months in the bottle.

Wine Solidarity. The term was coined by Elio Altare and six of his colleagues from the Langhe themselves in 1997, when they turned an idea into a structure that continues to function to this day. The seven founders – Altare, Giovanni Corino, Federico Grasso, the Revello brothers and Mauro Veglio from La Morra, Gianfranco Alessandria from Monforte d’Alba, and La Morandina from Castiglione Tinella – formed a pact: each would produce their own wine under the shared name L’Insieme, up to 5,000 bottles per year. And each would pay 5 euros per bottle produced into the shared fund. Not per bottle sold – per bottle produced.

In 2012, Carlo Franchetti began producing wines from Pinot Noir grapes grown on the hillsides around San Casciano Bagni. The following year saw the creation of Sancaba, the first collaboration with his cousin, which aimed to emphasise the richness, depth and uniqueness of this grape variety in this particular terroir. In 2014, the two cousins merged their wineries and founded Vini Franchetti. Sadly, Andrea Franchetti passed away in 2021, a wine visionary who leaves a big gap. However, his two very different wine projects, one at Tenuta di Trinoro and the other called Passopisciaro on the slopes of Mount Etna, have one thing in common: bringing the characteristics of the vintage, the specificity of the terroir and the full potential of the grape variety into the glass. His wines are intuitive and poetic and always emphasise exactly what his philosophy and vision of wine and life was.

The Nerello Mascalese vines for the Archineri Rosso are rooted deep in the terraced vineyards of Contrada Rampante – at an altitude of around 850 metres on pure volcanic rock. It is a barren, yet vital terroir which, in combination with old, ungrafted vines and strict selection, produces wines of almost ascetic precision. The grapes are fermented spontaneously, then matured for around 12 months in large, used oak barrels before being bottled without filtration.

Half a hectare in Rosazzo. Two plots that touch like old friends: one was planted in 1954, when Friuli was still licking the wounds of war. The other followed fifty years later, in 2004, as if someone wanted to continue the story. Together they form one of those patches of land that are known in the Colli Orientali as authentic Grand Crus – a word that is not used lightly here. The winery does not (yet) reveal who Ana Freire was or is. Just this much: the name is written on the label like a dedication, preceded by an "a" like a silent "for you". At Ronco del Gnemiz, wines bear the names of those who matter – serena's mother Iris, her father Dottore Palazzolo. This Chardonnay joins this silent gallery of affection. Christian Patat vinifies it like its siblings: whole bunch pressing, fermentation in wood, the same meticulous process as for the Sol or Ronco Basso.

In the annals of northern Italian wine history, I Palchi marks a turning point – the moment when Stefano Inama realised that he had created a white wine of monumental stature, capable of rivalling the world's great Burgundies. Born out of a visionary quest for "maximum purity", as Alessio Inama puts it, this Soave Classico represents not only the estate's flagship white wine, but a new dimension in what the ancient Garganega grape is capable of achieving on volcanic soil. The name I Palchi – the terraces – is more than just a geographical designation. It refers to those broad, terraced slopes of Monte Foscarino, which for over half a century have been characterised by the traditional Veronese pergolas of the Garganega. Here, on this extinct volcano that has watched over the Po Valley for 30 million years, Giuseppe Inama began his quiet crusade in the 1960s. Whilst other producers focused on quantity in the lowlands, he recognised the extraordinary potential of these ancient terraced vineyards – an intuition that has today left his grandchildren a legacy of inestimable value.

In 1981, a wine was bottled that would finally put Ronco del Gnemiz on the map. Not the biggest, not the most expensive – but the one that showed what was possible on this hill in Rosazzo. Sol Chardonnay was the beginning of a story that continues to this day. The vineyard from which it comes is a rarity: half a hectare, planted between the two world wars, when no one could have guessed that these vines would one day be among the oldest Chardonnay vines in the Colli Orientali. Today they are over 80 years old – and still produce grapes of astonishing vigour year after year. The soils are rich in organic matter, the eastern exposure catches the gentle morning light and protects the grapes from the afternoon heat. 20 hectolitres per hectare: less than half of what is considered low elsewhere. Christian Patat presses the grapes as whole clusters and ferments the must entirely in barriques – a third of them new, the rest already used. Bâtonnage? Rarely.