0.75 liter

In 1994, an unusually large number of Bolgheri figures gathered at once beneath the holm oak at Grattamacco: among them were Michele Satta, Piero and Lodovico Antinori, as well as the host, Piermario Meletti Cavallari. A photograph captures the group. Meletti Cavallari, a wine connoisseur and close friend of Veronelli, had taken over the estate in 1977. He had the orchards grubbed up and planted vines in white, barren soil that was difficult to work: Vermentino, a rarity in this area at the time, along with Sangiovese and Bordeaux varieties. The first vintage was released in 1982; in 1994, shortly after the rules for the appellation were introduced, Grattamacco became the first estate to bottle a Bolgheri Rosso. It has been owned by Claudio Tipa since 2002 and is now part of the ColleMassari group.

One may wonder whether Luigi Moio is a professor wearing a winemaker's hat or a winemaker wearing a professor's hat. His vintage presentations are academic in tone, his tasting room is run with the rigour of a lecture theatre, and his vineyards are planted according to criteria that only a mathematician or scholar could fully understand. Quintodecimo's winemaking philosophy, on the other hand, is relatively simple. The best vineyard sites are selected for each individual wine. Soils, sites and microclimates are researched with great care. Nothing is taken for granted.

Rich, concentrated Bordeaux-style red with the unmistakable signature of top oenological consultant Stéphane Derenoncourt. Multi-layered black fruit on the nose, plus rock, liquorice, camphor and graphite. Impressively supple on the palate, the fruit is always juicy and centred, wonderful and almost perfect in structure, polish, elegance and length. SUPERIORE.DE

2019 is considered one of the vintage highlights of the last decade in Barolo: cool nights, sunny days and a long vegetation period led to perfectly balanced ripeness. In Bricco Pernice, this meant maximum aromatic clarity and structural depth. The high, south-westerly exposure in the Ravera cru site ensures an interplay of warmth and freshness, while the calcareous marl soils promote a taut, vertical style.

The loose, sandy soils of Cannubi always ensure a special concentration of flavour, and this is particularly evident in this classic vintage. A clean bouquet of small red berries, violets and dried rose petals. A fine mineral note, a pinch of salt and plenty of fruit and a clearly contoured tannin structure on the multi-layered palate. A beautifully straightforward wine, powerful and elegant. SUPERIORE.DE

A deep, glossy red. The bouquet offers a beguiling blend of dark cherries, plums, mocha, liquorice, leather and cloves. On the palate, the fruit is very compact and powerful, characterised by profound intensity, dense layers and a velvety texture. Very focused and well-balanced; it will certainly need a few more years to develop fully. Outstanding elegance and length. In short: an absolute beauty! SUPERIORE.DE

There are places in this world that seem destined by a higher power to produce the extraordinary. The Oratorio di San Lorenzo is one such place – a small valley nestled in the rolling hills of the Colli Berici, where monks have lived in silent contemplation for centuries and where Stefano Inama has now completed his life's work. Here, in the shadow of a small 16th century chapel dedicated to St Laurence, only the very best vintages produce a wine that is more than any other: Oratorio di San Lorenzo – inama's red masterpiece and perhaps the purest expression of Carménère outside Chile. The story of this wine is one of vision and passion. When Stefano Inama decided to add red wines to his white empire in the late 1990s, chance led him to a sip from a nameless glass – that legendary moment of "love at first taste" that changed his life. The wine came from Carménère grapes, the almost forgotten Bordeaux variety that had been brought to the iron-rich red soils of the Colli Berici by French emigrants in the mid-19th century. Stefano immediately recognised the potential of this grape variety on this special terroir and acquired the twelve-hectare valley around the Oratorio in two tranches – an investment in the future that proved to be brilliant.

Mazzei's top wine Siepi is not only an outstanding Tuscan wine every year, but also a 6-hectare vineyard in the middle of dense oak forests with an ideal altitude and a unique climate. The sunshine is optimal throughout the day and a constant breeze from the west prevents excessive heat and creates a mild, Mediterranean climate. The oak forests also provide an ideal protective barrier against extreme weather conditions. Rocky soils of marl, limestone and clay from the Pliocene period ensure a special balance of elements in this geological complex.

In the quiet of 2019, Paolo De Marchi's decades-long vision of Cabernet Sauvignon as an authentic terroir expression of the Tuscan soul came to fruition. After more than forty years of tireless viticultural revolution, the maestro proved once again that international grape varieties do not become commonplace wines on the Galestro and Alberese soils of Isole e Olena, but express their new home in every drop. Only 10,000 0.75-litre bottles and 240 magnums were produced from the south-west-facing vineyards at altitudes between 350 and 400 metres. The 2019 benefits from an almost ideal vintage: mild winters, balanced rainfall in spring and a classically dry Tuscan summer produced grapes of exceptional concentration and elegance. 24 months in French barriques, forty per cent of them new, followed by three years of bottle ageing – this patience creates a wine of impressive complexity.

Monteverro's Chardonnay is an exciting and multi-faceted expression of Tuscan white wine culture and combines Burgundian finesse with the radiance of the Maremma. The grapes come from carefully tended plots on limestone and clay near Capalbio, where the coastal microclimate with warm days and cool nights offers the Chardonnay an ideal ripening window. The vinification was carried out with Burgundian standards: slow fermentation in French barriques – partly new, partly used –regular bâtonnage and a fine lees ageing period of around ten months.

Black cherry red with a violet rim. On the nose, notes of spices such as ginger, cinnamon, dried coriander and vanilla pod, rounded off with fruity aromas of pomegranate and cherry, and floral nuances such as geranium, lavender and rose. On the palate, fresh rose sugar and graphite, accompanied by raspberry, cherry, fresh plum and cranberries. A long finish with a subtle hint of cassis. SUPERIORE.DE

A distinctive expression of southern elegance, shaped by the terroir of the Maremma and a cuvée that ingeniously blends Syrah and Grenache. The vines for the Tinata grow on loamy, calcareous soils on a hillside, not far from the Tyrrhenian coast near Capalbio. The 2021 vintage was balanced and almost ideal: a moderately warm summer, without any drought stress, followed by a long, sunny autumn – perfect conditions for fully ripe, aromatically complex grapes.

Black cherry red with a violet rim. On the nose, notes of spices such as ginger, cinnamon, dried coriander and vanilla pod, rounded off with fruit aromas of pomegranate and cherry, and floral nuances such as geranium, lavender and rose. On the palate, fresh rose sugar and graphite, accompanied by raspberry, cherry, fresh plum and cranberries. A long finish with a subtle hint of cassis. SUPERIORE.DE

There are wines that define a region. Saffredi is one of them. When Elisabetta Geppetti, in 1987 – in her mid-twenties and driven by a vision to bring the sleepy Maremma to world fame – created this wine together with the legendary Giacomo Tachis, nobody could have imagined that a Super Tuscan was being born here, one that would rival Sassicaia and Tignanello. The name is a loving tribute to Fredi, Elisabetta's father-in-law Alfredo Gentili, who sparked her passion for wine and, in the 1980s, planted the five-hectare vineyard from which the grapes for Saffredi are still sourced today. The Saffredi single-vineyard plot near Pereta lies at an altitude of 250 metres, facing south-west for the old vines and south-east for the newer plantings. The soil is the result of millions of years of geological processes: of sandstone origin, rich in calcareous marl and iron minerals, low in organic matter, with clay layers only appearing from a depth of 30 centimetres. On clear days, the view from here sweeps across the hills to the Mediterranean, 25 kilometres away – a proximity to the coast that lends the wine its distinctive freshness and vibrancy.

There are places in this world that seem destined by a higher power to produce the extraordinary. The Oratorio di San Lorenzo is one such place – a small valley nestled in the rolling hills of the Colli Berici, where monks have lived in silent contemplation for centuries and where Stefano Inama has now completed his life's work. Here, in the shadow of a small 16th century chapel dedicated to St Laurence, only the very best vintages produce a wine that is more than any other: Oratorio di San Lorenzo – inama's red masterpiece and perhaps the purest expression of Carménère outside Chile. The story of this wine is one of vision and passion. When Stefano Inama decided to add red wines to his white empire in the late 1990s, chance led him to a sip from a nameless glass – that legendary moment of "love at first taste" that changed his life. The wine came from Carménère grapes, the almost forgotten Bordeaux variety that had been brought to the iron-rich red soils of the Colli Berici by French emigrants in the mid-19th century. Stefano immediately recognised the potential of this grape variety on this special terroir and acquired the twelve-hectare valley around the Oratorio in two tranches – an investment in the future that proved to be brilliant.

Three generations bear this name: The grandfather, who always encouraged Giampaolo Motta in his wine dreams. The son who carries on the torch. And in between, this wine, the highest expression of a man who left the leather goods business of his Neapolitan family to create his Bordeaux in the Conca d'Oro of Panzano. The "Golden Basin" – cultivated since 1490, planted with Merlot and Cabernet for almost 400 years – became Motta's stage in 1992. He experimented with Chianti Classico for ten years, then the break: he left the Consorzio because the rules stood in the way of his vision. "I wasn't really happy with the result after ten years of work," he explained laconically. What followed was pure consistency – and, since 2008, a partnership with Stéphane Derenoncourt, perhaps the most influential consultant on the right bank of Bordeaux.

Romano Dal Forno started out in 1983 with a proposition that he has proven every vintage since: a Valpolicella can compete with the greatest wines in the world. He learnt this from Giuseppe Quintarelli. He internalised it in the Val d'Illasi, where his vines grow on alluvial gravel and clay, at up to 450 metres, with a planting density that makes every yield a rarity. Valpolicella Superiore does not begin fermentation – it begins with six weeks of appassimento. Corvina, Corvinone, Croatina, Oseleta and Rondinella dry slowly in the air of the lodoletta, losing water and gaining soul. Then: controlled fermentation in steel tanks, 36 months in new French and American oak barriques, years of ageing in the bottle.