cult wines

Deep dark, almost impenetrable red colour. A whole range of ripe wild berries on the nose, delicately accompanied by nuances of tobacco, leather, cedar and lavender. The palate is also full of fruit, powerful, yet silky and elegant. Traces of dark chocolate on the endlessly long final. SUPERIORE.DE

When Luca Roagna guides guests through his wines, he serves this one last. Not by chance, not for dramatic effect – but because nothing can come after the Pajè Vecchie Viti. The most complex tannin structure, he says, deserves the final word. The vines from which this Barbaresco is made are 80–90 years old. This is not a marketing term – "Vecchie Viti" is not recognised by law – but simply the truth. Over these decades, the roots have learnt to dig through countless layers of calcareous marl, drawing water and minerals from depths that remain inaccessible to younger vines. What they send upwards is more concentrated, more complex and utterly unique. Between 2,000 and 3,000 bottles are produced annually from this selection in the Pajè amphitheatre. The upper part of the vineyard, where the mineral character is most pronounced, goes into the Crichet Pajè – down here, the Vecchie Viti is made. It matures for five years in large wooden casks and concrete tanks before leaving the estate.

Produced only in the best vintages and in small quantities, this Riserva follows the classic promise of a traditional and powerful Brunello that becomes softer and better with age. Brilliant deep red colour. Fragrant aromas of raspberries and blueberries, emphasised by violets, incense and cinnamon. Wonderfully sweet and penetrating on the palate, but light on its feet, with real class and energy, not to mention the powerful minerality of the densely packed flavours of red berries, pomegranate, tobacco and wild herbs. The finish is very long, supple and subtle with very fine tannins. SUPERIORE.DE

In 2001, brothers Piero and Lodovico Antinori, together with their nephew Niccolò Marzichi Lenzi, recognised the extraordinary potential of the hills of Bibbona in the upper Maremma. Instinct, passion and centuries of family experience led to a parcel-by-parcel study that would eventually become the birth of Tenuta di Biserno. The terroir of these 40 hectares at an altitude of 90 metres is of extraordinary complexity: mainly alluvial and clay-limestone soils that create the ideal environment for Cabernet Franc, Merlot, Cabernet Sauvignon and Petit Verdot. The different exposures and the distance from the sea characterise the varietal expression so strongly that the decision in favour of two production lines was obvious: Biserno – the most prestigious and representative wine of the estate – and Il Pino di Biserno.

In 1956, Nino Negri became the first winery in Valtellina to embark on an experiment: Nebbiolo grapes, naturally dried in the same way as for Amarone, were to produce a red wine of unprecedented concentration and power. Within a few years, this experiment had become a model for the entire region. In 1983, Casimiro Maule, Oenologist estate's Oenologist since 1971, refined this tradition into the modern Cinque Stelle – named after the highest rating that a vintage's grapes must achieve in order to be considered for this wine at all.

There are wines that make history. Solaia is one of them. When the Antinori family bottled this wine for the first time in 1978 – a pure Cabernet cuvée made from 80 per cent Sauvignon and 20 per cent Franc – nobody could have guessed that one of the most influential chapters in Italian wine history was about to begin. The name itself says it all: Solaia is derived from "sole", the sun, as this vineyard on the Tenuta Tignanello enjoys the sunniest south-west exposure on the entire estate. Twenty hectares between 350 and 400 metres above sea level, where the vines drive their roots deep into Alberese and Galestro – the hard limestone and schistose claystone that date back to the Pliocene and are rich in marine fossils. Solaia is only produced in exceptional years; there was no bottling in 1980, 1981, 1983, 1984 and 1992. This consistency, this relentlessness in the pursuit of perfection, makes Solaia what it is: not just a wine, but an icon.

Tenuta Tignanello is located in the heart of Chianti Classico on the gentle hills between the valleys of the Greve and Pesa rivers and comprises 319 hectares of land, of which around 130 are planted with vines. The estate's vineyards include two jewels: Tignanello and Solaia, which are located on the same hill, on calcareous and schistose marl soils of marine origin from the Pliocene, and which benefit from warm days and fresh nights during the growing season. Two wines are produced from these vineyards, which many years ago had the potential to become the starting point of the Italian wine renaissance. Nothing has changed to this day.

There are vineyards that make no compromises. Bassolino di Sopra comes from the highest section of the Pian Bassolino vineyard – a single, clearly defined microclimate at 330 to 390 metres, south to south-west facing, with a view of Monte Amiata. The soil belongs to the Santa Fiora geological formation, which characterises the south-eastern slope of Montalcino: slatey siltstone with calcareous deposits, interspersed with clay and marl, with volcanic specks from the eruptions of the nearby volcano. An earth that carries millions of years – and shows it in every sip. Caroline and Jan only vinify Bassolino di Sopra in exceptional vintages. The selection is rigorous: multiple selections in the vineyard, double hand-picking, spontaneous fermentation on natural yeast, weeks of maceration on the skins, then years of ageing in large oak barrels. No intervention that is not mandatory.

Tenuta Tignanello is situated in the heart of Chianti Classico, on the rolling hills between the valleys of the rivers Greve and Pesa, and covers 319 hectares of land, of which around 130 are planted with vines. The estate’s vineyards include two jewels: Tignanello and Solaia, which lie on the same hill, on marl soils of marine origin from the Pliocene period, rich in limestone and slate, and which benefit from warm days and cool nights during the growing season. These vineyards produce two wines which, many years ago, were set to become the starting point for the renaissance of Italian wine. Nothing has changed in that regard to this day.

There are wines that have changed the history of their country. Not by chance, not because of a passing trend – but through a single, well-founded act of provocation. In 1971, Piero Antinori commissioned one of the most prominent Italian graphic designers of his time to design the label for his new wine: Silvio Coppola, known for book covers and designer furniture, for his austerity and minimalist style. The label was minimalist – but the wine behind it was a revolution. No Trebbiano, no Malvasia. No white grapes in the red wine, as the Chianti regulations had stipulated since Ricasoli's time. Instead: Sangiovese, Cabernet Sauvignon, Cabernet Franc. Barrique instead of large casks. A wine that consequently automatically fell outside the DOC classification – and was launched on the market as a simple "Vino da Tavola". Piero Antinori signed the label with his father Niccolò's name: a gesture of gratitude for the trust that had allowed him the boldness to do so in the first place.

Cerretalto 2018 is an expressive, exuberant and impressive wine that opens with a dark ruby red colour and a rich texture. The bouquet is endlessly intense, closely followed by finely tuned aromas of black cherries, spices, grilled herbs, cloves, tobacco, damp earth and white truffle. Over time, elegant mineral tones unfold, and later these flavours transition into cola, liquorice and tar. The mouthfeel is silky and supple, and there is enough power to move the wine seamlessly across the palate. Cerretalto continues to develop endlessly over 24 hours in the glass. Clear case: this is a bottle for the back of your cellar. SUPERIORE.DE

Deep dark, almost impenetrable red colour. A whole range of ripe wild berries on the nose, delicately accompanied by nuances of tobacco, leather, cedar and lavender. The palate is also full of fruit, powerful, yet silky and elegant. Traces of dark chocolate in the endlessly long final. SUPERIORE.DE

Andrea Franchetti began in the 1990s to position Palazzi as an equal red alongside his flagship Tenuta di Trinoro, with the aim of producing two exceptional wines reminiscent of the left and right banks of Bordeaux.

Intense ruby red with garnet reflections. On the nose, red berries, spices and a cornucopia of other aromas that only reveal themselves with further oxygenation. Fleshy, juicy, powerful and extremely precise and structured on the palate. At today's still very young age, one can only guess what it will become in further years of bottle ageing. A monument of wine - already today - the tannins soft, multilayered and captivating. This is the archetype of a Nebbiolo, which impressively demonstrates to every friend of the grape variety that it is not necessarily always the location, but also the quality of the grape and the subsequent wise vinification that makes it a real red and unforgettable royal wine of Italy. SUPERIORE.DE

The second novelty of the 2018 vintage is Vietti's Barolo Monvigliero. The special feature: Approx. 60% of the grapes are not destemmed, which enhances the aromatic nuances of the wine. Youthful notes of raspberry and blueberry are flanked by black pepper, gentian, porcelain and black olives. The palate has a beguilingly soft texture, fine and creamy, underpinned by wonderful laurel and floral aromas. Monvigliero impresses with its purity, its serenity and its class. Excellent. SUPERIORE.DE

Some wines have to fight for their recognition over years, while others are in the limelight from birth. For a long time, Barolo Le Vigne was the "second" Barolo in the Sandrone family, standing in the shadow of the iconic Cannubi Boschi – until connoisseurs and critics gradually realised that there was no hierarchy here, but rather equality. Today, after more than three decades since the first vintage in 1990, Le Vigne is no longer a complement to Aleste, but its congenial partner – a wine that perfects the ancient Piedmontese art of blending several vineyard sites and increasingly holds a candle to Aleste.

The Cantina Zýmē was built into a 15th century sandstone grotto – the tunnel where the mattoni were once quarried, which gave Verona's churches and villas their walls. Celestino Gaspari has dedicated his best wine to this place: La Mattonara. The label shows a vine leaf whose veins have been replaced by the lines of a fingerprint. The inscription reads: "massima espressione di identità." The maximum expression of the self. Speaking of wine – and of a person at the same time. La Mattonara is only created in exceptional years.

This dazzling wine is something for Sangiovese purists and lovers of extreme finesse. It literally vibrates with electric energy and charm. Opening with enticing aromas of roses, violets, berries, ploughed earth and new leather, it is youthfully intense but already a classic at this stage. With its velvety texture, it envelops everything it touches with masses of dark red fruit, liquid violet blossom, notes of lavender and sage, plus a subtle savoury note. Taut, refined tannins and bright acidity ensure a perfect balance and a promising, long ageing potential! SUPERIORE.DE

Deep, dark ruby red colour. Floral nose with lots of red, warm fruit and delicate herbal notes. Smooth and elegant on the palate with wonderful depth and complexity with notes of black cherry, herbs, violets, plums and a hint of tar and leather. Saffredi literally sneaks up on you until it fades into a very long and harmonious finish with an impressive presence and finesse. One of Italy's great wines, full of elegance! SUPERIORE.DE

Deep dark, almost impenetrable red colour. A whole range of ripe wild berries on the nose, delicately accompanied by nuances of tobacco, leather, cedar and lavender. The palate is also full of fruit, powerful, yet silky and elegant. Traces of dark chocolate in the endlessly long final. SUPERIORE.DE

Luca Currado cultivates the Brunate Cru on the La Morra side of the vineyard (opposite the Barolo side) and this wine contains fruit from new plots. It convinces with an impressive aroma of red berries, cherries, wild herbs, mint, minerals and rose petals, rounded off by a hint of blood orange. On the palate we find a terrific softness and textural silkiness, this continues with hints of mint, liquorice and camphor ash for many minutes. Polished tannins round off this masterpiece into an extremely elegant Brunate. SUPERIORE.DE

Are you ready for the most extraordinary red wine in Italy, made from Garganega, Trebbiano toscano, Sauvignon blanc, Chardonnay, Corvina, Corvinone, Rondinella, Cabernet Sauvignon, Cabernet Franc, Merlot, Syrah, Teroldego, Croatina, Oseleta, Sangiovese and Marzemino?

1983 was the first year. Luca Martini di Cigala, who was at that time in the process of taking over an estate that was still selling its wine in bulk to Antinori and Ruffino, decided to do the opposite of what many of his contemporaries were doing: no international grape varieties, no modernisation of the label, no barriques full of vanilla. A single wine, from a single vineyard, made from a single grape variety. Sangiovese. San Giusto a Rentennano. – Percarlo made its debut with the 1983 vintage – and immediately began to rewrite the history of Chianti Classico. The wine's philosophy is that of its maker: the vineyard comes before the cellar. The grapes for Percarlo are not selected by plot; instead, every bunch of grapes is inspected, every vine, every site. The yield is one kilogram per vine. This has been the approach since 2001, because Martini di Cigala realised how inconsistent Sangiovese can be from vine to vine, even within the same plot. The soils that characterise the Percarlo date predominantly from the Pliocene – layers of sand and stones, two to five metres deep, resting on a bed of clay. Mineral-rich, well-drained, with the ability to influence the Sangiovese over the years.

The supremely potent Rocche di Castiglione is often referred to as the first "official" cru in the history of Langa (along with Bussia di Prunotto, both of which were released with the 1961 vintage). It confirms itself once again as the great classic of the house with the 2018 edition. Dark fruits, pressed lilac, blood orange, powdered liquorice, balsamic herbs, spices, iron ore and aniseed fit together perfectly like pieces of a puzzle. Then lush and racy on the palate, with silky tannins and a great depth and resonance that will continue to develop with time. SUPERIORE.DE