"Tre Bicchieri" Gambero Rosso 2026

Trefiano was created in 1979 based on an idea by Vittorio Contini Bonacossi, with the aim of showcasing the full complexity and longevity of which Carmignano is capable. Named after the historic hamlet of Trefiano, where a magnificent 16th-century villa is surrounded by two exquisite vineyards, this Riserva represents the very pinnacle of what the Tenuta di Capezzana has to offer. With just over 5,000 bottles produced each year, Trefiano is one of the rarest and most sought-after Tuscan Riservas – a wine that not only celebrates the present but was created for the future.

Pinot Blanc – the supreme discipline of South Tyrol. The grape variety is considered the "number one white wine in South Tyrol" for good reason, and Markus Prackwieser's Renaissance Pinot Blanc Riserva elevates it to a level that few can match. Once again, it is the philosophy of the great Renaissance masters that is the inspiration here: universal expertise, perfection in detail, timeless beauty. Only in the very best years, when the terroir is at its most expressive, is this wine created – a work of art that needs two years to mature to perfection. The grapes come from the steepest plots of the Gump Hof, where calcareous moraines lie on solid quartz porphyry and the vines are exposed to the winds at an altitude of 400 to 550 metres. After gentle pressing, the must ferments completely in the large tonneau. Then comes the time that sets this wine apart from all others: twelve months in large wooden barrels on the first lees, a further ten months in steel tanks on the fine lees, followed by at least one year of bottle ageing before release. This patient ageing, which lasts over two years, gives the wine that extra mellowness, depth and finesse that distinguishes greatness from greatness.

More than two centuries ago, Elisa Bonaparte Baciocchi, Princess of Piombino, had something planted on the ferruginous hills above Suvereto that would change this landscape forever: Merlot, Cabernet Sauvignon – grape varieties from the Bordelais. The Maremma, still rough and wild at the time, became the testing ground for a woman with a feel for terroir. Francesca Moretti, daughter of Bellavista founder Vittorio, deliberately picks up on this thread with Petra. The name says it all. Petra. Stone. Consistency. 60% Cabernet Sauvignon, 30% Merlot, 10% Cabernet Franc, hand-picked from the Vigneto di Petra in San Lorenzo Alto. Limestone soils with the right balance of clay and skeleton, 10 to 15 per cent slope. Fermentation with natural yeasts in large oak vats, ageing for at least 15 months in French barriques – 25 per cent new – followed by at least 17 months in the bottle. The cellar, a structure by Mario Botta, works with gravity: no pumping, no stress.

For two decades, the white indigenous cuvée Biancosesto has represented one of the most original and stylistically distinctive interpretations of the Friulian white wine tradition – a poetic blend of Friulano and Ribolla Gialla from old vineyards around the historic settlement of Sesto al Reghena. The calcareous marl soils (Ponca) and the cool microclimate of the Colli Orientali provide this classic white wine with complexity and finesse every year.

In 1974, a decision was made that nobody really understood at the time. Herbert Tiefenbrunner had the grapes from the Fennberg – a high plateau at 1,000 metres above sea level in the municipality of Margreid – a single-vineyard wine. Müller-Thurgau. At a time when single vineyard sites for white grape varieties were virtually unheard of in Italy. At an altitude where hardly anyone expected great wine. Named after Field Marshal Joseph von Fenner zu Fennberg, the Austrian officer who once owned this high plateau. Fifty years later, Feldmarschall is one of Italy's most iconic white wines.

A wine that made history. When the first vintage of La Selvanella Riserva was presented in 1969, it was a revolution in Chianti Classico – the very first cru from a single vineyard in the entire region. Today, over 50 years later, this Sangiovese classic is still regarded as a benchmark for the elegance and purity of the Radda terroirs. The 50 hectares of the La Selvanella vineyard sit at an altitude of 350 to 550 metres above Radda in Chianti in one of the most privileged positions in the entire region. Wines of exceptional structure and lively acidity are produced here. The perfect south-west exposure and the temperate continental climate create ideal conditions for the capricious Sangiovese to develop its full aromatic complexity.

When Virginie Saverys and Max De Zarobe realised that Montepulciano could only regain its historical reputation by working together, they created the Alleanza Vinum. Six prestigious wineries – salcheto, Poliziano, La Braccesca, Dei, Boscarelli and Avignonesi – joined forces in 2017 on a mission: each creates its own 100 per cent Sangiovese cru every year, embodying the rediscovery of Vino Nobile. Avignonesi's contribution comes from the legendary Caprile vineyard, planted in 1978 at an altitude of 300 metres. The soil tells of millions of years: Marine sediments from the Pliocene, criss-crossed by deep veins of blue sodium clay, rich in silt and limestone – a terroir that gives the Sangiovese exceptional depth. After 28 days of controlled maceration with natural yeasts from the Pied-de-Cuve selection, the wine matures for 24 months in large oak barrels.

The Riecine vineyard in Gaiole in Chianti has a history dating back to the 11th century. Today's vineyards grow between 430 and 600 metres above sea level on stony, alluvial limestone soils over a subsoil of pure limestone - rock that was once washed here from the Monterossi hill by the ancient Massellone river (once called "Clante", the origin of the name "Chianti"). Since 2006, La Gioia has been a pure Sangiovese, a decision that perfectly reflects the philosophy of the estate: absolute concentration on the noblest of all Tuscan grape varieties.

Pieve refers to the old ecclesiastical administrative units of medieval Tuscany, the hubs around which rural life was organised long before modern appellations existed. The Consorzio del Vino Nobile di Montepulciano has taken these historical toponyms as the basis for twelve Unità Geografiche Aggiuntive – the UGA system, which officially came into force in February 2025. The 2021 vintage is the first to be allowed to bear this designation. Boscarelli has been based in Cervognano since 1962 – one of the twelve Pievi, named after the Romanesque Pieve di Sant'Albino, which has defined the area for centuries.

There are wines that seek their time. And there are wines to which time confides its secrets. Historical Vecchie Vigne is one of those rare gems that only reveal their true colours after more than five years of ageing – a tribute by the Bernetti family to Verdicchio and at the same time a radical statement: that even non-aromatic white grape varieties can be among the very best if they are given the time they deserve. In Montecarotto, where the hills of the Verdicchio Classico find their noblest expression, there is a small plot at 310 metres above sea level, isolated in the middle of the historic Vecchie Vigne. Vines over fifty years old are rooted here in brooding, fresh, loamy soils that provide Verdicchio with the minerality and substance that only old vines can give. Eastern exposure, perfect balance between growth and yield – these vines were planted in the early seventies and today produce grapes of a concentration and ripeness that are harvested by hand at the end of September, beginning of October, berry by berry intact.

The 2022 marks a significant transition: it is the last vintage that Paolo de Marchi characterised before Emanuele Reolon took over as technical director. But the signature remains unmistakable. Since the 1980s, de Marchi was one of the first in Chianti Classico to plant high-density vineyards with low-yielding Sangiovese clones on poor Galestro soils at an altitude of 400 metres – a revolution in quality. The cuvée of 90% Sangiovese, supplemented by 10% Canaiolo, ferments for twelve days in stainless steel using the characteristic délestage method, which de Marchi has been refining since 1996. Seven months of ageing in barriques of different sizes give the wine complexity without dominance.

A Negroamaro with a grand gesture and deep expression: Gianfranco Fino's Jo comes from over 50-year-old Alberello vines, rooted in calcareous and clayey soils not far from the Ionian coast. The 2022 vintage was characterised by heat and drought, but the deep roots of the old vines ensured balance and ripeness. The meticulously selected grapes are fermented spontaneously and matured in French barriques – with the aim of achieving maximum origin and texture.

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business associates, nothing more. He sent a few bottles to Verona for the major wine fair Vinitaly, more out of curiosity than ambition. The reaction was overwhelming. The hobby became a passion, and the passion a vocation. Until 1981, this wine bore the name ‘Chianti Classico Montevertine Riserva’. Then came the turning point. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as required by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982 onwards, the wine was simply called “Montevertine”, without any additions, without compromise. A name that became a statement: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have pressed it before bureaucracy and commercialism dictated the rules. The wine comes mainly from a two-and-a-half-hectare plot facing south-southeast, planted in 1982 – in the year of the great upheaval.

There are moments in the history of Italian viticulture that shine like beacons through time. 1962 was one such moment when Fabrizio Bianchi, driven by a vision and surrounded by the scepticism of his contemporaries, made a decision that would change Chianti Classico forever. He dared to vinify the grapes from a single vineyard separately: Il Poggio. What began as an experiment became a revolution – the first cru of Chianti Classico was born. Il Poggio – "the hill" – lies in the heart of Monsanto like a natural amphitheatre, surrounded by wild cypresses, juniper bushes and strawberry trees. Here, on the characteristic Galestro soils between 280 and 320 metres above sea level, the Sangiovese vines have driven their roots deep into the slate-like rock over the decades. These soils – a gift of geological history – give the wine the mineral depth and structural complexity that have made Il Poggio a living legend.

Capitel Monte Olmi 2018 takes things to another level. It coats the glass with a deep purple glow and exudes a dark and seductive bouquet of redcurrants, sultanas, black liquorice and a hint of spiced citrus. The brooding, velvety texture is complemented by juicy acids and tart red fruits that drench everything they touch, leaving a complex layer of savoury spices, minerals and fine tannins. This wine is structured, long and full of character, but with a balance that will carry it for many years in the cellar. SUPERIORE.DE

1993 – marco Caprai stood in his vineyards and looked back on a quarter of a century that his father Arnaldo had begun in 1971 with a dream: to create a world wine from a forgotten Umbrian vine. Ten years of research lay behind him: collaboration with the University of Milan, clone selection, the risk of vinifying the Sagrantino dry instead of sweet. For the 25th anniversary, he wanted to make a statement: the ultimate Sagrantino, the essence of everything he and his father had learnt. The 25 Anni was born – and the wine world held its breath. What followed is legend. In 2000, Michael Douglas and Catherine Zeta-Jones chose this wine for their wedding. Luigi Veronelli proclaimed Sagrantino as one of Italy's greatest red wines. Montefalco was transformed from a sleepy village into a Mecca for wine tourism. And the 25 Anni remained – year after year, vintage after vintage – the flagship of this Umbrian revolution. It comes from the best vineyards in the Val di Maggio, a meticulous clone selection of pure Sagrantino from vines rooted with six to eight thousand plants per hectare.

At an altitude of 750 metres, where the boundaries of the Etna DOC end in the cold north-west of the volcano, lies a hidden geological secret that only three of the hundreds of contrade on Etna can lay claim to. In its sandy soils, San Lorenzo bears the pure legacy of the Ellittico volcano – the ancient eruption centre whose explosive activity 60,000 years ago created a terroir purity that is now one of Sicily's rarest treasures. Giuseppe Russo is aware of this peculiarity when he cultivates the precious white vines that have been sinking their roots into these elliptical volcanic sands for eighty years among the centuries-old Nerello vines of his red Contrada wines. Here, where Etna sends its coldest winds over the vineyards and time is measured in geological epochs, white wines are produced with a minerality that only this unique combination of ancient lava and extreme altitude can produce.

In the heart of the Val d'Arno lies Campo Asciutto – the "dry field" that agronomist Giorgio Perrin described in 1834 as the pearl of this terroir praised by Cosimo III de' Medici. It was here that engineer Gastone Bazzocchi planted his vision of a great Sangiovese in 1952, a dream of five hectares that is now considered the oldest and best Sangiovese vineyard in Petrolo. The "C" stands for Classico – the traditional interpretation of this exceptional crus.

When Paolo Panerai realised his vision of a great Tuscan red wine made exclusively from indigenous grape varieties at the end of the 1970s, hardly anyone suspected that this wine would make history. As early as 1988, the Wine Spectator catapulted it into the international wine elite with sixth place in its first Top 100 – a triumph for a Supertuscan that deliberately eschewed Cabernet and Merlot in favour of the genetic purity of Tuscan vines. The name itself tells of the terroir: "Sodi" is what Tuscan winegrowers call those hard, stony soils that were too heavy for teams of oxen and had to be laboriously worked by hand. Here, on calcareous Galestro soils between 350 and 400 metres above sea level, around the medieval church of San Niccolò, the vines fight for every drop of water – 85 per cent Sangioveto, the original, small-berried form of Sangiovese, and 15 per cent Malvasia Nera, an almost forgotten grape variety – an almost forgotten grape variety that was abandoned in many places due to its low yields – result in a cuvée of unnerving power and unmistakable race. The 2021 vintage perfectly embodies this philosophy: After 18 to 25 days of maceration in steel tanks, the wine matures for up to 30 months in barriques, two thirds of which in new wood, before resting for a further twelve months in the bottle.

In the heart of the Valdarno Superiore, where the ancient Via dei Setteponti inspired Leonardo da Vinci's immortal landscape studies, lies the Tenuta Sette Ponti – named after the seven bridges that have connected Arezzo and Florence since Etruscan times. Here, on 300 hectares between history and modernity, Dr Antonio Moretti Cuseri realised a visionary idea in 1999: to create a Tuscan Bordeaux style that combines international elegance with the soul of Tuscany. Oreno – named after the small river that crosses the tenuta in the clay-rich zone where the Merlot vines take deepest root – was born out of a passion for Bordeaux finesse. Moretti Cuseri, fascinated by his travels to Bordeaux, had existing vineyards grafted with Merlot, Cabernet Sauvignon, Cabernet Franc and Petit Verdot. While Merlot thrives in the clay soils, Cabernet vines find their home in gravelled terraces that offer perfect drainage and natural temperature regulation. The Petit Verdot completes the cuvée with spicy notes and intense flavours.

There are pyramids in the Vigna Iannazzo. Not the Egyptian ones – small, hand-built towers made of black lava, which farmers stacked out of the fields for centuries when clearing the land for farming. Each stone was carried, each tower layered, without mortar, using the ancient dry stone walling technique. The Piramidi dell'Etna – as they are called – are today one of the silent, unmistakable landmarks of the Cottanera vineyards. And they stand right here: in the Vigna Iannazzo, a named single vineyard within the Contrada Feudo di Mezzo, one of the recognised MGAs of Castiglione di Sicilia.

Terre Alte is a masterpiece of Friulian white wine-making – a wine that has set the standard since its first vintage in 1981. The blend of Friulano, Pinot Bianco and Sauvignon from the finest vineyards around Rosazzo comes together here to form a vinological ideal of the Collio. The balance, but also the depth of its character and its personality, are almost unreal – a beguiling, truly great Italian white wine that impresses even in its youth, but will only reveal its inner depth over the years.

The name was no coincidence. "Habemus" – we have it. The phrase that falls from the balcony of St Peter's Basilica when the cardinals have reached an agreement. Emanuele Pangrazi chose it deliberately: Viterbo, the capital of Tuscia, was itself a papal residence in the 13th century when Rome was too dangerous – when Rome was too dangerous. The same city, the same history, only the wine was different back then. Pangrazi set out to change that in 2006. The vineyards are located at 300 to 400 metres in Blera, on heavy, stony clay soils with southern exposure. No artificial fertilisers, no chemicals – only spring water and plant-based products. All vines are trained as Alberello, the bushy single vine training of the Mediterranean region, with 11,000 plants per hectare. The yield remains at 25 quintals – two small, loose grapes per vine, with thick skins and little pulp. Concentration as a natural principle.