"Tre Bicchieri" Gambero Rosso 2026

Giovanni Manetti was just twenty when, in 1981, he was due to press the first vintage together with Oenologist Franco Bernabei: a pure Sangiovese, at a time when the rules governing Chianti Classico still stipulated the inclusion of white wine. What began as an act of rebellion became a legend. Flaccianello della Pieve, one of the first single-varietal Super Tuscans, proved that Sangiovese can achieve world-class status without any blending. The name derives from the original vineyard, but since 2001 Flaccianello has been a selection of the finest grapes from three plots on the estate, primarily those at the highest altitudes of 480 metres, where Pietraforte soils predominate. This conglomerate of sandstone varieties lends the wine the freshness and structure that set it apart from the rest.

The fruit for Tenuta Nuova is harvested from a south and south-east facing slope at 250 to 300 metres above sea level. The soil is loose and mixed with gravel, which allows access to air and moisture.

"Sassicaia really was our house wine back then," says Priscilla Incisa della Rocchetta, daughter of the president of San Guido, Marquis Nicolò Incisa della Rocchetta. "It was more of a wine experiment that was only tested within the family and among friends, until we went on the market for the first time with the 1968 vintage. Today, this wine is all about elegance and balance. We like this style, which is not so much about the body. Sassicaia is a good representative of what we want to convey as a style."

Gambero Rosso named the Giodo Brunello 2020 "The best red wine in Italy in 2026", and the reasoning reads like a silent tribute: "The sum of his experience with Sangiovese, his first love." His daughter Bianca Ferrini added what is behind the wine: "It is the first vintage in the new cellar, the first chapter together with my father."

This is not a wine – this is a legend. Giuseppe "Bepi" Quintarelli, the "Maestro del Veneto", is considered the father of Amarone, the man who redefined an entire appellation over six decades and inspired generations of winemakers. His Amarone is only produced in exceptional years; in normal vintages, the "Rosso del Bepi" is produced, in weak years nothing at all. The 2018 marks one of these rare moments. The cuvée of 55% Corvina and Corvinone, 30% Rondinella and 15% Cabernet Sauvignon, Nebbiolo, Croatina and Sangiovese follows a ritual that extends over many years: half of the grapes are processed fresh, while the other half dries for five months in ventilated chambers until the end of January, losing up to 30% of its water content and concentrating sugar, flavours and structure. Botrytis – noble rot – is deliberately encouraged, a risky endeavour that only masters can master. Pressing is followed by 20 days of maceration, then 45 days of slow fermentation with wild yeasts. What follows is a patience that seems almost forgotten today: seven years of ageing in large Slavonian oak barrels.

In 1974, a decision was made that nobody really understood at the time. Herbert Tiefenbrunner had the grapes from the Fennberg – a high plateau at 1,000 metres above sea level in the municipality of Margreid – a single-vineyard wine. Müller-Thurgau. At a time when single vineyard sites for white grape varieties were virtually unheard of in Italy. At an altitude where hardly anyone expected great wine. Named after Field Marshal Joseph von Fenner zu Fennberg, the Austrian officer who once owned this high plateau. Fifty years later, Feldmarschall is one of Italy's most iconic white wines.

In the heart of the Valdarno Superiore, where the ancient Via dei Setteponti inspired Leonardo da Vinci to create his immortal landscape studies, lies Tenuta Sette Ponti – named after the seven bridges that have linked Arezzo and Florence since Etruscan times. Here, on 300 hectares where history meets modernity, Dr Antonio Moretti Cuseri realised a visionary idea in 1999: to create a Tuscan Bordeaux-style wine that combines international elegance with the soul of Tuscany. Oreno – named after the small river that flows through the estate in that clay-rich area where the Merlot vines put down their deepest roots – was born out of a passion for Bordeaux finesse. Fascinated by his travels to Bordeaux, Moretti Cuseri had existing vineyards grafted with Merlot, Cabernet Sauvignon, Cabernet Franc and Petit Verdot. Whilst the Merlot thrives in the clay-rich soils, the Cabernet vines find their home on gravelly terraces that offer perfect drainage and natural temperature regulation. The Petit Verdot rounds off the cuvée with spicy notes and intense flavour.

In the gentle hills of Serdiana, where the Mediterranean sun meets ancient soils, a quiet revolution took place in the 1980s. Antonio Argiolas, patriarch of a family that has been connected to the Sardinian soil for generations, dared to do the unthinkable: he brought the legendary Giacomo Tachis, the creator of Sassicaia, to the island to realise the dream of a great Sardinian wine together. Turriga was born – not just as a wine, but as a manifesto for an entire region. The name itself tells a story: Turriga comes from the Sardinian dialect and refers to the characteristic watchtowers that have guarded the island's coastline for centuries. Like these stone sentinels overlooking the sea, this wine watches over the reputation of Sardinian oenology. This cuvée from various red Sardinian grape varieties comes from the best vineyards of Tenuta Turriga – a composition that combines Tachis' genius for blending with the authentic soul of Sardinia.

There are wines that make history. Solaia is one of them. When the Antinori family bottled this wine for the first time in 1978 – a pure Cabernet cuvée made from 80 per cent Sauvignon and 20 per cent Franc – nobody could have guessed that one of the most influential chapters in Italian wine history was about to begin. The name itself says it all: Solaia is derived from "sole", the sun, as this vineyard on the Tenuta Tignanello enjoys the sunniest south-west exposure on the entire estate. Twenty hectares between 350 and 400 metres above sea level, where the vines drive their roots deep into Alberese and Galestro – the hard limestone and schistose claystone that date back to the Pliocene and are rich in marine fossils. Solaia is only produced in exceptional years; there was no bottling in 1980, 1981, 1983, 1984 and 1992. This consistency, this relentlessness in the pursuit of perfection, makes Solaia what it is: not just a wine, but an icon.

A Riserva is not created according to plan. It is created when a vintage forces the house to do so – when Leonardo Berti goes into the cellar after a long rest in barrels, listens to the best foudres and decides: this wine needs more time, and it deserves it. 2019 was such a year. Together with 2016, it is considered the benchmark of modern Brunello history – warm, but never too hot, with rain at the right time, a harvest between 5 September and 4 October that Berti describes as almost textbook. Two parcels were chosen for the Riserva, which reflect the terroir of Castelnuovo dell'Abate in all its diversity: Terra Rossa, at 220 metres, with reddish gravel soil rich in minerals and organic matter – structure and depth. Pietranera, the historical place name of the estate, near the Orcia river on pure Galestro – natural yield limitation, river freshness, finesse. Spontaneous fermentation in wooden vats, maceration for at least 30 days, then 48 months in 30-hectolitre Slavonian oak barrels – almost a year longer than the Annata. Bottled unfiltered. 5,500 bottles.

1993 – Marco Caprai stood in his vineyards and looked back on a quarter of a century that his father, Arnaldo, had begun in 1971 with a dream: to create a world-class wine from a forgotten Umbrian grape variety. Ten years of research lay behind him: collaboration with the University of Milan, clone selection, and the bold move to vinify Sagrantino as a dry rather than a sweet wine. To mark the 25th anniversary, he wanted to make a statement: the ultimate Sagrantino, the essence of everything he and his father had learnt. The 25 Anni was born – and the wine world held its breath. What followed is the stuff of legend. In 2000, Michael Douglas and Catherine Zeta-Jones chose this wine for their wedding. Luigi Veronelli proclaimed Sagrantino one of Italy's greatest red wines. Montefalco was transformed from a sleepy village into a mecca for wine tourism. And the 25 Anni remained – year after year, vintage after vintage – the flagship of this Umbrian revolution. It comes from the finest plots in the Val di Maggio, the result of a meticulous clonal selection of pure Sagrantino from vines planted at a density of six to eight thousand plants per hectare.

When Paolo Panerai realised his vision of a great Tuscan red wine made exclusively from indigenous grape varieties at the end of the 1970s, hardly anyone suspected that this wine would make history. As early as 1988, the Wine Spectator catapulted it into the international wine elite with sixth place in its first Top 100 – a triumph for a Supertuscan that deliberately eschewed Cabernet and Merlot in favour of the genetic purity of Tuscan vines. The name itself tells of the terroir: "Sodi" is what Tuscan winegrowers call those hard, stony soils that were too heavy for teams of oxen and had to be laboriously worked by hand. Here, on calcareous Galestro soils between 350 and 400 metres above sea level, around the medieval church of San Niccolò, the vines fight for every drop of water – 85 per cent Sangioveto, the original, small-berried form of Sangiovese, and 15 per cent Malvasia Nera, an almost forgotten grape variety – an almost forgotten grape variety that was abandoned in many places due to its low yields – result in a cuvée of unnerving power and unmistakable race. The 2021 vintage perfectly embodies this philosophy: After 18 to 25 days of maceration in steel tanks, the wine matures for up to 30 months in barriques, two thirds of which in new wood, before resting for a further twelve months in the bottle.

Altesinos Montosoli displays the famous characteristics of this particular site, which are always characterised by a pronounced mineral intensity, with hints of crushed granite and lead pencil layers. The five-hectare vineyard has a higher concentration of Galestro clay-slate rock, and the altitude contributes to the freshness of the wine.

When Paolo Panerai realised his vision of a great Tuscan red wine made exclusively from indigenous grape varieties at the end of the 1970s, hardly anyone suspected that this wine would make history. As early as 1988, the Wine Spectator catapulted it into the international wine elite with sixth place in its first Top 100 – a triumph for a Supertuscan that deliberately eschewed Cabernet and Merlot in favour of the genetic purity of Tuscan vines. The name itself tells of the terroir: "Sodi" is what Tuscan winegrowers call those hard, stony soils that were too heavy for teams of oxen and had to be laboriously worked by hand. Here, on calcareous Galestro soils between 350 and 400 metres above sea level, around the medieval church of San Niccolò, the vines fight for every drop of water – 85 per cent Sangioveto, the original, small-berried form of Sangiovese, and 15 per cent Malvasia Nera, an almost forgotten grape variety – an almost forgotten grape variety that was abandoned in many places due to its low yields – result in a cuvée of unnerving power and unmistakable race. The 2021 vintage perfectly embodies this philosophy: After 18 to 25 days of maceration in steel tanks, the wine matures for up to 30 months in barriques, two thirds of which in new wood, before resting for a further twelve months in the bottle.

Vietti's Brunate parcels are located on the La Morra side of the cru site. It was fermented in stainless steel and then transferred directly to large oak barrels to mature. Vietti's Brunate 2021 shows blue flowers, wild berries, wild cherry and truffle-infused earth. It reveals a slender but open-knit quality that can be felt in the mouth. This softness or textural silkiness continues for many long minutes with hints of mint, liquorice and camphor ash carefully distributed along the way. The tannins are polished and long. Very elegant. SUPERIORE.DE

Sergio Manetti, a steel entrepreneur from Florence, bottled his first wine in 1971 – a Chianti Classico from the two hectares of vines he had planted around his holiday home. A wine for friends and business associates, nothing more. He sent a few bottles to Verona for the major wine fair Vinitaly, more out of curiosity than ambition. The reaction was overwhelming. The hobby became a passion, and the passion a vocation. Until 1981, this wine bore the name ‘Chianti Classico Montevertine Riserva’. Then came the break. Sergio Manetti refused to blend white Trebbiano into his Sangiovese, as required by the Chianti Classico regulations. The decision cost him the DOCG – and made him a legend. From 1982 onwards, the wine was simply called “Montevertine”, without any additions, without compromise. A name that became a statement: Sangiovese in its purest, most traditional form, just as the old Chianti farmers would have pressed it before bureaucracy and commercialism dictated the rules. The wine comes mainly from a two-and-a-half-hectare plot facing south-southeast, planted in 1982 – in the year of the great upheaval.

In the heart of the Valdarno Superiore, where the ancient Via dei Setteponti inspired Leonardo da Vinci to create his immortal landscape studies, lies Tenuta Sette Ponti – named after the seven bridges that have linked Arezzo and Florence since Etruscan times. Here, on 300 hectares where history meets modernity, Dr Antonio Moretti Cuseri realised a visionary idea in 1999: to create a Tuscan Bordeaux-style wine that combines international elegance with the soul of Tuscany. Oreno – named after the small river that flows through the estate in that clay-rich area where the Merlot vines put down their deepest roots – was born out of a passion for Bordeaux finesse. Fascinated by his travels to Bordeaux, Moretti Cuseri had existing vineyards grafted with Merlot, Cabernet Sauvignon, Cabernet Franc and Petit Verdot. Whilst the Merlot thrives in the clay-rich soils, the Cabernet vines find their home on gravelly terraces that offer perfect drainage and natural temperature regulation. The Petit Verdot rounds off the cuvée with spicy notes and intense flavour.

Troy – in the language of the South Tyroleans' ancestors, it means "path", the path that Cantina Tramin has followed over decades to create one of Italy's most exceptional Chardonnays. A path of exploration, experimentation and patience. For complex Chardonnays from high-altitude Alpine vineyards are a rarity – and that is precisely where the appeal lies, and where the challenge begins. At an altitude of 500 to 550 metres, where the Mediterranean heat of the day and cold downslope winds from the mountains clash in stark contrast, 25-year-old Chardonnay vines take root in calcareous gravel and loam over porphyry. South-east-facing slopes, Guyot and pergola training systems, just 38 hectolitres per hectare – every berry is inspected individually during the hand-harvest in October. This is followed by whole-bunch pressing: the grapes are gently pressed together with their stems and stalks, an archaic method that imparts structure and depth. Both alcoholic and malolactic fermentation take place in French barriques. The wine rests on its fine lees in the wood for eleven months before being transferred to small stainless-steel tanks, where it spends a further 22 months on the lees – a total of 33 months' ageing, before four months' bottle ageing completes the process.

Giovanni Manetti was just twenty when, in 1981, he was due to press the first vintage together with Oenologist Franco Bernabei: a pure Sangiovese, at a time when the rules governing Chianti Classico still stipulated the inclusion of white wine. What began as an act of rebellion became a legend. Flaccianello della Pieve, one of the first single-varietal Super Tuscans, proved that Sangiovese can achieve world-class status without any blending. The name derives from the original vineyard, but since 2001 Flaccianello has been a selection of the finest grapes from three plots on the estate, primarily those at the highest altitudes of 480 metres, where Pietraforte soils predominate. This conglomerate of sandstone varieties lends the wine the freshness and structure that set it apart from the rest.

In 2020, the single vineyard Asili was chosen for the Barbaresco Riserva in its characteristic red colour, which will come as no surprise to Giacosa connoisseurs. Just 10,000 bottles of what is probably the best Giacosa vineyard are only released as Riserva in outstanding years. Asili 2020 shows a seamless integration of wild fruits, blue flowers, spices, balsamic herbs and liquorice. Its true class is revealed on the palate: structure, dimension, intensity and depth leave nothing to be desired; this vintage is probably one of the best wines we have ever tasted from Bruno Giacosa. There is only one flaw with this highly dramatic growth: anyone who wants to enjoy this wine with all its facets and components should be patient for at least another 10 years. SUPERIORE.DE

San Leonardo is the flagship wine of the winery of the same name and, year after year, one of the finest red wines in northern Italy. It boasts an opulent bouquet with hints of dark fruits such as blackberry and sour cherry. Delicate hints of spice, leather and tobacco lend it a terrific complexity, which is then enhanced on the palate by a harmonious interplay of dark berries and plums, all flanked by clearly defined tannins. A masterful, characterful red that, after a few more years of bottle ageing, reaches its true greatness and lives up to its reputation. SUPERIORE.DE

Luigi Veronelli would have turned one hundred years old on 2 February 2026. This is no ordinary anniversary for Castellare di Castellina, because without Veronelli, this wine would not exist. It was 1976 when he was walking through the vineyards of Castellare with Paolo Panerai and stopped at the descent to the estate's most beautiful parcel. "Paolo, call it I Sodi di S. Niccolò," he said. And then, even before Panerai could explain the choice of grape variety, he haunting: "Forget the French varieties. Sangioveto and Malvasia Nera – they are better." It was exactly what Panerai himself thought. The first harvest followed in 1977.

The fruit for Tenuta Nuova is harvested from a south and south-east facing slope at 250 to 300 metres above sea level. The soils are loose and mixed with gravel, which allows access to air and moisture.

In 1977, a 34-year-old manager from Bergamo came to the Tuscan coast. Pier Mario Meletti Cavallari had had enough of balance sheets and meetings – the wine journalist Luigi Veronelli had persuaded him that his place was among the vines, not in offices. What he found: a piece of land without electricity, without running water, overgrown and forgotten. Only the name reminded him of a distant past: Grattamacco – the slag heaps of the Etruscans, who smelted iron here two and a half thousand years ago. Five years later, in 1982, Meletti Cavallari bottled his first wine – as a simple Vino da Tavola, three years before Ornellaia even existed.