Vinous | 95–100 Points

Suisassi is rich and expressive. The bouquet convinces with aromas of sage, rosemary, wild flowers, liquorice, violets and plums. Very full and round on the palate with memories of berries, chocolate and nuts. Elegant and intellectual, still needs time. SUPERIORE.DE

In 2001, the brothers Piero and Lodovico Antinori, together with their nephew Niccolò Marzichi Lenzi, recognised the extraordinary potential of the hills of Bibbona in the upper Maremma. Instinct, passion and centuries of family experience led to a parcel-by-parcel study that would eventually become the birth of Tenuta di Biserno. The terroir of these 40 hectares at an altitude of 90 metres is of extraordinary complexity: mainly alluvial and clay-limestone soils that create the ideal environment for Cabernet Franc, Merlot, Cabernet Sauvignon and Petit Verdot. The different exposures and the distance from the sea characterise the varietal expression so strongly that the decision in favour of two production lines was obvious: Biserno – the most prestigious and representative wine of the estate – and Il Pino di Biserno.

This dazzling wine is something for Sangiovese purists and lovers of extreme finesse. It literally vibrates with electric energy and charm. Opening with enticing aromas of roses, violets, berries, ploughed earth and new leather, it is youthfully intense but already a classic at this stage. With its velvety texture, it envelops everything it touches with masses of dark red fruit, liquid violet blossom, notes of lavender and sage, plus a subtle savoury note. Taut, refined tannins and bright acidity ensure a perfect balance and a promising, long ageing potential! SUPERIORE.DE

Two hands, one dream: When Elena Celli and Luca D'Attoma discovered the wild hills of Riparbella in 2000 – unploughed, stony and overgrown with macchia – they recognised the potential of this rugged terroir, situated at an altitude of between 250 and 300 metres. Here, where the salty breeze from the Tyrrhenian Sea meets Mediterranean wilderness, one of Italy's most extraordinary Cabernet Francs has been produced for over two decades. Luca D'Attoma, legendary Oenologist and creator of iconic wines such as Le Macchioles Messorio, is committed to radical purity: biodynamic cultivation in accordance with Demeter guidelines, spontaneous fermentation in conical oak barrels, and 20 months' ageing in barriques comprising 80% new oak.

Giovanni Allegrini used to describe his vineyard in a way that no Oenologist would ever use: "The morning sun, dispelling the shadows of the night, awakens nature and gently caresses the grapes." He was proud of this slope – “The wild mountain” – because its eastern exposure ensures that the first light of day hits the grapes before the heat arrives. A consistent ripening, subtle and patient, like everything that aims to be truly good. Fieramonte is the estate’s highest and most demanding vineyard. Corvina Veronese provides the structure and red fruit. Corvinone the body. Rondinella the freshness. And Oseleta – one of the rarest, oldest Veronese grape varieties – almost forgotten, preserved by Allegrini – adds a dark, tannic complexity that no other wine from the appellation possesses to the same degree.

Cerretalto wins in the exceptional 2016 vintage with beautiful, natural complexity and fine oak tones surrounded by cinnamon, clove, chocolate and exotic spices. On the palate, a dark, dense, ripe fruit and firm tannins. Incredibly long and deep with amazingly fresh acidity and fine salinity. For us, the perfect Riserva of this great vintage and made for decades! SUPERIORE.DE

Cerretalto 2018 is an expressive, exuberant and impressive wine that opens with a dark ruby red colour and a rich texture. The bouquet is endlessly intense, closely followed by finely tuned aromas of black cherries, spices, grilled herbs, cloves, tobacco, damp earth and white truffle. Over time, elegant mineral tones unfold, and later these flavours transition into cola, liquorice and tar. The mouthfeel is silky and supple, and there is enough power to move the wine seamlessly across the palate. Cerretalto continues to develop endlessly over 24 hours in the glass. Clear case: this is a bottle for the back of your cellar. SUPERIORE.DE

This dazzling wine is something for Sangiovese purists and lovers of extreme finesse. It literally vibrates with electric energy and charm. Opening with enticing aromas of roses, violets, berries, ploughed earth and new leather, it is youthfully intense but already a classic at this stage. With its velvety texture, it envelops everything it touches with masses of dark red fruit, liquid violet blossom, notes of lavender and sage, plus a subtle savoury note. Taut, refined tannins and bright acidity ensure a perfect balance and a promising, long ageing potential! SUPERIORE.DE

Produced only in the best vintages and in small quantities, this Riserva follows the classic promise of a traditional and powerful Brunello that becomes softer and better with age. Poggio di Sotto has undoubtedly produced one of the best wines of the vintage. This Riserva 2019 fulfils the promise of its category. This wine offers intensity and complexity in abundance. The bouquet is more refined and deeper than that of the Annata; in addition to dark fruits and blackberries, this wine shows an additional dose of cloves and spices. In the mouth, the wine is supple and silky, but it also shows impressive power and length. Those who are prepared to wait ten years or more will be rewarded in the most excellent way with this Riserva! SUPERIORE.DE

2020 was the year in which the silence of the vineyards became a calculation. While the world stood still, Montalcino's winegrowers transformed the enforced slowness into precision: vineyard by vineyard, vine by vine, with an attention that other years would not have allowed. At Poggio di Sotto, this benefited a winery that is never in a hurry anyway. The summer of 2020 was hot – no question about it. But Monte Amiata, always vigilant behind the vineyards, moderated with its cool nights. Rain at the end of September, then a long, leisurely autumn with thirty days of marked day-night difference. Poggio di Sotto harvested late, only at the end of September – and took its time. In hot years, the estate characteristically chooses the deeper plots for its Riserva: cooler clay and Galestro, the natural brake against over-ripening. The result is a 2020 that carries the warmth of the vintage without being dominated by it.

In 2001, the brothers Piero and Lodovico Antinori, together with their nephew Niccolò Marzichi Lenzi, recognised the extraordinary potential of the hills of Bibbona in the upper Maremma. Instinct, passion and centuries of family experience led to a parcel-by-parcel study that would eventually become the birth of Tenuta di Biserno. The terroir of these 40 hectares at an altitude of 90 metres is of extraordinary complexity: mainly alluvial and clay-limestone soils that create the ideal environment for Cabernet Franc, Merlot, Cabernet Sauvignon and Petit Verdot. The different exposures and the distance from the sea characterise the varietal expression so strongly that the decision in favour of two production lines was obvious: Biserno – the most prestigious and representative wine of the estate – and Il Pino di Biserno.

The vines cover two hectares directly below the small chapel that gave the wine its name. This is the steepest, oldest part of the estate, where Alessandro Mori heard the bells over the vines as a child. If there is a wine that is to become his legacy, then it must come from here. Brunello Madonna delle Grazie does not appear every year. There was none in 2002 and 2014 – the grapes were not good enough. This decision costs money, but Alessandro Mori has never acted on it. What distinguishes the Madonna from all other Brunellos in the appellation – even from its own basic Brunello – is the vinification. While the classic Il Marroneto is born with fermentation temperatures of up to 40°C and intensive extraction, the Madonna follows the opposite path: two days of rest after the harvest, then cool fermentation at 28°C for three to four weeks. The extraction is gentle, almost tender – more of an infusion than a maceration, closer to Pinot Noir than to classic Sangiovese. Then matured for 40 months in neutral vats.

Vietti's Ravera is one of the great stars of Piedmont in its precision and structure. It uses fruit from Novello, from a site that looks out over the castle of the same name on the hill in the distance. This wine offers an impeccable balance between nose and mouth, showing immense purity and power in one package. Rose petals, chalk, pepper and a hint of pomegranate make this Barolo one of the most sought-after in the appellation every year. With some ageing, the powerful tannins give way to an elegant impression that does not deviate one millimetre from the coveted style of this great vineyard. A monument of Barolo, which only a few other winemakers in Piedmont besides Vietti and also Giacosa bottle with such consistency! SUPERIORE.DE

"Our winery is situated right in the heart of the vineyard," says Luigi Moio, "and the time between harvest and crushing is practically zero; the grapes reach the vat at their peak of freshness, without any chance of them changing." A statement that sums up the philosophy of this estate, founded in 2001 together with Laura Di Marzio. Moio, a professor of oenology at the University of Federico II in Naples and, since 2015, president of the Oenology Commission of the International Organisation of Vine and Wine (OIV) in Paris, is carrying on a legacy established by his father, Michele Moio – a legendary winemaker from Mondragone who, in the 1950s, revived Falerno, one of the world’s oldest wines.

There are vineyards that make no compromises. Bassolino di Sopra comes from the highest section of the Pian Bassolino vineyard – a single, clearly defined microclimate at 330 to 390 metres, south to south-west facing, with a view of Monte Amiata. The soil belongs to the Santa Fiora geological formation, which characterises the south-eastern slope of Montalcino: slatey siltstone with calcareous deposits, interspersed with clay and marl, with volcanic specks from the eruptions of the nearby volcano. An earth that carries millions of years – and shows it in every sip. Caroline and Jan only vinify Bassolino di Sopra in exceptional vintages. The selection is rigorous: multiple selections in the vineyard, double hand-picking, spontaneous fermentation on natural yeast, weeks of maceration on the skins, then years of ageing in large oak barrels. No intervention that is not mandatory.

There are a handful of wines in Italy that make us nervous every year before the first tasting because the expectations are huge. Cerretalto is undoubtedly one of them. What's more, as in this case from an exceptional year like 2019, it didn't disappoint our expectations - how could it have been otherwise?

Tenuta Tignanello is situated in the heart of Chianti Classico, on the rolling hills between the valleys of the rivers Greve and Pesa, and covers 319 hectares of land, of which around 130 are planted with vines. The estate's vineyards include two jewels: Tignanello and Solaia, which lie on the same hill, on marl soils of marine origin from the Pliocene period, rich in limestone and slate, and which benefit from warm days and cool nights during the growing season. These vineyards produce two wines which, many years ago, were set to become the starting point for the renaissance of Italian wine. Nothing has changed in that regard to this day.

Barolo Prapò comes from Serralunga d'Alba and is, as expected, the most powerful and structured of the various single-vineyard wines from this ambitious estate. At the same time, it is also the most closed at the beginning and, with its introverted nature, is made for a long ageing period. This site is one of the last where the grapes ripen, giving them plenty of time to develop slowly and carefully each year.

There are wines that have changed the history of their country. Not by chance, not because of a passing trend – but through a single, well-founded act of provocation. In 1971, Piero Antinori commissioned one of the most prominent Italian graphic designers of his time to design the label for his new wine: Silvio Coppola, renowned for book covers and designer furniture, for his austerity and minimalism. The label was minimalist – but the wine behind it was a revolution. No Trebbiano, no Malvasia. No white grapes in the red wine, as the Chianti regulations had dictated since Ricasoli's time. Instead: Sangiovese, Cabernet Sauvignon, Cabernet Franc. Barrique instead of large casks. A wine that consequently fell outside the DOC classification – and was released onto the market as a simple Vino da Tavola. Piero Antinori signed the label with his father Niccolò's name: a gesture of gratitude for the trust that had allowed him the boldness to do it in the first place.

Madonna del Piano is a top wine from a top vintage, what more could you want? We are deeply impressed by its energetic tension and complexity, plus a harmony only imagined in the wildest dreams. Focused and racy bouquet of dark cherries, herbs, smoke and mineral hints. Very animating in the drink, the acidity plays around the primary fruit, then the polished tannins set in and glide this beautiful red into its almost endless finish. An extremely characterful and polished wine that is already one of the most beautiful of its appellation. SUPERIORE.DE

In the early 1980s, André Tchelistcheff, the legendary Russian-American Oenologist, stood on a hill near Bolgheri and saw what others overlooked: blue clay. Argille blu – pressed to the surface millions of years ago by tectonic faults, so compact that the Tuscans call it masso, rock. Tchelistcheff recognised the potential for something unheard of in this soil: a Merlot that could rival Pétrus. In the middle of Italy, in the land of Sangiovese. People thought he was crazy. History proved him right. Today, Masseto has long been more than just a wine – it is a monument. Twelve perfect 100-point ratings since its debut in 1986, a name that is mentioned in the same breath as the greatest wines in the world. And a vineyard that is reluctant to reveal its secrets: seven hectares, divided into three parcels with completely different characters. Masseto Alto delivers structure and ripe fruit, Masseto Centrale – with the highest clay content, the "Grand Cru" of the vineyard – gives opulence and monumental tannins, while Masseto Junior with its younger vines contributes freshness and vibrancy. The mosaic only comes together to form the whole.

So much verve and purity, integration and harmony can be found in the Masseto 2021. Black raspberry, mulberry, a hint of toasted brioche. A beautiful natural sweetness, plus a delicacy and subtlety that is simply beautiful and tantalising. Black biros ink and more and more cedar wood with gentle aeration. Creamy. Essences of petals - with a little more lilac, lily and hyacinth than rose. Then graphite again. A wonderful texture on the finish, as soft and caressing as a million layers (milles feuilles plus!) of silk, but actually with a deeper and richer texture - so more cashmere perhaps than silk. Lively, flowing, dynamic and incredibly juicy. Radiant in its incredible dynamism and energy. Very special and above all endless on the finish. Wow! SUPERIORE.DE

There are wines that have changed the history of their country. Not by chance, not because of a passing fad – but through a single, well-founded act of provocation. In 1971, Piero Antinori commissioned one of the most prominent Italian graphic designers of his time to design the label for his new wine: Silvio Coppola, known for book covers and designer furniture, for his austerity and minimalist style. The label was minimalist – but the wine behind it was a revolution. No Trebbiano, no Malvasia. No white grapes in the red wine, as the Chianti regulations had stipulated since Ricasoli's time. Instead: Sangiovese, Cabernet Sauvignon, Cabernet Franc. Barriques instead of large casks. A wine that consequently fell outside the DOC classification – and was launched on the market as a simple "Vino da Tavola". Piero Antinori signed the label with his father Niccolò's name: a gesture of gratitude for the trust that had allowed him to exercise such boldness in the first place.