Vinous | 95–100 Points

Montalcino has many faces. In the south, where the soil is deeper and warmer, Brunelli are produced with lush vigour and Mediterranean richness. In the north, in the Montosoli area, a different voice speaks: cooler, more mineral, characterised by a tension that defines classic vintages. Here lies Valdicava – in the Val di Cava, the valley of the quarries, at 350 metres, with a soil of galestro, limestone and clay that has given Sangiovese Grosso its characteristic structure for three generations. Bramante Abbruzzese bought the estate in 1953 and his grandson Vincenzo took over in the 1980s, turning Valdicava into what Robert Parker described as one of the three or four best Brunello addresses in Italy.

Sangiovese in purezza. Wonderfully spicy aroma, dark forest berries and cherries, some graphite and cedar wood. Silky elegance on the palate, juicy, dark berries, paired with an animating interplay of fruit and acidity that really lets the wine dance across the tongue. Percarlo has depth and length as well as potential for many years in the cellar. One of the great single-varietal Sangiovese wines of central Tuscany. SUPERIORE.DE

Of the four Gulfi-Cru, this is the vineyard closest to the sea, less than 700 metres away and only 10-15 metres above sea level. With vines that grow on sandy soils. A beautiful, multi-layered wine that shows the elegant side of Nero d'Avola that few producers are ever able to present. Precise aromas of ripe red cherries, flint, orange peel, lavender and violets. Silky and juicy on the palate, with a refined but very concentrated extract that almost crushes the taste buds, yet remains lively and not at all heavy, giving the flavours of red cherries, raspberries, flowers and minerals beautiful definition and lift. The finish is very deep and long, with very soft tannins, a beguiling aroma and extreme finesse; very Barolo-like. SUPERIORE.DE

Luigi Veronelli would have turned one hundred years old on 2 February 2026. This is no ordinary anniversary for Castellare di Castellina, because without Veronelli, this wine would not exist. It was 1976 when he was walking through the vineyards of Castellare with Paolo Panerai and stopped at the descent to the estate's most beautiful parcel. "Paolo, call it I Sodi di S. Niccolò," he said. And then, even before Panerai could explain the choice of grape variety, he haunting: "Forget the French varieties. Sangioveto and Malvasia Nera – they are better." It was exactly what Panerai himself thought. The first harvest followed in 1977.

The winery's flagship white wine is called Studio di Bianco and is a blend of 40% Friulano, 35% Sauvignon Blanc and 25% Riesling, aged for 10 months in large barrels. It is an exceptional white wine, certainly one of the best in Italy, with a unique energy and tension that is reflected in a complex bouquet. A cornucopia of floral aromas, stone fruit, peach cake, honey and vanilla cream explode in the glass. The medium-bodied texture of the wine finishes smooth and very defined, revealing a unique complexity and elegance. The total production per vintage is just 1,900 bottles and anyone who has had this wine in their glass at least once in their life should consider themselves lucky. SUPERIORE.DE

"The house of the blackbird" – a poetic name for one of Quintarelli's most mysterious wines. While the world looks to Amarone and Recioto, Giuseppe quietly composes a wine that follows no category and yet embodies the entire philosophy of the house. An unusual blend, an "insolito assemblaggio", as the Italians say: 85 per cent classic Valpolicella grapes – corvina, Corvinone and Rondinella – meet 15 per cent Cabernet Franc, Cabernet Sauvignon, Sangiovese, Nebbiolo and Croatina. A vinological puzzle that combines Veneto with Piedmont and Bordeaux. Vinification follows the traditional Ripasso method: after three days of maceration and initial alcoholic fermentation, the wines undergo a second fermentation on the still-warm marc of the Amarone – a noble technique that gives structure, depth and complexity without achieving the power of an Amarone. This is followed by seven years of ageing in large wooden barrels, a patience that seems almost unimaginable today ...

Every year, La Crena is one of the best and most refined Barbera wines that Piedmont produces. The vines in the Vigna del Nove parcel date back to the 1930s. This vintage will also need many years to develop its full expressiveness, but that's the way it is and we love this crazy development potential so much. La Crena is creamy and rich in the glass, dense, very concentrated with an abundance of layers of fruit that only develop fully with further years of ageing and make for an energetic, exciting wine. SUPERIORE.DE

The term Vecchie Vigne is not a romantic gesture for Siro Pacenti. It is an agricultural decision. The oldest vines of both family estates – pelagrilli in the north and Piancornello in the south – have been standing for up to 60 years. They are not replaced, but nurtured; where necessary, supplemented by massively selected suckers from the best mother vines. What these vines produce each year is little – but highly precise. 2021 was a year of reduction. The April frost hit vines at all altitudes, decimating the harvest and concentrating what remained on the essentials. The harvest took place under rare calm – no rain, no pressure, precise choice of harvest. What arrived in the cellar was already exceptional. Fermentation in steel, 24 months in French barriques, two months in concrete, 22 months in the bottle.

In 1977, a 34-year-old manager from Bergamo came to the Tuscan coast. Pier Mario Meletti Cavallari had had enough of balance sheets and meetings – the wine journalist Luigi Veronelli had persuaded him that his place was among the vines, not in offices. What he found: a piece of land without electricity, without running water, overgrown and forgotten. Only the name reminded him of a distant past: Grattamacco – the slag heaps of the Etruscans, who smelted iron here two and a half thousand years ago. Five years later, in 1982, Meletti Cavallari bottled his first wine – as a simple Vino da Tavola, three years before Ornellaia even existed.

One may wonder whether Luigi Moio is a professor wearing a winemaker's hat or a winemaker wearing a professor's hat. His vintage presentations are academic in tone, his tasting room is run with the rigour of a lecture theatre, and his vineyards are planted according to criteria that only a mathematician or scholar could fully understand. Quintodecimo's winemaking philosophy, on the other hand, is relatively simple. The best vineyard sites are selected for each individual wine. Soils, sites and microclimates are researched with great care. Nothing is taken for granted.

Some wines have to fight for their recognition over years, while others are in the limelight from birth. For a long time, Barolo Le Vigne was the "second" Barolo in the Sandrone family, standing in the shadow of the iconic Cannubi Boschi – until connoisseurs and critics gradually realised that there was no hierarchy here, but rather equality. Today, after more than three decades since the first vintage in 1990, Le Vigne is no longer a complement to Aleste, but its congenial partner – a wine that perfects the ancient Piedmontese art of blending several vineyard sites and increasingly holds a candle to Aleste.

Deep, shiny red colour. A beguiling blend of dark cherries, plums, mocha, liquorice, leather and cloves on the nose. Very compact and powerful fruit on the palate, characterised by deep intensity, dense layers and a velvety texture. Very focussed, balanced and certainly needs a few more years to develop fully. Outstanding elegance and length. In short: an absolute beauty! SUPERIORE.DE

Mazzei's top wine Siepi is not only an outstanding Tuscan wine every year, but also a 6-hectare vineyard in the middle of dense oak forests with an ideal altitude and a unique climate. The sunshine is optimal throughout the day and a constant breeze from the west prevents excessive heat and creates a mild, Mediterranean climate. The oak forests also provide an ideal protective barrier against extreme weather conditions. Rocky soils of marl, limestone and clay from the Pliocene period ensure a special balance of elements in this geological complex.

With the exception of 2016 and 2019, the last eight years in the region around Montalcino have been characterised by warm and dry conditions. For this reason, Il Poggione has started to prioritise irrigation for emergencies (which is becoming more and more of a necessity in the south-west of Montalcino) and is looking for a better balance in the higher vineyards. This is not the only reason why Il Poggione is one of the top producers every year, with an extremely fair value.

There are wines that define a region. Saffredi is one of them. In 1987, when Elisabetta Geppetti – just in her mid-twenties and with the vision of helping the sleepy Maremma region achieve world fame – created this wine together with the legendary Giacomo Tachis, nobody could have guessed that a Supertuscan was born here that would rival Sassicaia and Tignanello. The name is a loving tribute to Fredi, Elisabetta's father-in-law Alfredo Gentili, who sparked her passion for wine and planted the five-hectare vineyard in the 1980s from which the grapes for Saffredi are still sourced today. The single vineyard Saffredi near Pereta lies at an altitude of 250 metres, south-west for the old vines and south-east for the newer plantings. The soil is the result of millions of years of geological history: Sandstone origin, rich in limestone marl and iron minerals, poor in organic matter, with clay layers only from a depth of 30 centimetres. On a clear day, the view from here sweeps over the hills to the Mediterranean 25 kilometres away – a proximity to the coast that gives the wine its special freshness and tension.

Three generations bear this name: The grandfather, who always encouraged Giampaolo Motta in his wine dreams. The son who carries on the torch. And in between, this wine, the highest expression of a man who left the leather goods business of his Neapolitan family to create his Bordeaux in the Conca d'Oro of Panzano. The "Golden Basin" – cultivated since 1490, planted with Merlot and Cabernet for almost 400 years – became Motta's stage in 1992. He experimented with Chianti Classico for ten years, then the break: he left the Consorzio because the rules stood in the way of his vision. "I wasn't really happy with the result after ten years of work," he explained laconically. What followed was pure consistency – and, since 2008, a partnership with Stéphane Derenoncourt, perhaps the most influential consultant on the right bank of Bordeaux.

Romano Dal Forno started out in 1983 with a proposition that he has proven every vintage since: a Valpolicella can compete with the greatest wines in the world. He learnt this from Giuseppe Quintarelli. He internalised it in the Val d'Illasi, where his vines grow on alluvial gravel and clay, at up to 450 metres, with a planting density that makes every yield a rarity. Valpolicella Superiore does not begin fermentation – it begins with six weeks of appassimento. Corvina, Corvinone, Croatina, Oseleta and Rondinella dry slowly in the air of the lodoletta, losing water and gaining soul. Then: controlled fermentation in steel tanks, 36 months in new French and American oak barriques, years of ageing in the bottle.

Mazzei's top wine Siepi is not only an outstanding Tuscan wine every year, but also a 6-hectare vineyard in the middle of dense oak forests with an ideal altitude and a unique climate. The sunshine is optimal throughout the day and a constant breeze from the west prevents excessive heat and creates a mild, Mediterranean climate. The oak forests also provide an ideal protective barrier against extreme weather conditions. Rocky soils of marl, limestone and clay from the Pliocene period ensure a special balance of elements in this geological complex.

Barolo Cerretta Vigna Bricco Riserva 2018 comes from an exposed, high-altitude parcel in Serralunga d'Alba. The soils here are characterised by calcareous marl with iron- and manganese-rich inclusions, which give the wine an unmistakable, cool radiance and distinctive tannin structure. The south-east orientation ensures even sunshine, while cool night winds preserve the aromatic precision of the grapes. The 2018 vintage was characterised by a mild spring, followed by a warm but not extremely hot summer, which allowed the Nebbiolo to ripen gently and evenly. The harvest was not carried out until October, selectively and by hand, in order to bring in only perfectly ripe harvest. The wine was matured for 30 months in barriques, a small proportion of which were new, followed by several years of ageing in the bottle, as required by the Riserva status.

In 1988, the Boscarelli family acquired the Vigna del Nocio – four hectares in the eastern part of the estate, named after the walnut trees that once lined its edges. A small vineyard, but one with an intrinsic complexity that transcends any simple description: The soils are of alluvial origin, but of completely different textures depending on the location – sandy zones alternate with loamy ones in close succession. The same grape variety, the same plot of land, and yet several characters that only reveal themselves to the attentive eye. The family has not simplified this complexity – they have mapped it.

In the Montebuoni vineyard, high above the hills between Gaiole and Radda, a wine is produced whose name embodies a poetic philosophy. Haiku – the traditional Japanese verse form in three lines, whose power lies in its allusion to nature and which requires clear thinking and imagination. Marco Pallanti and Lorenza Sebasti did not choose this name by chance: like a perfect haiku, their wine combines three elements into a harmonious whole that captures the essence of Tuscan nature in its conciseness. The story of Haiku begins in 2009 with the acquisition of the Montebuoni vineyard, the replanting of which had already been completed in 2001. Three noble grape varieties found their ideal expression on these calcareous soils at an altitude of around 500 metres: 50 percent Sangiovese as Tuscan soul, 25 percent Cabernet Franc as Burgundian elegance and 25 percent Merlot as Bordeaux opulence. This tripartite division not only reflects the classic Haiku structure, but also Marco Pallanti's vision of a perfect balance between regional authenticity and international flair.