0.75 liter

The single-vineyard Sauvignon Bianco Lozeta is the result of the avant-garde planting system, which, in contrast to the cultivation method previously practised in Friuli, not only means a higher planting density, but also the intelligent use of clones and biotypes that have been married with French offshoots. It is a further uncompromising and consistent step towards complexity and personality, with optimal utilisation and expression of the existing terroir and microclimate.

In 1994, whilst Lodovico Antinori was searching for suitable land to expand his Tenuta dell’Ornellaia, he discovered, almost by chance, the hills of Bibbona that were to rewrite his destiny as a winemaker. What he found there was not just land – it was a revelation. The soils – a complex symphony of clay and the legendary Bolgheri conglomerate – the orientation of the slopes, the salty breezes from the Tyrrhenian Sea – —all spoke a different language to the familiar Ornellaia terroir. Too different, too wild, too full of character for a simple extension. And yet too fascinating to let go of.

The Popoli vineyard bears witness to the fact that the Valle Reale plateau has been a wine-growing area since time immemorial. Several rows of this vineyard stretch out in front of the ruins of a cave cellar dating back to 1300. This is where the Benedictine monks from the monastery of San Benedetto in Perillis produced and stored their wine. A small plot of around 1 hectare is dedicated to Trebbiano d'Abruzzo.

In the past, the northern slope of Montalcino was not planted with vines, but was cultivated with cereals, olives and cherries. In this area influenced by the Apennines, the seasons are more pronounced, continental and the north wind significantly lowers the temperature in winter. It is therefore the coldest Brunello region at this time of year, but also the wettest. This northern slope is a gentle hill: a characteristic that is more reminiscent of the Crete Senesi area, right next door, than the two stiffer, steeper and warmer southern slopes of Montalcino.

The Montepulciano vines for this powerful and terroir-rich Montepulciano grow on the Campo San Giorgio vineyard at an altitude of about 150 m on deep, chalky clay soils. The wine is unfiltered and unfined and matures for 12 months in small and large wooden barrels. The label represents the historic design of the Rosso Conero of the 1970s and the impressive result is the calling card of a long family tradition and expertise in viticulture.

In the annals of northern Italian wine history, I Palchi marks a turning point – the moment when Stefano Inama realised that he had created a white monument that could compete with the world's great Burgundies. Born from the visionary search for "maximum purity", as Alessio Inama puts it, this Soave Classico not only represents the white flagship of the house, but also a new dimension of what the old Garganega vine is capable of achieving on volcanic soil. The name I Palchi – the terraces – is more than just a geographical designation. It refers to the broad, terraced slopes of Monte Foscarino, which have been characterised by the traditional Veronese Garganega pergolas for over half a century. It was here, on this extinct volcano that has watched over the Po Valley for 30 million years, that Giuseppe Inama began his quiet crusade in the 1960s. While other producers focused on quantity in the plain, he recognised the extraordinary potential of these ancient terraced vineyards – an intuition that today has left his grandchildren a legacy of priceless value.

When Giorgio Rivetti saw the hills of Neive, he immediately recognised the potential lying dormant in this Barbaresco commune: soils and exposures in which he saw the characteristics of the most prestigious crus combined. He bought the land. The Rivettis have since established a presence in Neive with four vineyards, each with its own character, each with its own voice in the estate's Barbaresco orchestra. Bordini is the most delicate of these voices.

For some years now, Matteo Catania has been holding back a few hundred bottles of his wines in the best vintages in order to offer them to his most loyal importers after a few years. From this "private reserve" comes Nerosanloré 2010, which is now - in spring 2023 - offered in small quantities with 9 years of further bottle ageing quasi in Riserva quality.

Contrada Rampante is one of the highest and most renowned vineyards on the north-east slope of Mount Etna. At around 1,000 metres above sea level, Nerello Mascalese thrives here on volcanic sandy soils with a high lava content – a terroir of rare expressiveness that combines cool nights, long vegetation cycles and extreme slopes. The vines are over 100 years old – partly ungrafted – produce small-berried, concentrated grapes. After fermentation in cement, the wine matures for around 12 months in large wooden barrels and then for several months in the bottle.

In 2012, Carlo Franchetti began producing wines from Pinot Noir grapes grown on the hillsides around San Casciano Bagni. The following year saw the creation of Sancaba, the first collaboration with his cousin, which aimed to emphasise the richness, depth and uniqueness of this grape variety in this particular terroir. In 2014, the two cousins merged their wineries and founded Vini Franchetti. Sadly, Andrea Franchetti passed away in 2021, a wine visionary who leaves a big gap. However, his two very different wine projects, one at Tenuta di Trinoro and the other called Passopisciaro on the slopes of Mount Etna, have one thing in common: bringing the characteristics of the vintage, the specificity of the terroir and the full potential of the grape variety into the glass. His wines are intuitive and poetic and always express exactly what his philosophy and vision of wine and life was.

The Romanesque Pieve di San Marcellino was built in the year 1000. It still stands today – in the middle of the vineyards of Rocca di Montegrossi, seven kilometres south of Gaiole, at the southern tip of the Chianti Classico. The vineyard bears its name. And the vines that surround it are older than most of the appellations that appear on labels today. Marco Ricasoli-Firidolfi is a descendant of Baron Bettino Ricasoli – the "Iron Baron" who defined the formula for Chianti Classico in the 19th century. Not as a marketing idea, but as a genetic link to this soil. The vineyard has been certified organic since 2010 and has been planted with Pugnitello alongside Sangiovese since 2006 – an autochthonous Tuscan grape variety that was almost extinct in the 1980s. Pugnitello deepens the colour, thickens the structure and sharpens the profile of the Sangiovese grape. Hand-picked, separate fermentation of both varieties on wild yeasts in upright wooden tanks, 24 months in Allier barriques and tonneau, bottled unfiltered. Only produced in outstanding vintages – the 2020 is one of them.

Wine Solidarity. The term was coined by Elio Altare and six of his colleagues from the Langhe themselves in 1997, when they turned an idea into a structure that continues to function to this day. The seven founders – Altare, Giovanni Corino, Federico Grasso, the Revello brothers and Mauro Veglio from La Morra, Gianfranco Alessandria from Monforte d’Alba, and La Morandina from Castiglione Tinella – formed a pact: each would produce their own wine under the shared name L’Insieme, up to 5,000 bottles per year. And each would pay 5 euros per bottle produced into the shared fund. Not per bottle sold – per bottle produced.

In 2012, Carlo Franchetti began producing wines from Pinot Noir grapes grown on the hillsides around San Casciano Bagni. The following year saw the creation of Sancaba, the first collaboration with his cousin, which aimed to emphasise the richness, depth and uniqueness of this grape variety in this particular terroir. In 2014, the two cousins merged their wineries and founded Vini Franchetti. Sadly, Andrea Franchetti passed away in 2021, a wine visionary who leaves a big gap. However, his two very different wine projects, one at Tenuta di Trinoro and the other called Passopisciaro on the slopes of Mount Etna, have one thing in common: bringing the characteristics of the vintage, the specificity of the terroir and the full potential of the grape variety into the glass. His wines are intuitive and poetic and always emphasise exactly what his philosophy and vision of wine and life was.

The Nerello Mascalese vines for the Archineri Rosso are rooted deep in the terraced vineyards of Contrada Rampante – at an altitude of around 850 metres on pure volcanic rock. It is a barren, yet vital terroir which, in combination with old, ungrafted vines and strict selection, produces wines of almost ascetic precision. The grapes are fermented spontaneously, then matured for around 12 months in large, used oak barrels before being bottled without filtration.

In 1981, a wine was bottled that would finally put Ronco del Gnemiz on the map. Not the biggest, not the most expensive – but the one that showed what was possible on this hill in Rosazzo. Sol Chardonnay was the beginning of a story that continues to this day. The vineyard from which it comes is a rarity: half a hectare, planted between the two world wars, when no one could have guessed that these vines would one day be among the oldest Chardonnay vines in the Colli Orientali. Today they are over 80 years old – and still produce grapes of astonishing vigour year after year. The soils are rich in organic matter, the eastern exposure catches the gentle morning light and protects the grapes from the afternoon heat. 20 hectolitres per hectare: less than half of what is considered low elsewhere. Christian Patat presses the grapes as whole clusters and ferments the must entirely in barriques – a third of them new, the rest already used. Bâtonnage? Rarely.

Half a hectare in Rosazzo. Two plots that touch like old friends: one was planted in 1954, when Friuli was still licking the wounds of war. The other followed fifty years later, in 2004, as if someone wanted to continue the story. Together they form one of those patches of land that are known in the Colli Orientali as authentic Grand Crus – a word that is not used lightly here. The winery does not (yet) reveal who Ana Freire was or is. Just this much: the name is written on the label like a dedication, preceded by an "a" like a silent "for you". At Ronco del Gnemiz, wines bear the names of those who matter – serena's mother Iris, her father Dottore Palazzolo. This Chardonnay joins this silent gallery of affection. Christian Patat vinifies it like its siblings: whole bunch pressing, fermentation in wood, the same meticulous process as for the Sol or Ronco Basso.