Sangiovese

Tasting the different lots of Il Marroneto from the barrel is a fascinating task. The vines are all similarly situated at high altitude, on coarse sand of marine origin, and predominantly north-facing. While they have subtle differences, the distinct character of Madonna delle Grazie often merits a separate bottling - as the 2018 proves. The aromas take on the darkest, most heady purple florals, tangled in allspice and smoky incense. The wine is muscular with firm tannins that grip it tightly and don't let go, though it is never beefy, heavy or angular. At the moment it is still developing, but the finish already reveals a refined balsamic core and a spicy, salted plum. SUPERIORE.DE

The grapes for the Annata, which was certified organic for the first time in 2020, come from a 13-hectare site at an altitude of 500 metres. The soils here are somewhat lighter and stonier than the average for the appellation, with slate-rich Galestro and calcareous Alberese. As always, Poggio Antico's 2020 vintage is authentic and classic, with bright fruit tones, wild cherries, roasted nuts, blue flowers and forest floor. While the other wines in the portfolio mature in smaller tonneaux, this wine is aged in large Slavonian barrels. We like the energetic lift and the simultaneous brightness of the fruit - the winery achieves this like no other. As the wine progresses, the approach is very delicate with a convincing intensity of floral aromas and a silky mouthfeel. A lively acidity ensures balance and freshness right to the end, while a salty, mineral note is added on the finish. As always, this Brunello from the best winery is a safe bet! SUPERIORE.DE

The name says it all: wines of the slopes. Vigneti del Versante is made from grapes from the Cancello Rosso parcel and the lower part of Pian Bassolino – sites, which lie at an altitude of 350 metres and have a soil of exceptional geological diversity. Calcareous clay, slightly decomposed marl, sandstone, flysch – layers from the Cretaceous and Tertiary periods, interspersed with volcanic influences from nearby Monte Amiata. In the Cancello Rosso vineyard, an increased proportion of sand in the topsoil provides the typical spicy and nutty flavours of the berries; Pian Bassolino contributes with a calcareous density. Jan Erbach sees the Vigneti del Versante as the search for a harmony that is more than the sum of its parts – like the different voices of an orchestra that only find their sound together. Spontaneous fermentation, strict selection of grapes on the table, no technological additives, maturation in large oak barrels without filtration.

Riserva is not an automatic process at Fuligni. It is created when a vintage deserves it – and when the estate's oldest vineyards have produced something that is more than Brunello. More than good. 1972, 1976, 2002: vintages in which Fuligni simply did not bring any Brunello onto the market because the quality was not right. This consistency is rare, because you have to be able and willing to afford it. It is also the foundation on which a Riserva acquires its very special meaning. 2020 was not an easy year. Warm, dry, early ripening – a vintage that many producers dismissed as too lush, too soft. Fuligni saw it differently. The north-east-facing sites in Cottimelli, between 380 and 450 metres, on Galestro – stony, cool, with natural acidity even in hot years – dampened the heat and preserved the freshness. What was a challenge in flatter, warmer sites resulted in concentrated, healthy grapes with depth and surprising elegance. The oldest vines on the estate, over forty years old, with reduced yields and highly concentrated juice, provided the material for the selection.

The Brunello di Montalcino Riserva 2019 is a fully impressive creation with a unique and interesting interpretation of this classic vintage. The wine is bold and bright, with great intensity that accompanies it from start to finish. Dark cherry and blackberry flavours stand in balanced contrast to layers of spice, cumin and cardamom. Despite its intensity and richness, this Riserva is very balanced and never oversteps its bounds. The same applies to the mouthfeel. On the palate, it offers a dense, rich texture with complex fruit flavours and bright acidity. The 2019 vintage is once again an exceptional wine from this incredibly ambitious winery! SUPERIORE.DE

Fantastic wine from terrific2019, which embodies the style of the winery just as convincingly as its high-altitude terroir. Fruity aromas of wild cherry, baking spices and savoury herbs characterise its hauntingbouquet. Elegance and fullness in the perfectly contoured flavour, which gives all the components the necessary freedom. One of the best Poggio Antico in a long time: deep, long and multi-faceted - a real beauty! SUPERIORE.DE

When Lamole di Lamole acquired this two-hectare cru in 2017, they didn't just take over vines – they took over a legacy. The Sangiovese vines, planted in 1994, grow here in the archaic form of the "Alberello Lamolese", the bush training that generations of winegrowers have wrested from the harsh altitude and which they never wanted to give up. This natural terrace lies between 540 and 580 metres, exposed to the south, buffeted by the wind and flooded with the purest light. The old dry stone walls made of ochre-coloured Macigno Toscano absorb the sun's heat during the day and give it back to the vines at night – a dialogue between stone and plant that has been going on for centuries. As early as 1800, the geographer Emanuele Repetti noted: "Buon vino di Lamole, lodata campagna" – good wine from Lamole, praised landscape. In 2018, the village was declared a "Patrimonio Storico d'Italia". The 2020 – only the third vintage from this vineyard – shows what Gran Selezione can mean. The grapes undergo optical selection, ferment in 50-hectolitre conical barrels with "macerazione differita", mature first in the same containers, then in 30-hectolitre oak barrels. The result? A wine that the winemakers themselves describe as lyrical and beguiling.

This impressive Sangiovese comes from the single vineyard "Vitticciana", which was specially created for a pure Sangiovese wine by the "Godfather of Carmignano" Ugo Contini Bonacossi due to its perfect orientation. It is only produced in the best years, when it presents itself as a multi-layered wine with fine fruit and fine-grained tannins. After a few years of ageing in the bottle, it can easily hold its own with some of the best Brunello di Montalcino. SUPERIORE.DE

In the past, the northern slope of Montalcino was not planted with vines, but was cultivated with cereals, olives and cherries. In this area influenced by the Apennines, the seasons are more pronounced, continental and the north wind significantly lowers the temperature in winter. It is therefore the coldest Brunello region at this time of year, but also the wettest. This northern slope is a gentle hill: a characteristic that is more reminiscent of the Crete Senesi area, right next door, than the two stiffer, steeper and warmer southern slopes of Montalcino.

The name is a tribute. Giodo – composed of Giovanna and Donatello, the names of his parents. Carlo Ferrini, one of Italy's most important Oenologist, has dedicated his life to Sangiovese – as a consultant for estates from Montalcino to Etna and as the designer of some of the most influential wines in Tuscany over the last three decades. It was not a question of if he would found his own winery at some point, but when. In 2002, he found it: ten hectares in Sant'Angelo in Colle, south-west Montalcino, seven of them woodland, three for the vine. And the vine here is exclusively Sangiovese – 15 carefully selected clones, planted with the patience of a man who knows that great wines are not made, but accompanied.

Pianrosso comes from a south-west facing vineyard in the Castelnuovo dell'Abate subzone at an altitude of around 300 metres with mainly Galestro soils. It is dark, rich and deeply seductive, showing ripe black fruit enveloped in hints of gravel, sage and exotic spices. Although it has a velvety and almost creamy texture, it finds harmony through juicy acids and a blend of ripe black cherries and plums. Notes of liquorice and baker's chocolate balance the salty minerality and fine-grained tannins of the Pianrosso in a long and dramatic final. For a wine with such power, this is a beautiful symmetry. Definitely put it away for a few more years. SUPERIORE.DE

Pianrosso: the red field. The name tells of iron-rich soils that give the Sangiovese that mineral depth that no cellar in the world can imitate. 11.7 hectares on the south-eastern edge of Montalcino, between 240 and 360 metres above sea level, where ancient marine material meets Galestro slate. Giuseppe Bianchini had the vineyard replanted in the 1980s, knowing that the heart of the winery lies dormant here. Pianrosso is only bottled in superior years, a strict selection of the best grapes, a whole year longer in Slavonian vats than the classic Brunello. 36 months in large wood, then further rest in the bottle. The result is not a wine for quick enjoyment, but a document of patience. In 2021, Montalcino produced one of those vintages that you never forget: bright September days, cool nights, perfect phenolic ripeness.

Rare vertical in a gift box of 6 - an exclusive and strictly limited selection of the wonderful 2016, 2017 and 2018 vintages of the single-vineyard "San Marcellino" Chianti Classico Gran Selezione:

"Pianrosso" – the red plain. When Giuseppe Bianchini began planting this vineyard in 1985, he knew that the heart of his heritage would beat here, on the iron-rich Galestro soils above the Orcia Valley. Eleven hectares between 240 and 360 metres, supported by the slate and marl subsoil that was once seabed before the nearby Monte Amiata left behind its volcanic minerality. Today, his son Paolo and his son Alex continue this legacy – three generations of Bianchini, who face Montalcino's hottest zone with organic cultivation and prudent restraint. The 2020 vintage demanded everything: July heat, which led to 15.5 per cent alcohol, but underneath lies the elegance for which Castelnuovo dell'Abate is famous.

A lake next to the vineyard – this is not a metaphor, this is geography. Vigna del Lago is located in the north-west of Montalcino, at 280 metres above sea level, and the small lake that gives the vineyard its name softens the otherwise continental climate of this exposure: harsh winters, very hot summers, pronounced day-night temperature fluctuations. The soil is clay – heavy, watery and cool. A combination that forces the Sangiovese Grosso to take deep root, mature slowly and develop elegance rather than mass. The vine material is the densest in the entire Val di Suga portfolio: 7,500 vines per hectare – a figure reminiscent of the planting densities in Burgundy. Double spur cordon, careful foliage management, yield reduction through thinning out. Hand-picking into crates takes place exclusively in the early hours of the morning. In the cellar: fermentation for eight to twelve days, maceration for a further two to three weeks. Maturation in 40-hectolitre Slavonian oak barrels for 24 months, then concrete, then bottle. No barrique, no wood pressure – pure site. 2021 was a lucky vintage for Vigna del Lago. The late frost in April reduced the harvest – and concentrated the best. No extreme summer, no stress.

Anyone who knows the south-east of Montalcino knows: no sea breezes, no proximity to the lake, no soft light. Monte Amiata reigns supreme here – the extinct volcano in the background, which breaks the winds, intensifies the temperature fluctuations between day and night and gives the soil its unmistakable character: Galestro slate, gritty, barren, rich in minerals. Oaks and holm oaks stand between the vines, where elsewhere cypresses or olive trees characterise the landscape. Poggio al Granchio – the "crab hill" – lies at 380 to 450 metres, south-east exposure, the historical heart of the appellation. Val di Suga acquired this vineyard in 1999, thus completing a triangle that no other producer in Montalcino possesses. The grapes are harvested by hand in crates, in micro-zones, and the optical selection is uncompromising. In the cellar: fermentation for ten to fourteen days, followed by intensive post-fermentation maceration at 30 degrees for twenty to twenty-five days – this is where extract, density and colour are created. 2021 was particularly favourable for the Poggio al Granchio. The influence of Monte Amiata mitigated the dryness of the summer, while the long autumn ensured even ripeness.

Altesinos Montosoli is always a crowd pleaser and a beautiful wine. It shows depth, intensity and plenty of authenticity both in terms of the grape variety and the area. Dark cherries and blackberries rise from the bouquet with spices, pipe tobacco and damp earth in tow. The wine is complex and nuanced. The authenticity of the Sangiovese comes through clearly on the palate. It is a medium-bodied wine with polished but firm tannins and distinct acidity. The finish shows a touch of freshness, minerality, notes of mint and great depth. SUPERIORE.DE

The Riecine vineyard in Gaiole in Chianti has a history dating back to the 11th century. Today's vineyards grow between 430 and 600 metres above sea level on stony, alluvial limestone soils over a subsoil of pure limestone - rock that was once washed here from the Monterossi hill by the ancient Massellone river (once called "Clante", the origin of the name "Chianti"). Since 2006, La Gioia has been a pure Sangiovese, a decision that perfectly reflects the philosophy of the estate: absolute concentration on the noblest of all Tuscan grape varieties.

Once upon a time, there was a vineyard that was particularly spoilt by the Montalcino sun; it still bears the name Vigna Loreto to this day. Only in the best vintages does a Brunello come from this exposed site that is bursting with richness, complexity and assertiveness. It possesses a textural depth and balance that is captivating. Fruit, spice and very unique nuances such as savoury herbs, liquorice, tobacco and a firm tannin make this impressive wine monument linger on the palate and in the memory for a long time. With every sip, it opens up further layers and you might almost sink into it, such is the shift in the boundaries of what is comparable. The 2019 Vigna Loreto is not only extremely elegant, but also profound and almost outrageously juicy. SUPERIORE.DE

As a result of extensive soil research, Francesco Ricasoli was able to identify three microlocations, which will be vinified separately from the 2015 vintage onwards. The range of Chianti Classico Gran Selezione now includes, in addition to the famous Castello di Brolio, three cru sites (Colledilà, Roncicone and Ceniprimo), all of which are 100% planted with Sangiovese. They differ in structure and taste in close correspondence with their terroir and impressively demonstrate the complexity of the Chanti Classico region.

As a result of extensive soil research, Francesco Ricasoli was able to identify three microlocations, which will be vinified separately from the 2015 vintage onwards. The range of Chianti Classico Gran Selezione now includes, in addition to the famous Castello di Brolio, three cru sites (Colledilà, Roncicone and Ceniprimo), all of which are 100% planted with Sangiovese. They differ in structure and taste in close correspondence with their terroir and impressively demonstrate the complexity of the Chanti Classico region.

In 1996, Elisabetta Geppetti bought a slope near Pereta. She named it Poggio Valente – the valiant hill, the brave hill. A name that says it all. The site lies at 280 metres, facing south-west, on sandy soils over sandstone rocks with clay inlays – a soil that gives the Sangiovese precision and elegance rather than weight and vigour. Elisabetta wanted something different here: a single-varietal Sangiovese cru in the Burgundian style, a wine that speaks its vineyard and nothing else. In 2014, she made a consistent decision: Poggio Valente left the Morellino appellation and has since appeared as a Toscana IGT. Not a step backwards – quite the opposite. A statement. This wine is bigger than its designation of origin, and Elisabetta did not want the lack of international recognition of an appellation to limit its ambition.